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Motif

Nanna van Elk

Producer · Born September 28, 1965 (61)

Nanna van Elk was born on 28 September 1965. She is a producer and production manager, known for The Sommerdahl Murders (2020), Men & Chicken (2015) and Den sorte Madonna (2007).

Biography from IMDb.

Born
September 28, 1965 (61)
Works as
Producer
Titles
5 on Motif

What are Nanna van Elk's films like?

Across their 5 Motif titles with a thematic analysis, their films lean Bonds and Survival.

Themes

share of theme weight
Bonds
57%
Survival
25%
Self
17%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 1 · Intense 1

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Contemplative
3
Joyful
1
Absurd
1
Other
2

How their films end · 1 with a twist

  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nanna van Elk's films?

As of October 24, 2026, all 5 Motif titles stream on a subscription or free service.

Subscription and free streaming for Nanna van Elk's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a Motif page.

  • Generations(2025)

    Show Producer

    Midcredits score: 31st percentile of all shows
  • Secrets(2024)

    Show Producer

    Midcredits score: 54th percentile of all shows
  • Camino(2023)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Dead Don't Hurt(2023)

    Producer

    Midcredits score: 60th percentile of all films
  • Klown Forever(2015)

    Producer

    Midcredits score: 51st percentile of all films

Career shape

Across their 5 Motif titles from 2015 to 2025.

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score51st

By decade

2010s1 · crew2020s4 · crew

Counts over their Motif titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Nanna van Elk's films land?

Their typical Motif film has a Midcredits score in the 51st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 3

Approval · how many liked their films

48thpercentile
Typical film, the median of 3

Reach · how many have seen their films

68thpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 50th to 74th3
  • 25th to 49th2

Shape of the crowd

None of their 5 titles divides audiences: 3 are Broadly Agreed.

  • Crowd Pleaser1
  • Broadly Agreed3
  • Mixed1

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nanna van Elk work with?

People who share at least 2 of Nanna van Elk's Motif titles, grouped by what they did on them; Olga Schultz shares the most, 2.

Actors