Robert Van Eps

What are Robert Van Eps' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Van Eps' films?

As of October 24, 2026, 8 of their 15 MovieCove titles stream on a subscription or free service.

• HBO Max4 titles, browse their movies on this service
  • In the Good Old Summertime (1949) · composer
  • The Courtship of Eddie's Father (1963) · composer
  • Billy Rose's Jumbo (1962) · composer
  • Panama Hattie (1942) · orchestrator
• Tubi4 titles, browse their movies on this service
  • Andy Hardy Meets Debutante (1940) · orchestrator · free
  • Viva Las Vegas (1964) · composer · free
  • The Opposite Sex (1956) · composer · free
  • The Man from Button Willow (1965) · composer · free

Subscription and free streaming for Robert Van Eps' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 15 with a MovieCove page.

• 

  Spinout(1966)

  Composer

  Midcredits score: 33rd percentile of all films33^rd
• 

  The Man from Button Willow(1965)

  Composer

  Midcredits score: 26th percentile of all films26^th
• 

  Girl Happy(1965)

  Composer

  Midcredits score: 58th percentile of all films58^th
• 

  Viva Las Vegas(1964)

  Composer

  Midcredits score: 58th percentile of all films58^th
• 

  Sunday in New York(1963)

  Music Supervisor

  Midcredits score: 72nd percentile of all films72^nd
• 

  The Courtship of Eddie's Father(1963)

  Additional Music

  Midcredits score: 72nd percentile of all films72^nd
• 

  Billy Rose's Jumbo(1962)

  Composer · Orchestrator

  Midcredits score: 49th percentile of all films49^th
• 

  Ten Thousand Bedrooms(1957)

  Composer

  Midcredits score: 25th percentile of all films25^th
• 

  This Could Be the Night(1957)

  Composer

  Midcredits score: 67th percentile of all films67^th
• 

  The Opposite Sex(1956)

  Composer · Orchestrator

  Midcredits score: 47th percentile of all films47^th
• 

  Hit the Deck(1955)

  Composer

  Midcredits score: 58th percentile of all films58^th
• 

  Flame and the Flesh (not in the MovieCove catalog yet)(1954)

  Composer
• 

  Easy to Love(1953)

  Composer

  Midcredits score: 49th percentile of all films49^th
• 

  In the Good Old Summertime(1949)

  Composer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Panama Hattie(1942)

  Orchestrator

  Midcredits score: 40th percentile of all films40^th
• 

  Andy Hardy Meets Debutante(1940)

  Orchestrator

  Midcredits score: 63rd percentile of all films63^rd

Career shape

A full career of 12 titles from 1940 to 1966.

Biggest box office

In the Good Old Summertime (1949)

$7.7M worldwide

Highest rated

In the Good Old Summertime (1949)

Midcredits 82^nd

Most popular right now

Viva Las Vegas (1964)

How do Robert Van Eps' films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Shape of the crowd

11 of their 15 titles are Crowd Pleasers.

113

• Cult Classic1
• Crowd Pleaser11
• Mixed3

Most divisive · composer

The Man from Button Willow (1965)

73^rd percentile spread · 30% rated it 4 or lower

Most loved · composer

In the Good Old Summertime (1949)

Midcredits 82^nd · 76% liked

Reviewers score the sound and music 57/100 in their films, across 12 reviewed titles; fans 71, detractors 38. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Van Eps work with?

People who share at least 2 of Robert Van Eps' MovieCove titles, grouped by what they did on them; George Stoll shares the most, 12.