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Gabriele Varriale

Editor

Works as
Editor
Titles
6 on MovieCove · 64 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 5% in 30 days

What are Gabriele Varriale's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
24%
Power
21%
Survival
20%
Society
18%
Self
8%
Morality
8%
Romantic love2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 2 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Warm
2
Hopeful
2
Joyful
1
Other
3

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gabriele Varriale's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Gabriele Varriale's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

64 credits, 6 with a MovieCove page.

  • Scorched Skin (not in the MovieCove catalog yet)(1962)

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  • Warriors Five(1962)

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    Midcredits score: 13th percentile of all films

  • Duel of the Titans(1961)

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    Midcredits score: 34th percentile of all films

  • I Kiss... You Kiss (not in the MovieCove catalog yet)(1961)

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  • Constantine and the Cross(1961)

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    Midcredits score: 34th percentile of all films

  • Il carro armato dell'8 settembre (not in the MovieCove catalog yet)(1960)

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  • Atom Age Vampire (not in the MovieCove catalog yet)(1960)

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  • Howlers of the Dock (not in the MovieCove catalog yet)(1960)

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  • The Jukebox Kids (not in the MovieCove catalog yet)(1959)

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  • The Maids (not in the MovieCove catalog yet)(1959)

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  • Hello, Hello Baby! (Rains) (not in the MovieCove catalog yet)(1959)

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  • My Wife's Enemy (not in the MovieCove catalog yet)(1959)

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  • I ragazzi dei Parioli (not in the MovieCove catalog yet)(1959)

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  • Carmela è una bambola (not in the MovieCove catalog yet)(1958)

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  • Piece of the Sky (not in the MovieCove catalog yet)(1958)

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  • È arrivata la parigina (not in the MovieCove catalog yet)(1958)

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  • I sette contadini (not in the MovieCove catalog yet)(1958)

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  • Il marito (not in the MovieCove catalog yet)(1958)

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  • Gioventù disperata (not in the MovieCove catalog yet)(1957)

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  • Parola di ladro (not in the MovieCove catalog yet)(1957)

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  • Men and Wolves (not in the MovieCove catalog yet)(1957)

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  • A Mink Coat (not in the MovieCove catalog yet)(1956)

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  • Sunset in Naples (not in the MovieCove catalog yet)(1956)

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  • The Prince with the Red Mask (not in the MovieCove catalog yet)(1955)

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  • Caravan of songs (not in the MovieCove catalog yet)(1955)

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  • Scampolo 53 (not in the MovieCove catalog yet)(1955)

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  • Napoli terra d'amore (not in the MovieCove catalog yet)(1954)

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  • Days of Love (not in the MovieCove catalog yet)(1954)

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  • Graziella (not in the MovieCove catalog yet)(1954)

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  • One Hundred Serenades (not in the MovieCove catalog yet)(1954)

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  • Angels of Darkness(1954)

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    Midcredits score: 42nd percentile of all films

  • Foreign Earth (not in the MovieCove catalog yet)(1954)

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  • Una di quelle (not in the MovieCove catalog yet)(1953)

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  • A Husband for Anna (not in the MovieCove catalog yet)(1953)

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  • Good Folk's Sunday (not in the MovieCove catalog yet)(1953)

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  • Rome 11:00 (not in the MovieCove catalog yet)(1952)

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  • Anna (not in the MovieCove catalog yet)(1951)

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  • Parigi è sempre Parigi(1951)

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    Midcredits score: 36th percentile of all films

  • Cuori sul mare (not in the MovieCove catalog yet)(1950)

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  • Under the Olive Tree (not in the MovieCove catalog yet)(1950)

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  • Il diavolo in convento (not in the MovieCove catalog yet)(1950)

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  • Bitter Rice(1949)

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    Midcredits score: 95th percentile of all films

  • Una lettera all'alba (not in the MovieCove catalog yet)(1948)

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  • Che tempi! (not in the MovieCove catalog yet)(1948)

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  • Christmas at Camp 119 (not in the MovieCove catalog yet)(1947)

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  • Fatalità (not in the MovieCove catalog yet)(1947)

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  • Peddlin' in Society (not in the MovieCove catalog yet)(1946)

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  • Outcry (not in the MovieCove catalog yet)(1946)

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  • Malìa (not in the MovieCove catalog yet)(1946)

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  • The Adulteress (not in the MovieCove catalog yet)(1946)

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  • I Do Not Move (not in the MovieCove catalog yet)(1943)

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  • In due si soffre meglio (not in the MovieCove catalog yet)(1943)

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  • Tempesta sul golfo (not in the MovieCove catalog yet)(1943)

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  • Music on the Run (not in the MovieCove catalog yet)(1943)

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  • Casanova farebbe così! (not in the MovieCove catalog yet)(1942)

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  • La fanciulla dell'altra riva (not in the MovieCove catalog yet)(1942)

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  • Non ti pago! (not in the MovieCove catalog yet)(1942)

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  • Gioco pericoloso (not in the MovieCove catalog yet)(1942)

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  • È caduta una donna (not in the MovieCove catalog yet)(1941)

    Editor · First Assistant Director

  • Senza cielo (not in the MovieCove catalog yet)(1940)

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  • Cose dell'altro mondo (not in the MovieCove catalog yet)(1939)

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  • I, His Father (not in the MovieCove catalog yet)(1939)

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  • Jeanne Doré (not in the MovieCove catalog yet)(1938)

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  • Nina, non far la stupida (not in the MovieCove catalog yet)(1938)

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Career shape

A full career of 63 titles from 1938 to 1962.

Highest rated

Bitter Rice (1949)

Midcredits 95th

Most popular right now

Constantine and the Cross (1961)

By role

only this rolewith another role
Writing1 of 63: 1 only writing, 0 with another roleEditing62 of 63: 61 only editing, 1 with another role · typical Midcredits score36thOther crew1 of 63: 0 only other crew, 1 with another role

By decade

1930s4 · crew1940s19 · crew1950s33 · crew1960s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gabriele Varriale's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 6

Approval · how many liked their films

36thpercentile
Typical film, the median of 6

Reach · how many have seen their films

35thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

3 of their 6 titles are Mixed.

  • Universally Loved1
  • Cult Classic1
  • Broadly Agreed1
  • Mixed3

Most divisive · editor

Angels of Darkness (1954)

83rd percentile spread · 18% rated it 4 or lower

Most loved · editor

Bitter Rice (1949)

Midcredits 95th · 84% liked

Reviewers score the pacing 46/100 in their films, across 5 reviewed titles; fans 53, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gabriele Varriale work with?

People who share at least 2 of Gabriele Varriale's MovieCove titles, grouped by what they did on them; Ennio De Concini shares the most, 2.

Writers

Producers