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Bruno Vatin

Producer, also director

Works as
Producer, also director
Titles
12 on MovieCove

What are Bruno Vatin's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 5

A split, not a type: Grounded 5 · Stylized 3 · Heightened 4

Gentle 1 · Charged 7 · Intense 4

Steady 3 · Shifting 8 · Whiplash 1

A split, not a type: Straight-faced 6 · Some laughs 1 · Funny 5

Slow burn 1 · Even-paced 10 · Relentless 1

Casual 5 · Engaged 6 · Full focus 1

Resolved 8 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
7
Absurd
4
Joyful
4
Dread
3
Other
10

How their films end · 2 with a twist

  • Happy3
  • Bittersweet5
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bruno Vatin's films?

As of October 24, 2026, 6 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Bruno Vatin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • Athena(2022)

    Producer

    Midcredits score: 73rd percentile of all films
  • Midcredits score: 71st percentile of all films
  • Anna(2019)

    Producer

    Midcredits score: 67th percentile of all films
  • Selfie(2019)

    Producer

    Midcredits score: 27th percentile of all films
  • Gangsterdam(2017)

    Producer

    Midcredits score: 11th percentile of all films
  • The Dancer(2016)

    Producer

    Midcredits score: 61st percentile of all films
  • Les Cowboys(2015)

    Producer

    Midcredits score: 69th percentile of all films
  • Midcredits score: 58th percentile of all films
  • Blood Ties(2013)

    Producer

    Midcredits score: 56th percentile of all films
  • Midcredits score: 27th percentile of all films
  • Me Two(2008)

    Producer

    Midcredits score: 37th percentile of all films
  • 99 Francs(2007)

    Director

    Midcredits score: 85th percentile of all films

Career shape

Across their 12 MovieCove titles from 2007 to 2022.

By role

only this rolewith another role
Directing1 of 12: 1 only directing, 0 with another roleProducing11 of 12: 11 only producing, 0 with another role · typical Midcredits score58th

By decade

2000s2 · crew2010s8 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Bruno Vatin's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 12

Approval · how many liked their films

61stpercentile
Typical film, the median of 12

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 50th to 74th7
  • 25th to 49th3
  • Below 25th1

Reviewers score the atmosphere 68/100 and the pacing 45/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bruno Vatin's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 70 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 31 · mildMedian of all films: 32
Profanity3 titlesmedian 71 · intenseMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Bruno Vatin work with?

People who share at least 2 of Bruno Vatin's MovieCove titles, grouped by what they did on them; Alain Attal shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers