- Composer, also producer
- 3 on MovieCove · 14 credits in all
What are José de la Vega's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch José de la Vega's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for José de la Vega's titles on MovieCove; rent and buy are not counted.
Filmography
14 credits, 3 with a MovieCove page.
Tres desgraciados con suerte (not in the MovieCove catalog yet)(1958)
Horas de agonía (not in the MovieCove catalog yet)(1958)
Esposa te doy (not in the MovieCove catalog yet)(1957)
La mujer de dos caras (not in the MovieCove catalog yet)(1957)
A Woman's Pride (not in the MovieCove catalog yet)(1956)
Locura pasional(1956)
Midcredits score: 16th percentile of all films (provisional, few ratings)
The Phantom of the Red House (not in the MovieCove catalog yet)(1956)
Al diablo las mujeres (not in the MovieCove catalog yet)(1955)
The Magnificent Beast (not in the MovieCove catalog yet)(1953)
Ella y yo(1951)
Midcredits score: 27th percentile of all films (provisional, few ratings)
Donde nacen los pobres(1950)
Midcredits score: 38th percentile of all films (provisional, few ratings)
Late Afternoon (not in the MovieCove catalog yet)(1949)
Ahí vienen los Mendoza (not in the MovieCove catalog yet)(1948)
Nuestros maridos (not in the MovieCove catalog yet)(1946)
Career shape
A full career of 13 titles from 1946 to 1958.
How do José de la Vega's films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 17th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does José de la Vega work with?
People who share at least 2 of José de la Vega's MovieCove titles; Fanny Schiller shares the most, 2.
- Fanny SchillerShared titles: Locura pasional (1956), Donde nacen los pobres (1950)See all 2 shared titles with Fanny Schiller
- Jorge BustosShared titles: Ella y yo (1951), Donde nacen los pobres (1950)See all 2 shared titles with Jorge Bustos