Ben Verschleiser
- Producer
- 4 on MovieCove · 10 credits in all
What are Ben Verschleiser's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 2
Grounded 4 · Stylized 0 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ben Verschleiser's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on MGM+ (2).
Subscription and free streaming for Ben Verschleiser's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 4 with a MovieCove page.
3 Kids and a Queen(1935)
Midcredits score: 60th percentile of all films (provisional, few ratings)
Great God Gold(1935)
Midcredits score: 34th percentile of all films
Million Dollar Baby (not in the MovieCove catalog yet)(1934)
Jane Eyre (not in the MovieCove catalog yet)(1934)
Money Means Nothing (not in the MovieCove catalog yet)(1934)
A Woman's Man(1934)
Midcredits score: 17th percentile of all films (provisional, few ratings)
Broken Dreams(1933)
Midcredits score: 27th percentile of all films
The Devil's Mate (not in the MovieCove catalog yet)(1933)
Breach of Promise (not in the MovieCove catalog yet)(1932)
Wreckage (not in the MovieCove catalog yet)(1925)
Career shape
A full career of 10 titles from 1925 to 1935.
How do Ben Verschleiser's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 4 titles are Mixed.
- Cult Classic1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ben Verschleiser work with?
People who share at least 2 of Ben Verschleiser's MovieCove titles, grouped by what they did on them; Edward Ludwig shares the most, 2.
Directors
- Edward LudwigShared titles: 3 Kids and a Queen (1935), A Woman's Man (1934)See all 2 shared titles with Edward Ludwig
Actors
- Martha SleeperShared titles: Great God Gold (1935), Broken Dreams (1933)See all 2 shared titles with Martha Sleeper
Editors
- Carl PiersonShared titles: A Woman's Man (1934), Broken Dreams (1933)See all 2 shared titles with Carl Pierson