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Fernando Victoria de Lecea

Fernando Victoria de Lecea

Producer · Born May 11, 1962 (64) · Bilbao, Spain

Fernando Victoria de Lecea was born on 11 May 1962 in Bilbao, Spain. He is a producer and production manager, known for Under Paris (2024), La caja 507 (2002) and Asteroid City (2023).

Biography from IMDb.

Born
May 11, 1962 (64)
From
Bilbao, Spain
Works as
Producer
Titles
17 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 9% in 30 days

What are Fernando Victoria de Lecea's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy6 titlesTypical Midcredits score: 20th percentile
: browse their Comedy movies
Drama4 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Drama movies
Action3 titlesTypical Midcredits score: 33rd percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
37%
Self
16%
Morality
13%
Survival
12%
Power
9%
Society
8%
Ideas
5%
Family bonds6 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 3 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 5 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 6 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 8 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 3 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 8 · Even-paced 6 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 8 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
7
Absurd
5
Warm
4
Joyful
3
Other
12

How their films linger

Feel-good5 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy6
  • Bittersweet7
  • Tragic1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fernando Victoria de Lecea's films?

As of October 24, 2026, 7 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Fernando Victoria de Lecea's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 17 with a MovieCove page.

  • Under Paris(2024)

    Producer

    Midcredits score: 16th percentile of all films

  • Asteroid City(2023)

    Producer

    Midcredits score: 65th percentile of all films

  • Ibiza(2019)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • The Sisters Brothers(2018)

    Executive Producer · Line Producer

    Midcredits score: 80th percentile of all films

  • Brava(2017)

    Producer

    Midcredits score: 19th percentile of all films

  • The Queen of Spain(2016)

    Associate Producer

    Midcredits score: 25th percentile of all films

  • From the Land of the Moon(2016)

    Line Producer

    Midcredits score: 64th percentile of all films

  • Penny Pincher!(2016)

    Line Producer

    Midcredits score: 32nd percentile of all films

  • Taken 3(2014)

    Executive Producer

    Midcredits score: 33rd percentile of all films

  • SMS (not in the MovieCove catalog yet)(2014)

    Line Producer

  • The Informant (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Jappeloup(2013)

    Producer

    Midcredits score: 76th percentile of all films

  • Fashion Victim (not in the MovieCove catalog yet)(2009)

    Line Producer

  • Cinéman(2009)

    Producer

    Midcredits score: 1st percentile of all films

  • Anything for Her(2008)

    Line Producer

    Midcredits score: 85th percentile of all films

  • Go Fast(2008)

    Producer

    Midcredits score: 38th percentile of all films

  • Sa majesté Minor(2007)

    Producer

    Midcredits score: 5th percentile of all films

  • Captain Alatriste: The Spanish Musketeer(2006)

    Post Production Supervisor

    Midcredits score: 50th percentile of all films

  • Malas temporadas(2005)

    Producer

    Midcredits score: 53rd percentile of all films

  • A Time for Defiance (not in the MovieCove catalog yet)(1998)

    Production Manager

  • Lovers of the Arctic Circle(1998)

    Production Director

    Midcredits score: 95th percentile of all films

  • Brujas (not in the MovieCove catalog yet)(1996)

    Unit Production Manager

  • Todo por la pasta (not in the MovieCove catalog yet)(1991)

    Unit Production Manager · as Conductor

  • Mama (not in the MovieCove catalog yet)(1988)

    Line Producer

  • Tu novia está loca (not in the MovieCove catalog yet)(1988)

    Production Manager

Career shape

A full career of 17 titles from 1988 to 2019.

Biggest box office

Taken 3 (2014)

$326M worldwide

Highest rated

Anything for Her (2008)

Midcredits 85th

Most popular right now

Taken 3 (2014)

By role

only this rolewith another role
Acting1 of 17: 0 only acting, 1 with another roleProducing11 of 17: 11 only producing, 0 with another role · typical Midcredits score33rdOther crew6 of 17: 5 only other crew, 1 with another role

By decade

1980s2 · crew1990s4 · 1 acting · 4 crew2000s3 · crew2010s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Fernando Victoria de Lecea's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 17; across their 15 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 15

Approval · how many liked their films

30thpercentile
Typical film, the median of 15

Reach · how many have seen their films

79thpercentile
Typical film, the median of 15

Midcredits score across 17 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th4
  • Below 25th5

Shape of the crowd

6 of their 17 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser6
  • Broadly Agreed4
  • Mixed5

Most divisive · producer

The Queen of Spain (2016)

69th percentile spread · 30% rated it 4 or lower

Most loved · producer

Anything for Her (2008)

Midcredits 85th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Fernando Victoria de Lecea's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 77 · intenseMedian of all films: 44
Sex & Nudity5 titles21–66 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 50 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 40 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 68 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Fernando Victoria de Lecea work with?

People who share at least 2 of Fernando Victoria de Lecea's MovieCove titles, grouped by what they did on them; Fred Cavayé shares the most, 2.

Directors

Writers

Actors

Composers and editors

Producers