
José Luis de Vilallonga
Actor · Died August 30, 2007, aged 87 · Madrid, Madrid, Spain
José Luis de Vilallonga y Cabeza de Vaca, 9th Marquess of Castellbell, GE (29 January 1920 – 30 August 2007) was a Spanish nobleman, author, socialite and film actor. His peculiar character, described as "a mixture of aristocratic arrogance, self-confidence and unconcern", brought him frequent enmities with other public figures. He was known to be a multifaceted, charming, elegant and playboy-like figure. Description above from the Wikipedia article José Luis de Vilallonga, 9th Marquess of Castellbell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- January 29, 1920
- August 30, 2007 (aged 87)
- Madrid, Madrid, Spain
- Actor
- 15 on MovieCove · 45 credits in all
What are José Luis de Vilallonga's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 0 · Earnest 11
Light 5 · Serious 6 · Dark 2
Grounded 2 · Stylized 9 · Heightened 2
Gentle 1 · Charged 10 · Intense 2
Steady 5 · Shifting 7 · Whiplash 1
A split, not a type: Straight-faced 8 · Some laughs 3 · Funny 2
Slow burn 5 · Even-paced 8 · Relentless 0
Casual 4 · Engaged 8 · Full focus 1
Easy watch 3 · Affecting 8 · Heavy 2
A split, not a type: Resolved 8 · Open-ended 3 · Ambiguous 2
Roles they play
- Tricksteras Raoul Florès in The Lovers (1958)
- Shadowas José, l'amant de Cléo in Cleo from 5 to 7 (1962)
Moods and endings
- Happy5
- Bittersweet3
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch José Luis de Vilallonga's films?
As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for José Luis de Vilallonga's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
45 credits, 15 with a MovieCove page; 6 appearances as themselves are hidden until asked for.

Fiesta (not in the MovieCove catalog yet)(1995)

The Long Winter (not in the MovieCove catalog yet)(1992)

Blood and Sand(1989)
Midcredits score: 12th percentile of all films
La diputada (not in the MovieCove catalog yet)(1988)

Tex and the Lord of the Deep (not in the MovieCove catalog yet)(1985)

Poppers(1984)
Midcredits score: 15th percentile of all films
Scarab (not in the MovieCove catalog yet)(1984)

Femmes (not in the MovieCove catalog yet)(1983)

National III (not in the MovieCove catalog yet)(1982)

Dos y dos, cinco (not in the MovieCove catalog yet)(1981)

Patricia (not in the MovieCove catalog yet)(1981)

National Heritage (not in the MovieCove catalog yet)(1981)

Une femme au bout de la nuit (not in the MovieCove catalog yet)(1980)

Voltati Eugenio (not in the MovieCove catalog yet)(1980)

Speed Cross (not in the MovieCove catalog yet)(1980)

Chi dice donna, dice donna (not in the MovieCove catalog yet)(1976)

The Good and the Bad (not in the MovieCove catalog yet)(1976)

Trop c'est trop!(1975)
Midcredits score: 31st percentile of all films (provisional, few ratings)
The Duchess of Avila (not in the MovieCove catalog yet)(1973)

The Angels (not in the MovieCove catalog yet)(1973)

The Burglars(1971)
Midcredits score: 71st percentile of all films
Sappho (not in the MovieCove catalog yet)(1971)
Reportage sur un squelette ou Masques et bergamasques (not in the MovieCove catalog yet)(1970)
Midcredits score: 6th percentile of all films
Graf Yoster gibt sich die Ehre (not in the MovieCove catalog yet)(1967)

The Man Who Betrayed the Mafia (not in the MovieCove catalog yet)(1967)

The Hired Killer(1966)
Midcredits score: 39th percentile of all films
A Maiden for the Prince (not in the MovieCove catalog yet)(1965)

Juliet of the Spirits(1965)
Midcredits score: 92nd percentile of all films
Darling(1965)
Midcredits score: 79th percentile of all films
The Three Faces (not in the MovieCove catalog yet)(1965)

The Magnificent Cuckold(1964)
Midcredits score: 77th percentile of all films
Behold a Pale Horse(1964)
Midcredits score: 71st percentile of all films
Don't Tempt the Devil (not in the MovieCove catalog yet)(1963)

Any Number Can Win(1963)
Midcredits score: 92nd percentile of all films
Law of Men (not in the MovieCove catalog yet)(1962)

Le rendez-vous de minuit(1962)
Midcredits score: 29th percentile of all films (provisional, few ratings)
Cleo from 5 to 7(1962)
Midcredits score: 98th percentile of all films
Tales of Paris (not in the MovieCove catalog yet)(1962)

Breakfast at Tiffany's(1961)
Midcredits score: 95th percentile of all films
The Nina B. Affair (not in the MovieCove catalog yet)(1961)

Naked Autumn (not in the MovieCove catalog yet)(1961)

Long Live Henry IV... Long Live Love! (not in the MovieCove catalog yet)(1961)

L'Ennemi dans l'ombre (not in the MovieCove catalog yet)(1960)

The Lovers(1958)
Midcredits score: 84th percentile of all films
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 45 titles from 1958 to 1995; peak year 1961.

Biggest box office
Breakfast at Tiffany's (1961)

Highest rated
Cleo from 5 to 7 (1962)

Most popular right now
Breakfast at Tiffany's (1961)
Film career
Peak 1961 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1958Screen debut· The Lovers
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do José Luis de Vilallonga's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 15; across their 13 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up7
- 50th to 74th2
- 25th to 49th3
- Below 25th3
Shape of the crowd
6 of their 15 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser6
- Broadly Agreed3
- Mixed3
Reviewers score the acting 77/100 in their films, across 10 reviewed titles; fans 83, detractors 53. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is José Luis de Vilallonga's work okay for kids?
Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does José Luis de Vilallonga work with?
People who share at least 2 of José Luis de Vilallonga's MovieCove titles, grouped by what they did on them; Henri Verneuil shares the most, 2.
Directors
- Henri VerneuilShared titles: The Burglars (1971), Any Number Can Win (1963)See all 2 shared titles with Henri Verneuil

Actors
- Michèle GirardonShared titles: The Magnificent Cuckold (1964), The Lovers (1958)See all 2 shared titles with Michèle Girardon

- Dominique DavrayShared titles: Any Number Can Win (1963), Cleo from 5 to 7 (1962)See all 2 shared titles with Dominique Davray





