
Helen Vinson
Actor · Died October 7, 1999, aged 92 · Beaumont, Texas, USA
From Wikipedia, the free encyclopedia Helen Vinson (September 17, 1907 – October 7, 1999) was an American film actress, who appeared in 40 films between 1932 and 1945. Vinson's screen career often featured her in roles in which she played the part of the other woman or (pre-Code) loose women with active romantic lives. Her first film role was Jewel Robbery (1932), which starred William Powell and Kay Francis. She appeared as Doris Delafield in The Kennel Murder Case, which starred Powell as Philo Vance. One of her memorable roles was in The Wedding Night (1935), when she played the wife of Gary Cooper's character and the rival of Anna Sten's, in a story about the Connecticut tobacco fields. Another performance was in the RKO film In Name Only (1939), in which she was cast as the treacherous friend of Carole Lombard, Kay Francis and Cary Grant's characters. Another standout role for Vinson was as an undercover federal agent posing as a femme fatale opposite Richard Cromwell in Universal Pictures's anti-Nazi action drama entitled, Enemy Agent (1940). She followed that role with that of Helen Draque in The Thin Man Goes Home. Vinson's film career ended in 1945. For her contribution to the motion picture industry, Vinson has a star on the Hollywood Walk of Fame at 1560 Vine Street. Description above from the Wikipedia article Helen Vinson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- September 17, 1907
- October 7, 1999 (aged 92)
- Beaumont, Texas, USA
- Actor
- 16 on MovieCove · 40 credits in all
What are Helen Vinson's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 11
Light 9 · Serious 2 · Dark 3
Grounded 9 · Stylized 5 · Heightened 0
Gentle 6 · Charged 6 · Intense 2
Steady 8 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 5
Slow burn 3 · Even-paced 10 · Relentless 1
Casual 10 · Engaged 4 · Full focus 0
Easy watch 9 · Affecting 2 · Heavy 3
Resolved 12 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Shapeshifter: 2 of 4 analyzed roles.
- Allyas Marianne in Jewel Robbery (1932)
- Shapeshifteras Polly Cass in The Little Giant (1933)
- Mentoras Dora Barrett in The Wedding Night (1935)
- Shapeshifteras Arlene Terry in Beyond Tomorrow (1940)
Moods and endings
- Happy8
- Bittersweet5
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Helen Vinson's films?
As of October 24, 2026, 5 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Helen Vinson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
40 credits, 16 with a MovieCove page.

The Thin Man Goes Home(1944)
Midcredits score: 89th percentile of all filmsAre These Our Parents? (not in the MovieCove catalog yet)(1944)

The Lady and the Monster(1944)
Midcredits score: 27th percentile of all films
Chip Off the Old Block (not in the MovieCove catalog yet)(1944)

Nothing But the Truth(1941)
Midcredits score: 84th percentile of all films
Bowery Boy (not in the MovieCove catalog yet)(1940)

Torrid Zone(1940)
Midcredits score: 72nd percentile of all films
Beyond Tomorrow(1940)
Midcredits score: 59th percentile of all films
Curtain Call (not in the MovieCove catalog yet)(1940)

Enemy Agent (not in the MovieCove catalog yet)(1940)

Married and in Love (not in the MovieCove catalog yet)(1940)

In Name Only(1939)
Midcredits score: 80th percentile of all films
Live, Love and Learn (not in the MovieCove catalog yet)(1937)

Vogues of 1938(1937)
Midcredits score: 35th percentile of all films
Love in Exile (not in the MovieCove catalog yet)(1936)

Reunion (not in the MovieCove catalog yet)(1936)

King of the Damned (not in the MovieCove catalog yet)(1935)

The Tunnel (not in the MovieCove catalog yet)(1935)

Age of Indiscretion (not in the MovieCove catalog yet)(1935)

Private Worlds (not in the MovieCove catalog yet)(1935)

The Wedding Night(1935)
Midcredits score: 65th percentile of all films
A Notorious Gentleman (not in the MovieCove catalog yet)(1935)

Broadway Bill(1934)
Midcredits score: 62nd percentile of all films
The Captain Hates the Sea (not in the MovieCove catalog yet)(1934)

Gift of Gab (not in the MovieCove catalog yet)(1934)

Let's Try Again (not in the MovieCove catalog yet)(1934)

The Life of Vergie Winters (not in the MovieCove catalog yet)(1934)

As Husbands Go (not in the MovieCove catalog yet)(1934)

The Kennel Murder Case(1933)
Midcredits score: 71st percentile of all films
The Power and the Glory (not in the MovieCove catalog yet)(1933)

Midnight Club (not in the MovieCove catalog yet)(1933)

The Little Giant(1933)
Midcredits score: 81st percentile of all films
Grand Slam (not in the MovieCove catalog yet)(1933)

Second Hand Wife (not in the MovieCove catalog yet)(1933)

Lawyer Man(1932)
Midcredits score: 58th percentile of all films
Midcredits score: 98th percentile of all films
They Call It Sin(1932)
Midcredits score: 53rd percentile of all films
The Crash(1932)
Midcredits score: 35th percentile of all films
Two Against the World (not in the MovieCove catalog yet)(1932)

Jewel Robbery(1932)
Midcredits score: 86th percentile of all films
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 40 titles from 1932 to 1944.

Biggest box office
I Am a Fugitive from a Chain Gang (1932)

Highest rated
I Am a Fugitive from a Chain Gang (1932)
Film career
- 1932Screen debut· Jewel Robbery
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Helen Vinson's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 16; across their 14 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up6
- 50th to 74th7
- 25th to 49th3
Shape of the crowd
None of their 16 titles divides audiences: 12 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser12
- Broadly Agreed2
- Mixed1
Reviewers score the acting 76/100 in their films, across 14 reviewed titles; fans 81, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Helen Vinson work with?
People who share at least 2 of Helen Vinson's MovieCove titles, grouped by what they did on them; Hal B. Wallis shares the most, 4.
Directors
- William DieterleShared titles: Jewel Robbery (1932), Lawyer Man (1932)See all 2 shared titles with William Dieterle

Writers
- Robert RiskinShared titles: The Thin Man Goes Home (1944), Broadway Bill (1934)See all 2 shared titles with Robert Riskin

- Wilson MiznerShared titles: The Little Giant (1933), Lawyer Man (1932)See all 2 shared titles with Wilson Mizner
- Howard J. GreenShared titles: I Am a Fugitive from a Chain Gang (1932), They Call It Sin (1932)See all 2 shared titles with Howard J. Green

Actors
- William PowellShared titles: The Thin Man Goes Home (1944), Jewel Robbery (1932), Lawyer Man (1932)See all 3 shared titles with William Powell

- Myrna LoyShared titles: The Thin Man Goes Home (1944), Broadway Bill (1934)See all 2 shared titles with Myrna Loy

- Jerome CowanShared titles: Torrid Zone (1940), Vogues of 1938 (1937)See all 2 shared titles with Jerome Cowan

- Kay FrancisShared titles: In Name Only (1939), Jewel Robbery (1932)See all 2 shared titles with Kay Francis

Composers and cinematographers
- Bernhard KaunShared titles: I Am a Fugitive from a Chain Gang (1932), Jewel Robbery (1932), Lawyer Man (1932)See all 3 shared titles with Bernhard Kaun
- Robert KurrleShared titles: Jewel Robbery (1932), Lawyer Man (1932)See all 2 shared titles with Robert Kurrle

Producers
- Hal B. WallisShared titles: Torrid Zone (1940), I Am a Fugitive from a Chain Gang (1932), Lawyer Man (1932), They Call It Sin (1932)See all 4 shared titles with Hal B. Wallis





