Roberto Viskin

What are Roberto Viskin's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roberto Viskin's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Dr. Tarr's Torture Dungeon (1973) · producer
• Tubi1 title, browse their movies on this service
  • Dr. Tarr's Torture Dungeon (1973) · producer · free

Subscription and free streaming for Roberto Viskin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page.

• 

  Pubertinaje (not in the MovieCove catalog yet)(1978)

  Producer
• 

  The Holy Mountain(1973)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Dr. Tarr's Torture Dungeon(1973)

  Producer

  Midcredits score: 21st percentile of all films21^st
• 

  Angels and Cherubs (not in the MovieCove catalog yet)(1972)

  Producer
• 

  Fando and Lis(1968)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Apolinar (not in the MovieCove catalog yet)(1972)

  Producer
• 

  El Topo(1970)

  Associate Producer · Production Manager

  Midcredits score: 85th percentile of all films85^th

Career shape

A full career of 7 titles from 1970 to 1978.

Biggest box office

El Topo (1970)

$162K worldwide

Highest rated

The Holy Mountain (1973)

Midcredits 94^th

How do Roberto Viskin's films land?

Their typical MovieCove film has a Midcredits score in the 79^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 77^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Universally Loved1
• Crowd Pleaser2
• Mixed1

Most divisive · producer

Dr. Tarr's Torture Dungeon (1973)

53^rd percentile spread · 34% rated it 4 or lower

Most loved · producer

The Holy Mountain (1973)

Midcredits 94^th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Roberto Viskin's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Roberto Viskin work with?

People who share at least 2 of Roberto Viskin's MovieCove titles, grouped by what they did on them; Rafael Corkidi shares the most, 4.