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David E. Vogel

Producer

Works as
Producer
Titles
5 on MovieCove · 7 credits in all
TMDB popularity, last 38 days to Oct 27Down 28% in 30 days

What are David E. Vogel's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
39%
Self
22%
Ideas
14%
Bonds
9%
Power
9%
Survival
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 0 · Dark 1

Grounded 0 · Stylized 2 · Heightened 2

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 2 · Whiplash 2

Straight-faced 0 · Some laughs 2 · Funny 2

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 2 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Thrilling
2
Melancholic
1
Absurd
1
Warm
1
Other
4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David E. Vogel's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for David E. Vogel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

  • Tales from the Darkside (not in the MovieCove catalog yet)(1990)

    Producer

  • Three O'Clock High(1987)

    Producer

    Midcredits score: 81st percentile of all films
  • Amazing Stories(1986)

    Producer

    Midcredits score: 78th percentile of all films
  • Vanessa in the Garden (not in the MovieCove catalog yet)(1985)

    Producer

  • Amazing Stories(1985)

    Show 2 episodes · Producer

    Midcredits score: 69th percentile of all shows
  • Creepshow(1982)

    Associate Producer

    Midcredits score: 74th percentile of all films
  • Knightriders(1981)

    Associate Producer

    Midcredits score: 60th percentile of all films

Career shape

A full career of 7 titles from 1981 to 1990.

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score74th

By decade

1980s6 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do David E. Vogel's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 4

Approval · how many liked their films

76thpercentile
Typical film, the median of 4

Reach · how many have seen their films

87thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th3

Shape of the crowd

None of their 5 titles divides audiences: 5 are Crowd Pleasers.

  • Crowd Pleaser5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is David E. Vogel's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Profanity3 titlesmedian 44 · moderateMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does David E. Vogel work with?

People who share at least 2 of David E. Vogel's MovieCove titles, grouped by what they did on them; George A. Romero shares the most, 2.

Directors

Actors

Cinematographers and editors

Producers