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Motif

Irene von Alberti

Producer, director and writer · Born January 30, 1963 (63) · Stuttgart, Germany

Born
January 30, 1963 (63)
From
Stuttgart, Germany
Works as
Producer, director and writer
Titles
11 on Motif · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 5% in 30 days

What are Irene von Alberti's films like?

Across their 10 Motif titles with a thematic analysis, their films lean Self and Power.

Genres

Drama6 titlesTypical Midcredits score: 41st percentile
: browse their Drama movies
Documentary2 titlesTypical Midcredits score: 80th percentile, at or above their average across these genres
: browse their Documentary movies

Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
21%
Power
21%
Ideas
17%
Bonds
14%
Society
13%
Survival
10%
Morality
3%
Corruption2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeMemory3 titles, browse their movies with this themeArt2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeIsolation2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 3 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 6 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 3 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 3 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 5 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 6 · Full focus 3

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 3 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
7
Tense
5
Melancholic
5
Absurd
3
Dread
2
Other
6

How their films linger

Thought-provoking8 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet2
  • Tragic2
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Irene von Alberti's films?

As of October 24, 2026, 3 of their 11 Motif titles stream on a subscription or free service.

Subscription and free streaming for Irene von Alberti's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 11 with a Motif page.

  • Die geschützten Männer(2024)

    Director · Writer

    Midcredits score: 13th percentile of all films

  • Abendland (not in the Motif catalog yet)(2024)

    Producer

  • Krieg oder Frieden (not in the Motif catalog yet)(2024)

    Producer

  • Seneca(2023)

    Producer

    Midcredits score: 22nd percentile of all films

  • Slaughterhouses of Modernity (not in the Motif catalog yet)(2023)

    Producer

  • Mamani in El Alto (not in the Motif catalog yet)(2022)

    Producer

  • Doppelhaushälfte (not in the Motif catalog yet)(2022)

    Show 33 episodes · Producer

  • The Last City(2020)

    Producer

    Midcredits score: 40th percentile of all films

  • Schlingensief: A Voice That Shook the Silence(2020)

    Producer

    Midcredits score: 85th percentile of all films

  • The Captain(2017)

    Producer

    Midcredits score: 93rd percentile of all films

  • Naomis Reise(2017)

    Producer

    Midcredits score: 76th percentile of all films (provisional, few ratings)

  • The Long Summer of Theory(2017)

    Director · Writer

    Midcredits score: 39th percentile of all films

  • The Dreamed Path(2016)

    Producer

    Midcredits score: 41st percentile of all films

  • Streetscapes(2017)

    Producer

    Midcredits score: 75th percentile of all films

  • The Airstrip - Decampment of Modernism, Part III (not in the Motif catalog yet)(2014)

    Producer

  • Three Stones for Jean Genet (not in the Motif catalog yet)(2014)

    Producer

  • Two Museums (not in the Motif catalog yet)(2014)

    Producer

  • Cause I Have the Looks (not in the Motif catalog yet)(2012)

    Producer

  • Tangerine (not in the Motif catalog yet)(2008)

    Director · Writer

  • Berlin Stories(2005)

    Director · Writer

    Midcredits score: 20th percentile of all films

  • D’Annunzio’s Cave (not in the Motif catalog yet)(2005)

    Cinematographer

  • Otomo(1999)

    Producer

    Midcredits score: 51st percentile of all films

  • Paul Bowles: Half Moon (not in the Motif catalog yet)(1995)

    Director · Screenplay

  • The Third Eye (not in the Motif catalog yet)(1995)

    Cinematographer

  • I Wonder in Pornoland (not in the Motif catalog yet)(1991)

    Cinematographer

Career shape

A full career of 24 titles from 1991 to 2024.

Biggest box office

The Captain (2017)

$1.2M worldwide

Highest rated

The Captain (2017)

Midcredits 93rd

By role

only this rolewith another role
Directing5 of 24: 0 only directing, 5 with another roleWriting5 of 24: 0 only writing, 5 with another roleProducing16 of 24: 16 only producing, 0 with another role · typical Midcredits score51stCinematography3 of 24: 3 only cinematography, 0 with another role

24 titles, 5 with more than one role.

By decade

1990s4 · crew2000s3 · crew2010s8 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Irene von Alberti's films land?

Their typical Motif film has a Midcredits score in the 41st percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 10

Approval · how many liked their films

35thpercentile
Typical film, the median of 10

Reach · how many have seen their films

46thpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th3

Shape of the crowd

8 of their 11 titles are Mixed.

  • Crowd Pleaser3
  • Mixed8

Most divisive · director, writer

Berlin Stories (2005)

82nd percentile spread · 41% rated it 4 or lower

Most loved · producer

The Captain (2017)

Midcredits 93rd · 82% liked

Reviewers score the atmosphere 73/100 and the pacing 45/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Irene von Alberti work with?

People who share at least 2 of Irene von Alberti's Motif titles, grouped by what they did on them; Frieder Schlaich shares the most, 10.

Directors

Actors

Composers, cinematographers and editors

Producers