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Katja von Garnier

Katja von Garnier

Director · Born December 15, 1966 (59) · Wiesbaden, Germany

A German film director. Her 1993 practice film Abgeschminkt! was shown in theaters all over Germany and attracted 1.2 million visitors. The project had been rejected by several producers that had not believed that a one-hour film could become a commercial success.The 1997 film Bandits starring Katja Riemann was also a commercial success and was the winner of the Grand Prize at the 10th Yubari International Fantastic Film Festival held in February 1999. Description above from the Wikipedia article Katja von Garnier licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
December 15, 1966 (59)
From
Wiesbaden, Germany
Works as
Director
Titles
6 on MovieCove · 14 credits in all
TMDB popularity, last 38 days to Oct 27Up 22% in 30 days

What are Katja von Garnier's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 1

Grounded 3 · Stylized 3 · Heightened 0

A split, not a type: Gentle 3 · Charged 2 · Intense 1

Steady 3 · Shifting 3 · Whiplash 0

Straight-faced 5 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 5 · Engaged 0 · Full focus 1

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
5
Tense
3
Warm
3
Joyful
2
Romantic
1
Other
2

How their films end

  • Happy3
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Katja von Garnier's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Katja von Garnier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 6 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Gebt mir noch etwas Zeit (not in the MovieCove catalog yet)(2027)

    Director

  • Fly (not in the MovieCove catalog yet)(2021)

    Director · Story

  • Windstorm 3(2017)

    Director

    Midcredits score: 62nd percentile of all films
  • Windstorm 2(2015)

    Director

    Midcredits score: 70th percentile of all films
  • Midcredits score: 71st percentile of all films
  • Windstorm(2013)

    Director

    Midcredits score: 80th percentile of all films
  • Scorpions - Live in Munich (not in the MovieCove catalog yet)(2012)

    Director

  • Blood and Chocolate(2007)

    Director

    Midcredits score: 23rd percentile of all films
  • Iron Jawed Angels(2004)

    Director

    Midcredits score: 84th percentile of all films
  • Bandits (not in the MovieCove catalog yet)(1997)

    Director · Screenplay

  • Kix? (not in the MovieCove catalog yet)(1997)

    Director · Writer

  • Making Up! (not in the MovieCove catalog yet)(1993)

    Director · Editor · Producer · Screenplay

  • Lautlos (not in the MovieCove catalog yet)(1992)

    Director

  • Dolphin Song (not in the MovieCove catalog yet)

    Director · Writer

Career shape

A full career of 14 titles, 12 of them dated from 1992 to 2021.

By role

only this rolewith another role
Directing14 of 14: 9 only directing, 5 with another role · typical Midcredits score71stWriting5 of 14: 0 only writing, 5 with another roleProducing1 of 14: 0 only producing, 1 with another roleEditing1 of 14: 0 only editing, 1 with another role

14 titles, 5 with more than one role — directing and writing overlap on 5 of them.

By decade

1990s4 · crew2000s2 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Katja von Garnier's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 6

Approval · how many liked their films

65thpercentile
Typical film, the median of 6

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • Below 25th1

Reviewers score the atmosphere 67/100 and the pacing 46/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Katja von Garnier work with?

People who share at least 2 of Katja von Garnier's MovieCove titles, grouped by what they did on them; Lea Schmidbauer shares the most, 3.

Writers

Actors

Composers, cinematographers and editors

Producers