Joachim von Vietinghoff

What are Joachim von Vietinghoff's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joachim von Vietinghoff's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • Werckmeister Harmonies (2000) · producer

Subscription and free streaming for Joachim von Vietinghoff's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The Man from London(2007)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Werckmeister Harmonies(2000)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Satantango(1994)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Welcome to Germany(1988)

  Producer

  Midcredits score: 49th percentile of all films49^th

Career shape

Across a limited sample of 4 MovieCove titles from 1988 to 2007.

Biggest box office

Werckmeister Harmonies (2000)

$70K worldwide

Highest rated

Satantango (1994)

Midcredits 97^th

How do Joachim von Vietinghoff's films land?

Their typical MovieCove film has a Midcredits score in the 90^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 90^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Universally Loved1
• Crowd Pleaser2
• Mixed1

Most divisive · producer

Welcome to Germany (1988)

54^th percentile spread · 20% rated it 4 or lower

Most loved · producer

Satantango (1994)

Midcredits 97^th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joachim von Vietinghoff work with?

People who share at least 2 of Joachim von Vietinghoff's MovieCove titles, grouped by what they did on them; Béla Tarr shares the most, 3.