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MovieCove
Robert Vroom

Robert Vroom

Producer and cinematographer, also director and writer

Works as
Producer and cinematographer, also director and writer
Titles
16 on MovieCove

What are Robert Vroom's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 9 · Serious 2 · Dark 2

Grounded 13 · Stylized 0 · Heightened 0

A split, not a type: Gentle 6 · Charged 5 · Intense 2

Steady 10 · Shifting 1 · Whiplash 2

Straight-faced 5 · Some laughs 8 · Funny 0

Slow burn 11 · Even-paced 1 · Relentless 1

Casual 11 · Engaged 1 · Full focus 1

Resolved 11 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Vroom's films?

As of October 24, 2026, all 16 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Robert Vroom's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 16 with a MovieCove page.

  • Holiday Mismatch(2024)

    Producer

    Midcredits score: 53rd percentile of all films
  • Our Christmas Mural(2023)

    Producer

    Midcredits score: 45th percentile of all films
  • Midcredits score: 33rd percentile of all films
  • You Can Live Forever(2022)

    Producer

    Midcredits score: 79th percentile of all films
  • Christmas in My Heart(2021)

    Producer

    Midcredits score: 61st percentile of all films
  • Christmas Ever After(2020)

    Producer

    Midcredits score: 49th percentile of all films
  • Blood Quantum(2019)

    Producer

    Midcredits score: 28th percentile of all films
  • Swept Up by Christmas(2019)

    Producer

    Midcredits score: 45th percentile of all films
  • A Majestic Christmas(2018)

    Producer

    Midcredits score: 36th percentile of all films
  • Funke(2018)

    Cinematographer

    Midcredits score: 83rd percentile of all films
  • Midcredits score: 89th percentile of all films (provisional, few ratings)
  • Another Kind of Wedding(2017)

    Cinematographer · Producer

    Midcredits score: 5th percentile of all films
  • Mysteries of the Outdoors(2017)

    Show Cinematographer

    Midcredits score: 55th percentile of all shows
  • Jade Fever(2015)

    Show Director · Cinematographer

    Midcredits score: 43rd percentile of all shows
  • Three Night Stand(2013)

    Cinematographer · Producer · Writer

    Midcredits score: 32nd percentile of all films
  • The Beat(2010)

    Show Cinematographer

    Midcredits score: 80th percentile of all shows (provisional, few ratings)

Career shape

Across their 16 MovieCove titles from 2010 to 2024.

By role

only this rolewith another role
Directing1 of 16: 0 only directing, 1 with another roleWriting1 of 16: 0 only writing, 1 with another roleProducing11 of 16: 9 only producing, 2 with another role · typical Midcredits score45thCinematography7 of 16: 4 only cinematography, 3 with another role · typical Midcredits score55th

16 titles, 3 with more than one role — producing and cinematography overlap on 2 of them.

By decade

2010s10 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Robert Vroom's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 13

Approval · how many liked their films

45thpercentile
Typical film, the median of 13

Reach · how many have seen their films

57thpercentile
Typical film, the median of 13

Midcredits score across 16 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th8
  • Below 25th1

Reviewers score the cinematography 67/100 in their films, across 7 reviewed titles; fans 73, detractors 55. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Vroom work with?

People who share at least 2 of Robert Vroom's MovieCove titles, grouped by what they did on them; Arnie Zipursky shares the most, 7.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles