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Andrea Wagner

Editor, also producer

Works as
Editor, also producer
Titles
7 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 37% in 30 days

What are Andrea Wagner's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Themes

share of theme weight
Society
20%
Bonds
19%
Power
19%
Ideas
19%
Self
12%
Morality
6%
Survival
6%
Art2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 1 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 1 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 0 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 3 · Engaged 1 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
3
Contemplative
2
Joyful
2
Tense
1
Warm
1
Other
4

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea Wagner's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Andrea Wagner's titles on MovieCove; rent and buy are not counted.

Filmography

27 credits, 7 with a MovieCove page.

  • Die Kunstkomplizen(2026)

    Editor

  • Letzter Stollen - Der sechste Altaussee-Krimi (not in the MovieCove catalog yet)(2025)

    Editor

  • Dear Beautiful Beloved (not in the MovieCove catalog yet)(2025)

    Editor

  • Wood(2020)

    Editor

    Midcredits score: 91st percentile of all films (provisional, few ratings)

  • Liebe möglicherweise(2016)

    Editor

    Midcredits score: 27th percentile of all films (provisional, few ratings)

  • Safari (not in the MovieCove catalog yet)(2016)

    Additional Editor

  • In the Basement(2014)

    Editor

    Midcredits score: 67th percentile of all films

  • The Woman with One Shoe (not in the MovieCove catalog yet)(2014)

    Editor

  • The Robber (not in the MovieCove catalog yet)(2010)

    Editor

  • Slugs (not in the MovieCove catalog yet)(2004)

    Editor

  • Jesus, Du weisst(2003)

    Editor

    Midcredits score: 65th percentile of all films

  • Blue Moon (not in the MovieCove catalog yet)(2002)

    Editor

  • Dog Days (not in the MovieCove catalog yet)(2001)

    Editor

  • Megacities (not in the MovieCove catalog yet)(1998)

    Editor

  • Stille Wasser (not in the MovieCove catalog yet)(1997)

    Editor

  • Schwarzfahrer (not in the MovieCove catalog yet)(1996)

    Editor

  • Charms Zwischenfälle(1996)

    Editor

    Midcredits score: 74th percentile of all films (provisional, few ratings)

  • Ein Anfang von etwas (not in the MovieCove catalog yet)(1995)

    Editor

  • Ant Street (not in the MovieCove catalog yet)(1995)

    Editor

  • Blut und Boden (not in the MovieCove catalog yet)(1992)

    Editor

  • Beware Haderer (not in the MovieCove catalog yet)(1992)

    Editor

  • An der Grenze (not in the MovieCove catalog yet)(1990)

    Editor

  • Die Stadt der Anderen (not in the MovieCove catalog yet)(1989)

    Editor

  • War in Vienna (not in the MovieCove catalog yet)(1989)

    Editor · Writer

  • Eine Bewegung der Zeit (not in the MovieCove catalog yet)(1987)

    Editor

  • Alice in Wonderland(1983)

    Show Producer

    Midcredits score: 43rd percentile of all shows

  • Feuer um Mitternacht (not in the MovieCove catalog yet)(1978)

    Writer

Career shape

A full career of 24 titles from 1978 to 2025.

Biggest box office

Jesus, Du weisst (2003)

$604 worldwide

Highest rated

Jesus, Du weisst (2003)

Midcredits 65th

Most popular right now

Alice in Wonderland (1983)

By role

only this rolewith another role
Writing2 of 24: 1 only writing, 1 with another roleEditing23 of 24: 22 only editing, 1 with another role

By decade

1970s1 · crew1980s3 · crew1990s9 · crew2000s3 · crew2010s5 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Andrea Wagner's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of the 5 of 6 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 3

Approval · how many liked their films

81stpercentile
Typical film, the median of 3

Reach · how many have seen their films

20thpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th2

Shape of the crowd

4 of their 6 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1

Most divisive · editor

Charms Zwischenfälle (1996)

51st percentile spread · 12% rated it 4 or lower

Most loved · editor

In the Basement (2014)

Midcredits 67th · 61% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrea Wagner work with?

People who share at least 2 of Andrea Wagner's MovieCove titles, grouped by what they did on them; Ebba Sinzinger shares the most, 2.

Directors

Cinematographers

Producers