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What are Shigeru Wakatsuki's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Gentle 0 · Charged 1 · Intense 3

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 0 · Full focus 4

Easy watch 0 · Affecting 1 · Heavy 3

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
4
Dread
2
Elegiac
2
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shigeru Wakatsuki's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (6).

Subscription and free streaming for Shigeru Wakatsuki's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 6 with a MovieCove page.

  • Empire of Passion(1978)

    Producer

    Midcredits score: 79th percentile of all films
  • In the Realm of the Senses(1976)

    Production Manager

    Midcredits score: 70th percentile of all films
  • Kwaidan(1964)

    Producer

    Midcredits score: 97th percentile of all films
  • Ako (not in the MovieCove catalog yet)(1964)

    Producer

  • Pale Flower (not in the MovieCove catalog yet)(1964)

    Producer

  • The Body (not in the MovieCove catalog yet)(1962)

    Executive Producer

  • A Flame at the Pier (not in the MovieCove catalog yet)(1962)

    Producer

  • Love Under the Crucifix (not in the MovieCove catalog yet)(1962)

    Executive Producer

  • The Inheritance (not in the MovieCove catalog yet)(1962)

    Producer

  • A Full Life (not in the MovieCove catalog yet)(1962)

    Executive Producer

  • Run, Genta, Run! (not in the MovieCove catalog yet)(1961)

    Development Manager

  • Midcredits score: 99th percentile of all films
  • Midcredits score: 99th percentile of all films
  • The Human Condition I: No Greater Love(1959)

    Producer · Production Manager

    Midcredits score: 99th percentile of all films
  • The Fighter in the Ring (not in the MovieCove catalog yet)(1956)

    Producer

  • Mune yori mune ni (not in the MovieCove catalog yet)(1955)

    Producer

  • So Deep in My Heart (not in the MovieCove catalog yet)(1955)

    Producer

Career shape

A full career of 17 titles from 1955 to 1978.

By role

only this rolewith another role
Producing15 of 17: 14 only producing, 1 with another role · typical Midcredits score99thOther crew3 of 17: 2 only other crew, 1 with another role

By decade

1950s5 · crew1960s10 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Shigeru Wakatsuki's films land?

Their typical MovieCove film has a Midcredits score in the 98th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 99th percentile for acclaim.

Acclaim · how much people like their films

99thpercentile
Typical film, the median of 4

Approval · how many liked their films

99thpercentile
Typical film, the median of 4

Reach · how many have seen their films

90thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up5
  • 50th to 74th1

Shape of the crowd

None of their 6 titles divides audiences: 4 are Universally Loved.

  • Universally Loved4
  • Crowd Pleaser2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Shigeru Wakatsuki's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 70 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 35 · mildMedian of all films: 32
Profanity3 titlesmedian 36 · moderateMedian of all films: 36
Frightening / Intense4 titlesmedian 80 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Shigeru Wakatsuki work with?

People who share at least 2 of Shigeru Wakatsuki's MovieCove titles, grouped by what they did on them; Masaki Kobayashi shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors