- February 10, 1946
- July 12, 2003 (aged 57)
- New York City, New York, USA
- Writer and producer
- 4 on MovieCove · 5 credits in all
What are Eliot Wald's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 3 · Serious 0 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 0 · Funny 3
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eliot Wald's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Eliot Wald's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 4 with a MovieCove page.
Down Periscope(1996)
Midcredits score: 53rd percentile of all films
Camp Nowhere(1994)
Midcredits score: 47th percentile of all films
Midcredits score: 75th percentile of all films
Hot Paint (not in the MovieCove catalog yet)(1988)
Saturday Night Live(1975)
Midcredits score: 71st percentile of all shows
Career shape
A full career of 5 titles from 1975 to 1996.
How do Eliot Wald's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
Reviewers score the dialogue 52/100 and the plot and story 33/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Eliot Wald's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Eliot Wald work with?
People who share at least 2 of Eliot Wald's MovieCove titles; Andrew Kurtzman shares the most, 3.
- Andrew KurtzmanShared titles: Down Periscope (1996), Camp Nowhere (1994), See No Evil, Hear No Evil (1989)See all 3 shared titles with Andrew Kurtzman