Skip to content
MovieCove

Lesley Walker

Editor

Works as
Editor
Titles
36 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 27% in 30 days

What are Lesley Walker's films like?

Across their 31 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama10 titlesTypical Midcredits score: 60th percentile
: browse their Drama movies
Comedy9 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Comedy movies
Adventure5 titlesTypical Midcredits score: 58th percentile
: browse their Adventure movies
Biography4 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Self
25%
Morality
13%
Survival
13%
Society
8%
Power
7%
Ideas
4%
Romantic love9 titles, browse their movies with this themeGrief8 titles, browse their movies with this themeFamily bonds9 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeRedemption6 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeIsolation4 titles, browse their movies with this theme

What they feel like to watch

their average across 31 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 7 · Dark 12

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 18 · Stylized 8 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 23 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 13 · Whiplash 5

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 16 · Some laughs 14 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 17 · Even-paced 14 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 13 · Engaged 15 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 9 · Affecting 11 · Heavy 11

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 19 · Open-ended 7 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
17
Tense
13
Hopeful
10
Contemplative
10
Bittersweet
9
Other
27

How their films linger

Bittersweet15 titles, browse their movies with this aftertasteHopeful13 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteThought-provoking8 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy8
  • Bittersweet18
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lesley Walker's films?

As of October 24, 2026, 21 of their 36 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Lesley Walker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 36 with a MovieCove page.

  • Military Wives(2019)

    Editor

    Midcredits score: 64th percentile of all films

  • The Man Who Killed Don Quixote(2018)

    Editor

    Midcredits score: 58th percentile of all films

  • The Dresser(2015)

    Editor

    Midcredits score: 73rd percentile of all films

  • Molly Moon and the Incredible Book of Hypnotism(2015)

    Editor

    Midcredits score: 24th percentile of all films

  • Will(2011)

    Editor

    Midcredits score: 73rd percentile of all films

  • Mamma Mia!(2008)

    Editor

    Midcredits score: 74th percentile of all films

  • Closing the Ring(2007)

    Editor

    Midcredits score: 60th percentile of all films

  • Tideland(2005)

    Editor

    Midcredits score: 56th percentile of all films

  • The Brothers Grimm(2005)

    Editor

    Midcredits score: 35th percentile of all films

  • The Sleeping Dictionary(2003)

    Editor

    Midcredits score: 59th percentile of all films

  • Nicholas Nickleby(2002)

    Editor

    Midcredits score: 80th percentile of all films

  • All or Nothing(2002)

    Editor

    Midcredits score: 93rd percentile of all films

  • The Body(2001)

    Editor

    Midcredits score: 19th percentile of all films

  • Grey Owl(1999)

    Editor

    Midcredits score: 41st percentile of all films

  • Fear and Loathing in Las Vegas(1998)

    Editor

    Midcredits score: 89th percentile of all films

  • In Love and War(1996)

    Editor

    Midcredits score: 41st percentile of all films

  • Emma(1996)

    Editor

    Midcredits score: 70th percentile of all films

  • Mary Reilly(1996)

    Editor

    Midcredits score: 33rd percentile of all films

  • Jack & Sarah(1995)

    Editor

    Midcredits score: 70th percentile of all films

  • Shadowlands(1993)

    Editor

    Midcredits score: 90th percentile of all films

  • Born Yesterday(1993)

    Editor

    Midcredits score: 16th percentile of all films

  • Waterland(1992)

    Editor

    Midcredits score: 63rd percentile of all films

  • The Fisher King(1991)

    Editor

    Midcredits score: 93rd percentile of all films

  • Spymaker: The Secret Life of Ian Fleming(1990)

    Editor

    Midcredits score: 46th percentile of all films

  • Shirley Valentine(1989)

    Editor

    Midcredits score: 84th percentile of all films

  • Buster(1988)

    Editor

    Midcredits score: 36th percentile of all films

  • Cry Freedom(1987)

    Editor

    Midcredits score: 89th percentile of all films

  • Mona Lisa(1986)

    Editor

    Midcredits score: 90th percentile of all films

  • Letter to Brezhnev (not in the MovieCove catalog yet)(1985)

    Editor

  • Winter Flight (not in the MovieCove catalog yet)(1984)

    Editor

  • Meantime(1983)

    Editor

    Midcredits score: 86th percentile of all films

  • Richard's Things(1980)

    Editor

    Midcredits score: 16th percentile of all films

  • The Tempest(1979)

    Editor

    Midcredits score: 60th percentile of all films

  • Eagle's Wing(1979)

    Editor

    Midcredits score: 39th percentile of all films

  • A Portrait of the Artist as a Young Man (not in the MovieCove catalog yet)(1977)

    Editor

  • The Abdication(1974)

    Assistant Editor

    Midcredits score: 34th percentile of all films

  • The Last Valley(1971)

    Assistant Editor

    Midcredits score: 82nd percentile of all films

  • The Lion in Winter(1968)

    Assistant Editor

    Midcredits score: 96th percentile of all films

  • Funeral in Berlin(1966)

    Assistant Editor

    Midcredits score: 75th percentile of all films

Career shape

A full career of 39 titles from 1966 to 2020.

Biggest box office

Mamma Mia! (2008)

$708M worldwide

Highest rated

The Fisher King (1991)

Midcredits 93rd

Most popular right now

The Brothers Grimm (2005)

By role

only this rolewith another role
Editing35 of 39: 35 only editing, 0 with another role · typical Midcredits score62ndOther crew4 of 39: 4 only other crew, 0 with another role

By decade

1960s2 · crew1970s5 · crew1980s8 · crew1990s11 · crew2000s8 · crew2010s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lesley Walker's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 36; across their 31 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 31

Approval · how many liked their films

62ndpercentile
Typical film, the median of 31

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 31

Midcredits score across 36 titles, by percentile

  • 75th and up12
  • 50th to 74th12
  • 25th to 49th8
  • Below 25th4

Shape of the crowd

21 of their 36 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser21
  • Broadly Agreed3
  • Mixed8

Most divisive · editor

Molly Moon and the Incredible Book of Hypnotism (2015)

58th percentile spread · 29% rated it 4 or lower

Most loved · editor

The Fisher King (1991)

Midcredits 93rd · 81% liked

Reviewers score the pacing 40/100 in their films, across 31 reviewed titles; fans 49, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lesley Walker's work okay for kids?

Across up to 12 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles7–70 · median 51 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity12 titles13–54 · median 38 · moderatenear the median of all filmsMedian of all films: 32
Profanity10 titles24–80 · median 55 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs9 titles23–59 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles7–73 · median 42 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lesley Walker work with?

People who share at least 2 of Lesley Walker's MovieCove titles, grouped by what they did on them; Roger Pratt shares the most, 7.

Directors

Writers

Actors

Composers and cinematographers

Producers