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MovieCove

Mark Warner

Editor

Oscar nominee · Primetime Emmy nominee

Works as
Editor
Titles
38 on MovieCove · 44 credits in all
TMDB popularity, last 156 days to Oct 27Up 24% in 30 days

What are Mark Warner's films like?

Across their 37 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 36 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 24 · Stylized 6 · Heightened 6

A split, not a type: Gentle 9 · Charged 13 · Intense 14

Steady 15 · Shifting 16 · Whiplash 5

A split, not a type: Straight-faced 19 · Some laughs 14 · Funny 3

Slow burn 15 · Even-paced 15 · Relentless 6

A split, not a type: Casual 17 · Engaged 15 · Full focus 4

A split, not a type: Easy watch 15 · Affecting 14 · Heavy 7

Resolved 24 · Open-ended 10 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
21
Melancholic
12
Warm
9
Contemplative
11
Hopeful
9
Other
42

How their films end · 8 with a twist

  • Happy13
  • Bittersweet17
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Warner's films?

As of October 24, 2026, 28 of their 38 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Subscription and free streaming for Mark Warner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

44 credits, 38 with a MovieCove page.

  • The Travellers(2025)

    Editor

    Midcredits score: 25th percentile of all films
  • Five Blind Dates(2024)

    Editor

    Midcredits score: 18th percentile of all films
  • Return to Paradise(2024)

    Show Editor

    Midcredits score: 48th percentile of all shows
  • A Perfect Pairing(2022)

    Editor

    Midcredits score: 48th percentile of all films
  • Mother Mountain (not in the MovieCove catalog yet)(2022)

    Editor

  • Here Be Dragons (not in the MovieCove catalog yet)(2022)

    Editor

  • June Again(2020)

    Editor

    Midcredits score: 85th percentile of all films
  • Own the Sky(2019)

    Editor

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • Ladies in Black(2018)

    Editor

    Midcredits score: 75th percentile of all films
  • The Comedian(2016)

    Editor

    Midcredits score: 32nd percentile of all films
  • Parker(2013)

    Editor

    Midcredits score: 46th percentile of all films
  • Careless Love (not in the MovieCove catalog yet)(2012)

    Editor

  • Sanctum(2011)

    Editor

    Midcredits score: 37th percentile of all films
  • Matching Jack (not in the MovieCove catalog yet)(2010)

    Editor

  • Mao's Last Dancer(2009)

    Editor

    Midcredits score: 81st percentile of all films
  • The Water Horse(2007)

    Editor

    Midcredits score: 62nd percentile of all films
  • Murderous Intent(2006)

    Editor

    Midcredits score: 65th percentile of all films
  • The Contract(2006)

    Editor

    Midcredits score: 24th percentile of all films
  • Midcredits score: 12th percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Abandon(2002)

    Editor

    Midcredits score: 11th percentile of all films
  • Midcredits score: 31st percentile of all films
  • Monkeybone(2001)

    Editor

    Midcredits score: 16th percentile of all films
  • Proof of Life(2000)

    Editorial Staff

    Midcredits score: 48th percentile of all films
  • Double Jeopardy(1999)

    Editor

    Midcredits score: 61st percentile of all films
  • Midcredits score: 94th percentile of all films
  • The Chamber(1996)

    Editor

    Midcredits score: 36th percentile of all films
  • A Family Thing(1996)

    Editor

    Midcredits score: 83rd percentile of all films
  • Dolores Claiborne(1995)

    Editor

    Midcredits score: 92nd percentile of all films
  • Intersection(1994)

    Editor

    Midcredits score: 20th percentile of all films
  • Leap of Faith(1992)

    Editor

    Midcredits score: 49th percentile of all films
  • Rich in Love (not in the MovieCove catalog yet)(1992)

    Editor

  • Rush(1991)

    Editor

    Midcredits score: 69th percentile of all films
  • Pacific Heights(1990)

    Editor

    Midcredits score: 56th percentile of all films
  • Driving Miss Daisy(1989)

    Editor

    Midcredits score: 89th percentile of all films
  • Cocoon: The Return(1988)

    Editor

    Midcredits score: 23rd percentile of all films
  • The Running Man(1987)

    Editor

    Midcredits score: 65th percentile of all films
  • Midcredits score: 87th percentile of all films
  • Weird Science(1985)

    Editor

    Midcredits score: 65th percentile of all films
  • A Soldier's Story(1984)

    Editor · Editorial Staff

    Midcredits score: 86th percentile of all films
  • Staying Alive(1983)

    Editor

    Midcredits score: 17th percentile of all films
  • 48 Hrs.(1982)

    Editor

    Midcredits score: 78th percentile of all films
  • Rocky III(1982)

    Editor

    Midcredits score: 79th percentile of all films
  • Salvation Creek (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 40 titles, 39 of them dated from 1982 to 2025.

By role

only this rolewith another role
Editing39 of 40: 38 only editing, 1 with another role · typical Midcredits score62ndOther crew2 of 40: 1 only other crew, 1 with another role

By decade

1980s9 · crew1990s10 · crew2000s9 · crew2010s5 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major nominations and no wins, 1990–2004.

  1. 2004
    • Primetime Emmy, nominated · Outstanding Single-Camera Picture Editing for a Miniseries, Movie or a Special
  2. 1990
    • Oscar, nominated · Best Film Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Mark Warner's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 37; across their 36 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 36

Approval · how many liked their films

57thpercentile
Typical film, the median of 36

Reach · how many have seen their films

91stpercentile
Typical film, the median of 36

Midcredits score across 38 titles, by percentile

  • 75th and up12
  • 50th to 74th8
  • 25th to 49th10
  • Below 25th8

Shape of the crowd

20 of their 38 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser20
  • Broadly Agreed5
  • Mixed11

Reviewers score the pacing 48/100 in their films, across 36 reviewed titles; fans 58, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mark Warner's work okay for kids?

Across up to 24 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore20 titles19–83 · median 61 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity24 titles14–58 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity24 titles34–83 · median 57 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs18 titles29–71 · median 37 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense18 titles21–70 · median 59 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mark Warner work with?

People who share at least 2 of Mark Warner's MovieCove titles, grouped by what they did on them; Bruce Beresford shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers