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Eda Warren

Editor · Died July 15, 1980, aged 76 · Denver, Colorado, USA

Born
October 17, 1903
Died
July 15, 1980 (aged 76)
From
Denver, Colorado, USA
Works as
Editor
Titles
38 on MovieCove · 63 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 15% in 30 days

What are Eda Warren's films like?

Across their 33 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy10 titlesTypical Midcredits score: 56th percentile
: browse their Comedy movies
Action9 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Action movies
Drama7 titlesTypical Midcredits score: 49th percentile
: browse their Drama movies
Adventure4 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
32%
Morality
27%
Self
15%
Power
8%
Survival
8%
Society
8%
Ideas
1%
Romantic love10 titles, browse their movies with this themeFamily bonds8 titles, browse their movies with this themeIdentity8 titles, browse their movies with this themeDeception6 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this theme

What they feel like to watch

their average across 33 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 11 · Dark 10

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 14 · Stylized 17 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 8 · Charged 19 · Intense 6

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 19 · Shifting 13 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 19 · Some laughs 6 · Funny 8

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 22 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 23 · Engaged 10 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 29 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Melancholic
12
Joyful
10
Romantic
11
Thrilling
8
Other
26

How their films linger

Feel-good14 titles, browse their movies with this aftertasteHopeful11 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteBittersweet10 titles, browse their movies with this aftertasteRousing8 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy18
  • Bittersweet11
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eda Warren's films?

As of October 24, 2026, 7 of their 38 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Eda Warren's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

63 credits, 38 with a MovieCove page.

  • The Private Navy of Sgt. O'Farrell(1968)

    Editor

    Midcredits score: 37th percentile of all films

  • Ride the Wild Surf(1964)

    Editor

    Midcredits score: 37th percentile of all films

  • The New Interns (not in the MovieCove catalog yet)(1964)

    Editor

  • Taras Bulba(1962)

    Editor

    Midcredits score: 56th percentile of all films

  • Escape from Zahrain (not in the MovieCove catalog yet)(1962)

    Editor

  • The Young Savages(1961)

    Editor

    Midcredits score: 76th percentile of all films

  • One Foot in Hell(1960)

    Editor

    Midcredits score: 42nd percentile of all films

  • The Wreck of the Mary Deare(1959)

    Editor

    Midcredits score: 70th percentile of all films

  • John Paul Jones(1959)

    Editor

    Midcredits score: 59th percentile of all films

  • St. Louis Blues(1958)

    Editor

    Midcredits score: 83rd percentile of all films

  • The Hot Angel(1958)

    Editor

    Midcredits score: 23rd percentile of all films (provisional, few ratings)

  • The Unholy Wife(1957)

    Editor

    Midcredits score: 29th percentile of all films

  • Back from Eternity(1956)

    Editor

    Midcredits score: 64th percentile of all films

  • Johnny Concho (not in the MovieCove catalog yet)(1956)

    Editor

  • World Without End(1956)

    Editor

    Midcredits score: 32nd percentile of all films

  • At Gunpoint (not in the MovieCove catalog yet)(1955)

    Editor

  • Strategic Air Command(1955)

    Editor

    Midcredits score: 56th percentile of all films

  • Secret of the Incas(1954)

    Editor

    Midcredits score: 45th percentile of all films

  • Pony Express(1953)

    Editor

    Midcredits score: 35th percentile of all films

  • Son of Paleface(1952)

    Editor

    Midcredits score: 75th percentile of all films

  • Submarine Command(1951)

    Editor

    Midcredits score: 49th percentile of all films

  • His Kind of Woman(1951)

    Editor

    Midcredits score: 80th percentile of all films

  • Darling, How Could You!(1951)

    Editor

    Midcredits score: 56th percentile of all films

  • Where Danger Lives(1950)

    Editor

    Midcredits score: 66th percentile of all films

  • Copper Canyon(1950)

    Editor

    Midcredits score: 45th percentile of all films

  • Red, Hot and Blue(1949)

    Supervising Editor

    Midcredits score: 38th percentile of all films

  • Alias Nick Beal(1949)

    Editor · Supervising Editor

    Midcredits score: 83rd percentile of all films

  • Night Has a Thousand Eyes(1948)

    Supervising Editor

    Midcredits score: 83rd percentile of all films

  • The Big Clock(1948)

    Supervising Editor

    Midcredits score: 95th percentile of all films

  • Easy Come, Easy Go(1947)

    Editor

    Midcredits score: 62nd percentile of all films (provisional, few ratings)

  • California(1947)

    Supervising Editor

    Midcredits score: 51st percentile of all films

  • Two Years Before the Mast(1946)

    Editor

    Midcredits score: 77th percentile of all films

  • The Affairs of Susan(1945)

    Editor

    Midcredits score: 60th percentile of all films

  • You Came Along (not in the MovieCove catalog yet)(1945)

    Editor

  • And the Angels Sing(1944)

    Editor

    Midcredits score: 52nd percentile of all films

  • China(1943)

    Editor

    Midcredits score: 66th percentile of all films

  • Young and Willing (not in the MovieCove catalog yet)(1943)

    Editor

  • I Married a Witch(1942)

    Editor

    Midcredits score: 83rd percentile of all films

  • The Lady Is Willing(1942)

    Editor

    Midcredits score: 56th percentile of all films

  • Bahama Passage (not in the MovieCove catalog yet)(1941)

    Editor

  • Safari (not in the MovieCove catalog yet)(1940)

    Editor

  • Honeymoon in Bali (not in the MovieCove catalog yet)(1939)

    Editor

  • King of Chinatown(1939)

    Editor

    Midcredits score: 47th percentile of all films

  • Partners in Crime (not in the MovieCove catalog yet)(1937)

    Editor

  • Mountain Music (not in the MovieCove catalog yet)(1937)

    Editor

  • Swing High, Swing Low(1937)

    Editor

    Midcredits score: 44th percentile of all films

  • The General Died at Dawn(1936)

    Editor

    Midcredits score: 65th percentile of all films

  • Forgotten Faces (not in the MovieCove catalog yet)(1936)

    Editor

  • Anything Goes (not in the MovieCove catalog yet)(1936)

    Editor

  • So Red the Rose(1935)

    Editor

    Midcredits score: 61st percentile of all films

  • Ready for Love (not in the MovieCove catalog yet)(1934)

    Editor

  • Torch Singer(1933)

    Editor

    Midcredits score: 63rd percentile of all films

  • Terror Aboard (not in the MovieCove catalog yet)(1933)

    Editor

  • Luxury Liner (not in the MovieCove catalog yet)(1933)

    Editor

  • The Right to Love (not in the MovieCove catalog yet)(1930)

    Editor

  • Ladies Love Brutes (not in the MovieCove catalog yet)(1930)

    Editor

  • Slightly Scarlet (not in the MovieCove catalog yet)(1930)

    Editor

  • The Kibitzer (not in the MovieCove catalog yet)(1930)

    Editor

  • Dangerous Curves (not in the MovieCove catalog yet)(1929)

    Editor

  • Wolf Song (not in the MovieCove catalog yet)(1929)

    Editor

  • Abie's Irish Rose (not in the MovieCove catalog yet)(1928)

    Editor

  • Hula (not in the MovieCove catalog yet)(1927)

    Editor

  • Evening Clothes (not in the MovieCove catalog yet)(1927)

    Editor

Career shape

A full career of 61 titles from 1927 to 1968.

Biggest box office

Taras Bulba (1962)

$23K worldwide

Highest rated

I Married a Witch (1942)

Midcredits 83rd

By role

only this rolewith another role
Editing61 of 61: 61 only editing, 0 with another role · typical Midcredits score60th

By decade

1920s5 · crew1930s17 · crew1940s16 · crew1950s17 · crew1960s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Eda Warren's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 38; across their 33 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 33

Approval · how many liked their films

52ndpercentile
Typical film, the median of 33

Reach · how many have seen their films

46thpercentile
Typical film, the median of 33

Midcredits score across 38 titles, by percentile

  • 75th and up9
  • 50th to 74th16
  • 25th to 49th12
  • Below 25th1

Shape of the crowd

22 of their 38 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser22
  • Broadly Agreed7
  • Mixed7

Most divisive · editor

The Hot Angel (1958)

71st percentile spread · 41% rated it 4 or lower

Most loved · editor

The Big Clock (1948)

Midcredits 95th · 85% liked

Reviewers score the pacing 47/100 in their films, across 31 reviewed titles; fans 55, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Eda Warren work with?

People who share at least 2 of Eda Warren's MovieCove titles, grouped by what they did on them; John Farrow shares the most, 10.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles