Robert Waterfield
- Producer
- 3 on MovieCove
What are Robert Waterfield's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 2
Light 2 · Serious 1 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Waterfield's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Robert Waterfield's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
The Fuzzy Pink Nightgown(1957)
Midcredits score: 38th percentile of all films
Run for the Sun(1956)
Midcredits score: 55th percentile of all films
The King and Four Queens(1956)
Midcredits score: 42nd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1956 to 1957.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Robert Waterfield's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 3 titles divides audiences: 2 are Broadly Agreed.
- Crowd Pleaser1
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Waterfield work with?
People who share at least 2 of Robert Waterfield's MovieCove titles, grouped by what they did on them; Jane Russell shares the most, 3.
Writers
- Richard Alan SimmonsShared titles: The Fuzzy Pink Nightgown (1957), The King and Four Queens (1956)See all 2 shared titles with Richard Alan Simmons
Cinematographers
- Joseph LaShelleShared titles: The Fuzzy Pink Nightgown (1957), Run for the Sun (1956)See all 2 shared titles with Joseph LaShelle
Producers
- Jane RussellShared titles: The Fuzzy Pink Nightgown (1957), Run for the Sun (1956), The King and Four Queens (1956)See all 3 shared titles with Jane Russell
