Skip to content
MovieCove
Gary Weimberg

Gary Weimberg

Editor, director, producer and writer

Gary Weimberg has spent the last two decades making award-winning documentaries as a producer, director, editor, writer, and camera person. 9 primetime documentary specials. Hundreds of web videos. Big budget programs and one-person-intimate efforts. He has been nominated for 6 Emmy awards and won two national Emmy Awards (Earth and the American Dream (1992); Loyalty & Betrayal: The Story of the American Mob (1994)) Two documentaries that he edited were nominated for Academy Awards (Memorial 1989; and _ Super Chief: The Life and Legacy of Earl Warren (1989)_). He was nominated as Outstanding Documentary Director by the Director's Guild of America for his controversial political documentary, The Double Life of Ernesto Gomez-Gomez (1999), PBS 1999; a program that contributed directly to the Presidential Pardon and release of 12 political prisoners who had already served 19 years in prison. As part of Luna Productions, he has produced a series of documentaries for non-profit organizations that have helped to raise over $27.4 million for worthy causes and co-produced/directed/edited two feature documentaries: Three Women And A Chateau (a 100 year history of a 100 room mansion) and Soldiers Of Conscience (a look at the morality of killing in times of war, through the experiences of US soldiers in war in Iraq).

Read more

Biography from TMDB.

Works as
Editor, director, producer and writer
Titles
11 on MovieCove · 22 credits in all

What are Gary Weimberg's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 1 · Heightened 0

Gentle 2 · Charged 4 · Intense 2

Steady 4 · Shifting 4 · Whiplash 0

Straight-faced 7 · Some laughs 1 · Funny 0

Slow burn 5 · Even-paced 3 · Relentless 0

Casual 0 · Engaged 8 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 3 · Heavy 4

Resolved 7 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Tense
4
Melancholic
3
Hopeful
2
Elegiac
2
Other
3

How their films end

  • Happy1
  • Bittersweet3
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gary Weimberg's films?

As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service, most on Pluto TV (2).

Subscription and free streaming for Gary Weimberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 11 with a MovieCove page.

  • How to Live 100 Years (or more) (not in the MovieCove catalog yet)(2023)

    Director

  • My Love Affair with the Brain (not in the MovieCove catalog yet)(2016)

    Director · Cinematographer · Editor · Producer · Writer

  • Ghost Town to Havana (not in the MovieCove catalog yet)(2015)

    Co-Producer · Editor

  • The Heiress and Her Chateau: Carolands of California (not in the MovieCove catalog yet)(2014)

    Director · Editor · Producer · Writer

  • Midcredits score: 62nd percentile of all films
  • Something Ventured(2011)

    Editor

    Midcredits score: 80th percentile of all films
  • Soldiers of Conscience(2007)

    Director · Editor · Producer

    Midcredits score: 62nd percentile of all films
  • Ballets Russes(2005)

    Editor · Writer

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 88th percentile of all films
  • A Bridge of Books (not in the MovieCove catalog yet)(2001)

    Editor

  • The Double Life of Ernesto Gomez Gomez (not in the MovieCove catalog yet)(1999)

    Director

  • The Story of Mothers & Daughters (not in the MovieCove catalog yet)(1997)

    Director

  • Loyalty & Betrayal: The Story of the American Mob (not in the MovieCove catalog yet)(1994)

    Director · Editor · Writer

  • Terminal USA (not in the MovieCove catalog yet)(1993)

    Editor

  • And the Band Played On(1993)

    Additional Editing

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 52nd percentile of all films
  • Maria's Story(1990)

    Associate Producer

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • Memorial: Letters from American Soldiers (not in the MovieCove catalog yet)(1991)

    Editor

  • The Godfather Part III(1990)

    Sound Effects Editor

    Midcredits score: 91st percentile of all films
  • Midcredits score: 93rd percentile of all films
  • The Black Stallion Returns(1983)

    Sound Editor

    Midcredits score: 42nd percentile of all films
  • Street Music (not in the MovieCove catalog yet)(1981)

    Assistant Editor

Career shape

A full career of 20 titles from 1981 to 2023.

By role

only this rolewith another role
Directing7 of 20: 3 only directing, 4 with another roleWriting3 of 20: 0 only writing, 3 with another roleProducing5 of 20: 1 only producing, 4 with another roleCinematography1 of 20: 0 only cinematography, 1 with another roleEditing12 of 20: 7 only editing, 5 with another role · typical Midcredits score62ndOther crew4 of 20: 4 only other crew, 0 with another role

20 titles, 5 with more than one role — editing and directing overlap on 4 of them.

By decade

1980s2 · crew1990s9 · crew2000s3 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gary Weimberg's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 11; across their 8 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 8

Approval · how many liked their films

82ndpercentile
Typical film, the median of 8

Reach · how many have seen their films

35thpercentile
Typical film, the median of 8

Midcredits score across 11 titles, by percentile

  • 75th and up7
  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

4 of their 11 titles are Universally Loved.

  • Universally Loved4
  • Loved with Detractors1
  • Cult Classic2
  • Crowd Pleaser1
  • Mixed3

Reviewers score the pacing 55/100 in their films, across 4 reviewed titles; fans 64, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gary Weimberg work with?

People who share at least 2 of Gary Weimberg's MovieCove titles, grouped by what they did on them; Todd Boekelheide shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers