Henry T. Weinstein
- Producer
- 12 on MovieCove · 16 credits in all
What are Henry T. Weinstein's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
Light 0 · Serious 2 · Dark 9
Grounded 5 · Stylized 5 · Heightened 1
Gentle 0 · Charged 4 · Intense 7
Steady 3 · Shifting 8 · Whiplash 0
Straight-faced 9 · Some laughs 2 · Funny 0
Slow burn 7 · Even-paced 3 · Relentless 1
Casual 1 · Engaged 7 · Full focus 3
Easy watch 1 · Affecting 5 · Heavy 5
A split, not a type: Resolved 7 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet7
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henry T. Weinstein's films?
As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Henry T. Weinstein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 12 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Texasville (not in the MovieCove catalog yet)(1990)
52 Pick-Up(1986)
Midcredits score: 56th percentile of all films
Runaway Train(1985)
Midcredits score: 85th percentile of all films
Butley(1974)
Midcredits score: 72nd percentile of all films
Luther(1974)
Midcredits score: 51st percentile of all films
Rhinoceros (not in the MovieCove catalog yet)(1974)
The Homecoming(1973)
Midcredits score: 71st percentile of all films
Tam Lin(1970)
Midcredits score: 36th percentile of all films
Julius Caesar(1970)
Midcredits score: 39th percentile of all films
The Magic Christian(1969)
Midcredits score: 41st percentile of all films
The Battle of Neretva(1969)
Midcredits score: 80th percentile of all films
The Madwoman of Chaillot(1969)
Midcredits score: 45th percentile of all films
Joy in the Morning(1965)
Midcredits score: 26th percentile of all films
Tender Is the Night(1962)
Midcredits score: 42nd percentile of all films
The World of Sholom Aleichem (not in the MovieCove catalog yet)(1959)
Burning Bright (not in the MovieCove catalog yet)(1959)
Career shape
A full career of 13 titles from 1959 to 1990.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Henry T. Weinstein's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th6
Shape of the crowd
6 of their 12 titles are Crowd Pleasers.
- Crowd Pleaser6
- Broadly Agreed1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Henry T. Weinstein work with?
People who share at least 2 of Henry T. Weinstein's MovieCove titles, grouped by what they did on them; Ely A. Landau shares the most, 4.
Writers
- Edward AnhaltShared titles: Luther (1974), The Madwoman of Chaillot (1969)See all 2 shared titles with Edward Anhalt
Actors
- Richard ChamberlainShared titles: Julius Caesar (1970), The Madwoman of Chaillot (1969), Joy in the Morning (1965)See all 3 shared titles with Richard Chamberlain
- Cyril CusackShared titles: The Homecoming (1973), Tam Lin (1970)See all 2 shared titles with Cyril Cusack
- Jason RobardsShared titles: Julius Caesar (1970), Tender Is the Night (1962)See all 2 shared titles with Jason Robards
- Oscar HomolkaShared titles: The Madwoman of Chaillot (1969), Joy in the Morning (1965)See all 2 shared titles with Oscar Homolka
Composers and editors
- Malcolm CookeShared titles: Butley (1974), Luther (1974)See all 2 shared titles with Malcolm Cooke
- Michael J. LewisShared titles: Julius Caesar (1970), The Madwoman of Chaillot (1969)See all 2 shared titles with Michael J. Lewis
- Roger DwyreShared titles: The Battle of Neretva (1969), The Madwoman of Chaillot (1969)See all 2 shared titles with Roger Dwyre
- Bernard HerrmannShared titles: Joy in the Morning (1965), Tender Is the Night (1962)See all 2 shared titles with Bernard Herrmann
Producers
- Ely A. LandauShared titles: Butley (1974), Luther (1974), The Homecoming (1973), The Madwoman of Chaillot (1969)See all 4 shared titles with Ely A. Landau
- Anthony B. UngerShared titles: Julius Caesar (1970), Tam Lin (1970), The Battle of Neretva (1969), The Madwoman of Chaillot (1969)See all 4 shared titles with Anthony B. Unger
- Robert A. GoldstonShared titles: Runaway Train (1985), Butley (1974), The Homecoming (1973)See all 3 shared titles with Robert A. Goldston
- Menahem GolanShared titles: 52 Pick-Up (1986), Runaway Train (1985)See all 2 shared titles with Menahem Golan
Mixed roles
- Harold PinterShared titles: Butley (1974), The Homecoming (1973)See all 2 shared titles with Harold Pinter
