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Rick Weis

Rick Weis

Editor and director, also producer

Works as
Editor and director, also producer
Titles
13 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 21% in 30 days

What are Rick Weis' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy2 titlesTypical Midcredits score: 16th percentile
: browse their Comedy movies
Documentary2 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
41%
Bonds
15%
Morality
14%
Society
14%
Survival
9%
Ideas
8%
Ambition3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 0 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 1

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 0 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 1 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 0 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
5
Warm
3
Tense
2
Thrilling
2
Melancholic
3
Other
5

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rick Weis' films?

As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Rick Weis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 13 with a MovieCove page.

  • Until the Wheels Come Off(2022)

    Director · Editor · Producer

    Midcredits score: 64th percentile of all films (provisional, few ratings)

  • Amber Brown(2022)

    Show Editor · Producer

    Midcredits score: 15th percentile of all shows

  • The Mole(2022)

    Show Editor

    Midcredits score: 67th percentile of all shows

  • The Toolbox Killer(2021)

    Editor

    Midcredits score: 63rd percentile of all films

  • How High 2(2019)

    Editor

    Midcredits score: 7th percentile of all films

  • Fast Layne(2019)

    Show Editor

    Midcredits score: 19th percentile of all shows

  • Let's Get Physical(2018)

    Show Editor

    Midcredits score: 13th percentile of all shows

  • The Keys of Christmas(2016)

    Editor

    Midcredits score: 24th percentile of all films

  • Isabelle Dances Into the Spotlight(2014)

    Additional Editing

    Midcredits score: 39th percentile of all films

  • The Office(2005)

    Show 5 episodes · Editor

    Midcredits score: 99th percentile of all shows

  • Jan & Dean: The Other Beach Boys (not in the MovieCove catalog yet)(2002)

    Editor

  • Added Attractions: The Hollywood Shorts Story(2002)

    Editor

    Midcredits score: 71st percentile of all films (provisional, few ratings)

  • Zoe (not in the MovieCove catalog yet)(2001)

    Editor

  • Take a Number (not in the MovieCove catalog yet)(1997)

    Editor

  • Crossworlds(1996)

    Assistant Picture Editor · Title Designer

    Midcredits score: 21st percentile of all films

  • Leprechaun 3(1995)

    Best Boy Electric

    Midcredits score: 20th percentile of all films

Career shape

A full career of 10 titles from 1995 to 2022.

Highest rated

The Mole (2022)

Midcredits 67th

By role

only this rolewith another role
Directing1 of 10: 1 only directing, 0 with another roleEditing6 of 10: 6 only editing, 0 with another roleOther crew3 of 10: 3 only other crew, 0 with another role

By decade

1990s3 · crew2000s3 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Rick Weis' films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 4

Approval · how many liked their films

39thpercentile
Typical film, the median of 4

Reach · how many have seen their films

19thpercentile
Typical film, the median of 4

Midcredits score across 13 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th1
  • Below 25th7

Shape of the crowd

5 of their 13 titles are Mixed.

  • Universally Loved1
  • Divisive2
  • Cult Classic3
  • Crowd Pleaser2
  • Mixed5

Most divisive · editor

The Keys of Christmas (2016)

97th percentile spread · 47% rated it 4 or lower

Most loved · editor

The Office (2005)

Midcredits 99th · 93% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rick Weis work with?

People who share at least 2 of Rick Weis' MovieCove titles; Matt Dearborn shares the most, 2.