Marcel Weiss
Cinematographer · Died October 22, 2009, aged 97 · Paris, France
- July 27, 1912
- October 22, 2009 (aged 97)
- Paris, France
- Cinematographer
- 7 on MovieCove · 31 credits in all
What are Marcel Weiss' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 3
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
Gentle 2 · Charged 2 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 2
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 2
Resolved 2 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marcel Weiss' films?
As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).
Subscription and free streaming for Marcel Weiss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
31 credits, 7 with a MovieCove page.
Jarmila Šuláková – královna lidové písně (not in the MovieCove catalog yet)(2023)
32 utajovaných stran – zpráva z pekla (not in the MovieCove catalog yet)(2016)
Největší Čech (not in the MovieCove catalog yet)(2005)
Hotel (not in the MovieCove catalog yet)(1982)
Le piège à cons (not in the MovieCove catalog yet)(1979)
The Red Ibis (not in the MovieCove catalog yet)(1975)
No Pockets in a Shroud (not in the MovieCove catalog yet)(1974)
The Albatross (not in the MovieCove catalog yet)(1971)
Trafic(1971)
Midcredits score: 85th percentile of all films
Solo (not in the MovieCove catalog yet)(1970)
The Stud (not in the MovieCove catalog yet)(1970)
The Big Wash (not in the MovieCove catalog yet)(1968)
Codine (not in the MovieCove catalog yet)(1963)
Snobs! (not in the MovieCove catalog yet)(1962)
Bridge to the Sun(1961)
Midcredits score: 80th percentile of all films
The Long Absence(1961)
Midcredits score: 78th percentile of all films
Bernadette of Lourdes (not in the MovieCove catalog yet)(1961)
Meurtre en 45 tours(1960)
Midcredits score: 33rd percentile of all films
Le 7ème jour de Saint-Malo (not in the MovieCove catalog yet)(1960)
La Soupe à la grimace (not in the MovieCove catalog yet)(1954)
One Bullet Is Enough (not in the MovieCove catalog yet)(1954)
This Man Is Dangerous (not in the MovieCove catalog yet)(1953)
The Blonde Gypsy (not in the MovieCove catalog yet)(1953)
My Brother from Senegal(1953)
Midcredits score: 22nd percentile of all films (provisional, few ratings)
OSS 117 Is Not Dead (not in the MovieCove catalog yet)(1952)
Thirst of Men (not in the MovieCove catalog yet)(1950)
Operation Swallow: The Battle for Heavy Water (not in the MovieCove catalog yet)(1948)
Devil in the Flesh(1947)
Midcredits score: 77th percentile of all films
Les Dames du bois de Boulogne (not in the MovieCove catalog yet)(1945)
A Cage of Nightingales (not in the MovieCove catalog yet)(1945)
Le ruisseau(1938)
Midcredits score: 40th percentile of all films (provisional, few ratings)
Career shape
A full career of 30 titles from 1938 to 2023.
How do Marcel Weiss' films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up4
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 7 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed1
- Mixed2
Reviewers score the cinematography 73/100 in their films, across 4 reviewed titles; fans 76, detractors 63. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marcel Weiss work with?
People who share at least 2 of Marcel Weiss' MovieCove titles, grouped by what they did on them; Etienne Périer shares the most, 2.
Directors
- Etienne PérierShared titles: Bridge to the Sun (1961), Meurtre en 45 tours (1960)See all 2 shared titles with Etienne Périer
Editors
- Monique IsnardonShared titles: Bridge to the Sun (1961), Meurtre en 45 tours (1960)See all 2 shared titles with Monique Isnardon
- Robert IsnardonShared titles: Bridge to the Sun (1961), Meurtre en 45 tours (1960)See all 2 shared titles with Robert Isnardon
Producers
- Jacques BarShared titles: Bridge to the Sun (1961), Meurtre en 45 tours (1960)See all 2 shared titles with Jacques Bar