Kara Welker

What are Kara Welker's films like?

Across their 11 Motif titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kara Welker's films?

As of October 24, 2026, 7 of their 12 Motif titles stream on a subscription or free service, most on Paramount+ (3).

• Paramount+3 titles, browse their movies on this service
  • Trevor Moore: High in Church (2015) · producer
  • The Story of Our Times (2018) · producer
  • Kyle Kinane: Loose in Chicago (2016) · producer
• Netflix2 titles, browse their movies on this service
  • Patton Oswalt: Annihilation (2017) · producer
  • Patton Oswalt: Talking for Clapping (2016) · producer
• HBO Max1 title, browse their movies on this service
  • Pete Holmes: Faces and Sounds (2016) · producer
• Hulu1 title, browse their movies on this service
  • Janeane Garofalo: If I May (2016) · producer
• Peacock1 title, browse their movies on this service
  • Janeane Garofalo: If I May (2016) · producer
• Prime Video1 title, browse their movies on this service
  • Janeane Garofalo: If I May (2016) · producer
• Tubi1 title, browse their movies on this service
  • Janeane Garofalo: If I May (2016) · producer · free

Subscription and free streaming for Kara Welker's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 12 with a Motif page.

• 

  Mars(2024)

  Executive Producer

  Motif score: 61st percentile of all films61^st
• 

  The Story of Our Times(2018)

  Producer

  Motif score: 82nd percentile of all films82^nd
• 

  Patton Oswalt: Annihilation(2017)

  Executive Producer

  Motif score: 86th percentile of all films86^th
• 

  Pete Holmes: Faces and Sounds(2016)

  Executive Producer

  Motif score: 70th percentile of all films70^th
• 

  Kyle Kinane: Loose in Chicago(2016)

  Executive Producer

  Motif score: 57th percentile of all films57^th
• 

  Janeane Garofalo: If I May(2016)

  Producer

  Motif score: 14th percentile of all films14^th
• 

  Patton Oswalt: Talking for Clapping(2016)

  Producer

  Motif score: 74th percentile of all films74^th
• 

  Trevor Moore: High in Church(2015)

  Executive Producer

  Motif score: 91st percentile of all films91^st
• 

  Patton Oswalt: Finest Hour(2011)

  Producer

  Motif score: 88th percentile of all films88^th
• 

  Janeane Garofalo: If You Will (not in the Motif catalog yet)(2010)

  Executive Producer
• 

  Jon Reep: Metro Jethro(2009)

  Producer

  Motif score: 92nd percentile of all films (provisional, few ratings)~92^nd
• 

  Patton Oswalt: My Weakness Is Strong(2009)

  Producer

  Motif score: 90th percentile of all films90^th
• 

  The Andy Milonakis Show(2005)

  Show Producer

  Motif score: 16th percentile of all shows16^th

Career shape

A full career of 6 titles from 2010 to 2026.

Highest rated

Patton Oswalt: My Weakness Is Strong (2009)

Motif 90^th

Most popular right now

The Andy Milonakis Show (2005)

How do Kara Welker's films land?

Their typical Motif film has a Motif score in the 82^nd percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 83^rd percentile for acclaim.

Shape of the crowd

6 of their 12 titles are Crowd Pleasers.

2262

• Divisive2
• Cult Classic2
• Crowd Pleaser6
• Mixed2

Most divisive · producer

Kyle Kinane: Loose in Chicago (2016)

95^th percentile spread · 53% rated it 4 or lower

Most loved · producer

Trevor Moore: High in Church (2015)

Motif 91^st · 79% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kara Welker work with?

People who share at least 2 of Kara Welker's Motif titles, grouped by what they did on them; Dave Rath shares the most, 9.