- Writer and producer
- 4 on MovieCove · 31 credits in all
What are Gordon Wellesley's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 3 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gordon Wellesley's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gordon Wellesley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
31 credits, 4 with a MovieCove page.
The Young Jacobites (not in the MovieCove catalog yet)(1963)
Dead Man's Evidence (not in the MovieCove catalog yet)(1962)
Doomsday at Eleven (not in the MovieCove catalog yet)(1962)
Sir Francis Drake (not in the MovieCove catalog yet)(1961)
Visa to Canton (not in the MovieCove catalog yet)(1960)
The Malpas Mystery (not in the MovieCove catalog yet)(1960)
The Young Jacobites (not in the MovieCove catalog yet)(1960)
The March Hare (not in the MovieCove catalog yet)(1956)
The Green Scarf (not in the MovieCove catalog yet)(1954)
The Reluctant Widow (not in the MovieCove catalog yet)(1950)
The Lost People (not in the MovieCove catalog yet)(1949)
Mr. Emmanuel (not in the MovieCove catalog yet)(1944)
The Shipbuilders (not in the MovieCove catalog yet)(1943)
Rhythm Serenade (not in the MovieCove catalog yet)(1943)
The Silver Fleet (not in the MovieCove catalog yet)(1943)
The Peterville Diamond (not in the MovieCove catalog yet)(1943)
Flying Fortress (not in the MovieCove catalog yet)(1942)
This Was Paris (not in the MovieCove catalog yet)(1942)
Sons of the Sea(1941)
Midcredits score: 46th percentile of all films
Freedom Radio (not in the MovieCove catalog yet)(1941)
Night Train to Munich(1940)
Midcredits score: 88th percentile of all films
Three Cockeyed Sailors(1940)
Midcredits score: 35th percentile of all films
The High Command(1937)
Midcredits score: 39th percentile of all films
Whom the Gods Love: The Original Story of Mozart and His Wife (not in the MovieCove catalog yet)(1936)
Look Up and Laugh (not in the MovieCove catalog yet)(1935)
Death Drives Through (not in the MovieCove catalog yet)(1935)
Java Head (not in the MovieCove catalog yet)(1934)
Over the Garden Wall (not in the MovieCove catalog yet)(1934)
Love, Life and Laughter (not in the MovieCove catalog yet)(1934)
Shanghai Madness (not in the MovieCove catalog yet)(1933)
The Right to Live (not in the MovieCove catalog yet)(1933)
Career shape
A full career of 30 titles from 1933 to 1963.
How do Gordon Wellesley's films land?
Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up1
- 25th to 49th3
Shape of the crowd
None of their 4 titles divides audiences: 2 are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed2
Reviewers score the dialogue 57/100 and the plot and story 45/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gordon Wellesley work with?
People who share at least 2 of Gordon Wellesley's MovieCove titles, grouped by what they did on them; Walter Forde shares the most, 2.
Directors
- Walter FordeShared titles: Sons of the Sea (1941), Three Cockeyed Sailors (1940)See all 2 shared titles with Walter Forde
Actors
- Henry HewittShared titles: Three Cockeyed Sailors (1940), The High Command (1937)See all 2 shared titles with Henry Hewitt
Composers
- Ernest IrvingShared titles: Three Cockeyed Sailors (1940), The High Command (1937)See all 2 shared titles with Ernest Irving
Producers
- Culley FordeShared titles: Sons of the Sea (1941), Three Cockeyed Sailors (1940)See all 2 shared titles with Culley Forde