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Richard Welsh

Producer

Works as
Producer
Titles
55 on MovieCove · 60 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 25% in 30 days

What are Richard Welsh's films like?

Across their 55 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama46 titlesTypical Midcredits score: 62nd percentile
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 69th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
40%
Self
17%
Survival
14%
Morality
13%
Society
10%
Ideas
4%
Power
2%
Family bonds37 titles, browse their movies with this themeGrief13 titles, browse their movies with this themeRomantic love10 titles, browse their movies with this themeIdentity7 titles, browse their movies with this themeCommunity9 titles, browse their movies with this themeRedemption6 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeHope7 titles, browse their movies with this theme

What they feel like to watch

their average across 55 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 23 · Serious 21 · Dark 11

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 51 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 18 · Charged 34 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 42 · Shifting 12 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 42 · Some laughs 13 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 46 · Even-paced 9 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 36 · Engaged 19 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 12 · Affecting 26 · Heavy 17

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 41 · Open-ended 13 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
35
Melancholic
29
Warm
22
Bittersweet
20
Contemplative
17
Other
33

How their films linger

Hopeful48 titles, browse their movies with this aftertasteFeel-good22 titles, browse their movies with this aftertasteBittersweet24 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy14
  • Bittersweet37
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard Welsh's films?

As of October 24, 2026, 54 of their 55 MovieCove titles stream on a subscription or free service, most on Hallmark+ (44).

Also on these channels

Subscription and free streaming for Richard Welsh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

60 credits, 55 with a MovieCove page.

  • In from the Night(2006)

    Producer

    Midcredits score: 57th percentile of all films

  • The Valley of Light(2006)

    Producer

    Midcredits score: 70th percentile of all films

  • The Water Is Wide(2006)

    Producer

    Midcredits score: 80th percentile of all films

  • Silver Bells(2005)

    Producer

    Midcredits score: 58th percentile of all films

  • The Magic of Ordinary Days(2005)

    Producer

    Midcredits score: 91st percentile of all films

  • Back When We Were Grownups(2004)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • Plainsong(2004)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • The Blackwater Lightship(2004)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • A Painted House(2003)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • Fallen Angel(2003)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Brush with Fate(2003)

    Producer

    Midcredits score: 48th percentile of all films

  • The Locket(2002)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Tiramisu (not in the MovieCove catalog yet)(2002)

    Dolby Consultant

  • My Sister's Keeper(2002)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • Little John(2002)

    Producer

    Midcredits score: 65th percentile of all films

  • Who Are You? (not in the MovieCove catalog yet)(2001)

    Dolby Consultant

  • The Seventh Stream(2001)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • Follow the Stars Home(2001)

    Producer

    Midcredits score: 79th percentile of all films

  • In Love and War(2001)

    Producer

    Midcredits score: 65th percentile of all films

  • Missing Pieces(2000)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • The Flamingo Rising(2001)

    Producer

    Midcredits score: 28th percentile of all films

  • The lost child(2000)

    Executive Producer

    Midcredits score: 64th percentile of all films

  • Cupid & Cate(2000)

    Executive Producer

    Midcredits score: 47th percentile of all films

  • The Runaway(2000)

    Producer

    Midcredits score: 60th percentile of all films

  • Durango(1999)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • Night Ride Home(1999)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • A Season for Miracles(1999)

    Producer

    Midcredits score: 91st percentile of all films

  • Sarah, Plain & Tall: Winter's End(1999)

    Producer

    Midcredits score: 73rd percentile of all films

  • Grace & Glorie(1998)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Saint Maybe(1998)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • The Love Letter(1998)

    Executive Producer

    Midcredits score: 80th percentile of all films

  • The Echo of Thunder(1998)

    Producer

    Midcredits score: 69th percentile of all films

  • Ellen Foster(1997)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • Rose Hill(1997)

    Executive Producer

    Midcredits score: 64th percentile of all films

  • Old Man(1997)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • What the Deaf Man Heard(1997)

    Producer

    Midcredits score: 79th percentile of all films

  • Timepiece (not in the MovieCove catalog yet)(1996)

    Executive Producer

  • Calm at Sunset(1996)

    Producer

    Midcredits score: 49th percentile of all films

  • The Boys Next Door(1996)

    Executive Producer

    Midcredits score: 81st percentile of all films

  • The Canterville Ghost(1996)

    Executive Producer

    Midcredits score: 52nd percentile of all films

  • Harvest of Fire(1996)

    Producer

    Midcredits score: 56th percentile of all films

  • In the Lake of the Woods(1996)

    Producer

    Midcredits score: 13th percentile of all films

  • The Summer of Ben Tyler(1996)

    Producer

    Midcredits score: 67th percentile of all films

  • Journey(1995)

    Executive Producer

    Midcredits score: 61st percentile of all films

  • The Ranger, the Cook and a Hole in the Sky(1995)

    Executive Producer

    Midcredits score: 59th percentile of all films

  • The Piano Lesson(1995)

    Executive Producer

    Midcredits score: 76th percentile of all films

  • A Season of Hope(1995)

    Producer

    Midcredits score: 33rd percentile of all films

  • Past the Bleachers(1995)

    Producer

    Midcredits score: 71st percentile of all films

  • Redwood Curtain(1995)

    Producer

    Midcredits score: 47th percentile of all films

  • Saratoga Summer(1995)

    Producer

    Midcredits score: 60th percentile of all films

  • The Great Elephant Escape(1995)

    Producer

    Midcredits score: 24th percentile of all films

  • The Great Mom Swap(1995)

    Producer

    Midcredits score: 69th percentile of all films

  • The Return of the Native(1994)

    Executive Producer

    Midcredits score: 46th percentile of all films

  • Spring Awakening (not in the MovieCove catalog yet)(1994)

    Executive Producer

  • Star Struck(1994)

    Executive Producer

    Midcredits score: 36th percentile of all films

  • Getting Out(1994)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Spoils of War (not in the MovieCove catalog yet)(1994)

    Executive Producer

  • Breathing Lessons(1994)

    Executive Producer

    Midcredits score: 56th percentile of all films

  • To Dance with the White Dog(1993)

    Executive Producer

    Midcredits score: 87th percentile of all films

  • Blind Spot(1993)

    Executive Producer

    Midcredits score: 42nd percentile of all films

Career shape

A full career of 36 titles from 1993 to 2004.

Highest rated

The Magic of Ordinary Days (2005)

Midcredits 91st

By role

only this rolewith another role
Producing34 of 36: 34 only producing, 0 with another role · typical Midcredits score61stOther crew2 of 36: 2 only other crew, 0 with another role

By decade

1990s23 · crew2000s13 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard Welsh's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 55; across their 55 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 55

Approval · how many liked their films

62ndpercentile
Typical film, the median of 55

Reach · how many have seen their films

36thpercentile
Typical film, the median of 55

Midcredits score across 55 titles, by percentile

  • 75th and up12
  • 50th to 74th28
  • 25th to 49th13
  • Below 25th2

Shape of the crowd

25 of their 55 titles are Crowd Pleasers.

  • Universally Loved5
  • Cult Classic3
  • Crowd Pleaser25
  • Mixed22

Most divisive · producer

Star Struck (1994)

82nd percentile spread · 30% rated it 4 or lower

Most loved · producer

The Magic of Ordinary Days (2005)

Midcredits 91st · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Richard Welsh work with?

People who share at least 2 of Richard Welsh's MovieCove titles, grouped by what they did on them; Brent Shields shares the most, 51.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers