
John Wengraf
Actor · Died May 4, 1974, aged 77 · Vienna, Austria-Hungary, now Austria
Emigrating to England in 1933 as the Nazis began their rise to power, Wengraf appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943/I), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Till We Meet Again (1944). In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the more quality pictures he enhanced were Tomorrow Is Forever (1946); Count Von Papen in 5 Fingers (1952); and Ronchin in the Ethel Merman musical Call Me Madam (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a throughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as "The Untouchables" (1959), "Hawaiian Eye" (1959), "The Man from U.N.C.L.E." (1964) and "The Time Tunnel" (1966). His last few films included minor roles in the war-themed Judgment at Nuremberg (1961), Hitler (1962) and Ship of Fools (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.
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Biography from TMDB.
- April 22, 1897
- May 4, 1974 (aged 77)
- Vienna, Austria-Hungary, now Austria
- Actor
- 33 on MovieCove · 67 credits in all
What are John Wengraf's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 13
Light 2 · Serious 6 · Dark 6
Grounded 5 · Stylized 6 · Heightened 3
Gentle 1 · Charged 8 · Intense 5
Steady 5 · Shifting 9 · Whiplash 0
Straight-faced 11 · Some laughs 2 · Funny 1
Slow burn 6 · Even-paced 8 · Relentless 0
Casual 6 · Engaged 6 · Full focus 2
A split, not a type: Easy watch 7 · Affecting 3 · Heavy 4
Resolved 12 · Open-ended 1 · Ambiguous 1
Roles they play
- Heraldas Policeman from Europe in The Return of Dracula (1958)
- Mentoras Dr. Erich Heinrich in 12 to the Moon (1960)
Moods and endings
- Happy6
- Bittersweet6
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch John Wengraf's films?
As of October 24, 2026, 17 of their 33 MovieCove titles stream on a subscription or free service, most on Tubi (9).
- Judgment at Nuremberg (1961) · actor · free
- Sahara (1943) · actor · free
- Night Train to Munich (1940) · actor · free
- Ship of Fools (1965) · actor · free
- T-Men (1947) · actor · free
- One Step Beyond (1959) · actor · free
- Four Star Playhouse (1952) · actor · free
- Bat Masterson (1958) · actor · free
- Convoy (1940) · actor · free
Subscription and free streaming for John Wengraf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
67 credits, 33 with a MovieCove page.

Jericho (not in the MovieCove catalog yet)(1966)

The Time Tunnel(1966)
Midcredits score: 76th percentile of all shows
Ship of Fools(1965)
Midcredits score: 79th percentile of all films
The Rogues (not in the MovieCove catalog yet)(1964)

The Prize(1963)
Midcredits score: 75th percentile of all films
Hitler(1962)
Midcredits score: 35th percentile of all films
Judgment at Nuremberg(1961)
Midcredits score: 99th percentile of all films
Portrait in Black(1960)
Midcredits score: 53rd percentile of all films
12 to the Moon(1960)
Midcredits score: 1st percentile of all films
The Detectives (not in the MovieCove catalog yet)(1959)

Hawaiian Eye (not in the MovieCove catalog yet)(1959)

Bourbon Street Beat (not in the MovieCove catalog yet)(1959)

The Third Man (not in the MovieCove catalog yet)(1959)

One Step Beyond(1959)
Midcredits score: 71st percentile of all shows
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Bat Masterson(1958)
Midcredits score: 60th percentile of all shows
Behind Closed Doors (not in the MovieCove catalog yet)(1958)

The Return of Dracula(1958)
Midcredits score: 29th percentile of all films
The Walter Winchell File (not in the MovieCove catalog yet)(1957)

The Disembodied(1957)
Midcredits score: 8th percentile of all films
Valerie(1957)
Midcredits score: 32nd percentile of all films
Midcredits score: 33rd percentile of all films
Panic! (not in the MovieCove catalog yet)(1957)

Oh, Men! Oh, Women!(1957)
Midcredits score: 10th percentile of all films
Telephone Time (not in the MovieCove catalog yet)(1956)

Never Say Goodbye(1956)
Midcredits score: 51st percentile of all films
Matinee Theater (not in the MovieCove catalog yet)(1955)

The Racers (not in the MovieCove catalog yet)(1955)

The Millionaire (not in the MovieCove catalog yet)(1955)

The Gambler from Natchez(1954)
Midcredits score: 66th percentile of all films
Gog(1954)
Midcredits score: 24th percentile of all films
Paris Playboys (not in the MovieCove catalog yet)(1954)

The French Line(1953)
Midcredits score: 16th percentile of all films
Hell and High Water(1954)
Midcredits score: 44th percentile of all films
The Danny Thomas Show (not in the MovieCove catalog yet)(1953)

The Desert Rats(1953)
Midcredits score: 71st percentile of all films
General Electric Theater (not in the MovieCove catalog yet)(1953)

You Are There (not in the MovieCove catalog yet)(1953)

Tropic Zone (not in the MovieCove catalog yet)(1953)

Cavalcade of America (not in the MovieCove catalog yet)(1952)

Four Star Playhouse(1952)
Midcredits score: 65th percentile of all shows
5 Fingers(1952)
Midcredits score: 95th percentile of all films
Dangerous Assignment (not in the MovieCove catalog yet)(1952)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

The Lovable Cheat (not in the MovieCove catalog yet)(1949)

Wake of the Red Witch(1948)
Midcredits score: 62nd percentile of all films
Sealed Verdict (not in the MovieCove catalog yet)(1948)

Sofia (not in the MovieCove catalog yet)(1948)

T-Men(1947)
Midcredits score: 76th percentile of all films
The Razor's Edge(1946)
Midcredits score: 87th percentile of all films
Tomorrow Is Forever(1946)
Midcredits score: 86th percentile of all films
Week-End at the Waldorf(1945)
Midcredits score: 67th percentile of all films
Strange Affair (not in the MovieCove catalog yet)(1944)

Till We Meet Again(1944)
Midcredits score: 77th percentile of all films
U-Boat Prisoner (not in the MovieCove catalog yet)(1944)

The Seventh Cross(1944)
Midcredits score: 89th percentile of all films
Sahara(1943)
Midcredits score: 93rd percentile of all films
The Boy from Stalingrad (not in the MovieCove catalog yet)(1943)

Mission to Moscow (not in the MovieCove catalog yet)(1943)

Lucky Jordan (not in the MovieCove catalog yet)(1942)

Three Cockeyed Sailors(1940)
Midcredits score: 35th percentile of all films
Convoy(1940)
Midcredits score: 40th percentile of all films
Night Train to Munich(1940)
Midcredits score: 88th percentile of all films
All Hands (not in the MovieCove catalog yet)(1940)

Dangerous Comment (not in the MovieCove catalog yet)(1940)
The Moon in the Yellow River (not in the MovieCove catalog yet)(1938)

Bretter, die die Welt bedeuten (not in the MovieCove catalog yet)(1935)
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 67 titles from 1935 to 1966; peak year 1960.

Biggest box office
5 Fingers (1952)

Highest rated
5 Fingers (1952)

Most popular right now
The Pride and the Passion (1957)
Film career
Peak 1960 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1940Screen debut· Night Train to Munich
- 1961Career best· Judgment at Nuremberg
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do John Wengraf's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 29; across their 14 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up12
- 50th to 74th9
- 25th to 49th7
- Below 25th5
Shape of the crowd
18 of their 33 titles are Crowd Pleasers.
- Universally Loved3
- Universally Panned1
- Crowd Pleaser18
- Broadly Agreed6
- Mixed5
Reviewers score the acting 64/100 in their films, across 14 reviewed titles; fans 73, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does John Wengraf work with?
People who share at least 2 of John Wengraf's MovieCove titles, grouped by what they did on them; John Banner shares the most, 2.
Actors
- John BannerShared titles: Hitler (1962), Never Say Goodbye (1956)See all 2 shared titles with John Banner

- Gage ClarkeShared titles: The Return of Dracula (1958), Valerie (1957)See all 2 shared titles with Gage Clarke

- Jay NovelloShared titles: The Pride and the Passion (1957), The Gambler from Natchez (1954)See all 2 shared titles with Jay Novello

- Philip Van ZandtShared titles: The Pride and the Passion (1957), Gog (1954)See all 2 shared titles with Philip Van Zandt

Cinematographers
- John AltonShared titles: 12 to the Moon (1960), T-Men (1947)See all 2 shared titles with John Alton

Mixed roles
- Gerd OswaldShared titles: Valerie (1957), 5 Fingers (1952)See all 2 shared titles with Gerd Oswald



