Alexander Westerman

What are Alexander Westerman's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexander Westerman's films?

As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service.

• Paramount+3 titles, browse their movies on this service
  • The Spiderwick Chronicles (2008) · producer
  • Monsters vs. Aliens (2009) · producer
  • True Jackson, VP (2008) · producer
• Peacock3 titles, browse their movies on this service
  • The Spiderwick Chronicles (2008) · producer
  • Monsters vs. Aliens (2009) · producer
  • Christian Mingle (2014) · producer
• Pluto TV2 titles, browse their movies on this service
  • The Spiderwick Chronicles (2008) · producer · free
  • Nacho Libre (2006) · producer · free
• Prime Video2 titles, browse their movies on this service
  • Barbie: A Fashion Fairytale (2010) · producer
  • Nacho Libre (2006) · producer
• MGM+1 title, browse their movies on this service
  • Hotel for Dogs (2009) · producer
• Netflix1 title, browse their movies on this service
  • Barbie: Life in the Dreamhouse (2012) · producer
• The Roku Channel1 title, browse their movies on this service
  • Christian Mingle (2014) · producer · free
• Tubi1 title, browse their movies on this service
  • Christian Mingle (2014) · producer · free

Subscription and free streaming for Alexander Westerman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

• 

  Christian Mingle(2014)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Barbie in the Pink Shoes(2013)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Barbie: Life in the Dreamhouse(2012)

  Show Producer

  Midcredits score: 80th percentile of all shows80^th
• 

  Barbie in a Mermaid Tale 2(2011)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Barbie: Princess Charm School(2011)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Barbie in a Mermaid Tale(2010)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Barbie: A Fashion Fairytale(2010)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Hotel for Dogs(2009)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Monsters vs. Aliens(2009)

  Producer

  Midcredits score: 55th percentile of all films55^th
• 

  Barbie and the Three Musketeers(2008)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  The Spiderwick Chronicles(2008)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  True Jackson, VP(2008)

  Show Producer

  Midcredits score: 24th percentile of all shows24^th
• 

  Nacho Libre(2006)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  A Series of Unfortunate Events(2004)

  Producer

  Midcredits score: 74th percentile of all films74^th

Career shape

Across their 14 MovieCove titles from 2004 to 2014.

Biggest box office

Monsters vs. Aliens (2009)

$382M worldwide

Highest rated

Barbie: Princess Charm School (2011)

Midcredits 89^th

Most popular right now

Monsters vs. Aliens (2009)

How do Alexander Westerman's films land?

Their typical MovieCove film has a Midcredits score in the 69^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 73^rd percentile for acclaim.

Shape of the crowd

9 of their 14 titles are Crowd Pleasers.

94

• Cult Classic1
• Crowd Pleaser9
• Mixed4

Most divisive · producer

Christian Mingle (2014)

83^rd percentile spread · 49% rated it 4 or lower

Most loved · producer

Barbie: Princess Charm School (2011)

Midcredits 89^th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alexander Westerman's work okay for kids?

Across up to 9 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run lighter than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alexander Westerman work with?

People who share at least 2 of Alexander Westerman's MovieCove titles, grouped by what they did on them; Rob Hudnut shares the most, 7.