Edwin V. Westrate

What are Edwin V. Westrate's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edwin V. Westrate's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Rolling Home (1946) · writer · free
  • Shoot to Kill (1947) · writer · free
  • Renegade Girl (1946) · writer · free
• Prime Video2 titles, browse their movies on this service
  • Rolling Home (1946) · writer
  • Shoot to Kill (1947) · writer

Subscription and free streaming for Edwin V. Westrate's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

• 

  Jesse James vs. the Daltons(1954)

  Story

  Midcredits score: 13th percentile of all films13^th
• 

  Women in the Night (not in the MovieCove catalog yet)(1948)

  Screenplay
• 

  Shoot to Kill(1947)

  Writer

  Midcredits score: 20th percentile of all films20^th
• 

  Renegade Girl(1946)

  Screenplay

  Midcredits score: 10th percentile of all films10^th
• 

  Rolling Home(1946)

  Screenplay

  Midcredits score: 25th percentile of all films25^th
• 

  Prison Farm (not in the MovieCove catalog yet)(1938)

  Story

Career shape

A full career of 6 titles from 1938 to 1954.

Highest rated

Shoot to Kill (1947)

Midcredits 20^th

Most popular right now

Renegade Girl (1946)

How do Edwin V. Westrate's films land?

Their typical MovieCove film has a Midcredits score in the 17^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 27^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Mixed.

13

• Broadly Agreed1
• Mixed3

Most loved · writer

Rolling Home (1946)

Midcredits 25^th · 28% liked

Reviewers score the dialogue 40/100 and the plot and story 43/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edwin V. Westrate work with?

People who share at least 2 of Edwin V. Westrate's MovieCove titles, grouped by what they did on them; William Berke shares the most, 3.