
Michael Whalen
Actor · Died April 14, 1974, aged 71 · Wilkes-Barre, Pennsylvania, USA
A dark, debonair, mustachioed, slick-looking leading man who cut a fine figure in 1930s Fox movies, Michael Whalen's good looks were interestingly offset by a slightly prominent Romanesque nose. Born Joseph Shovlin on June 30, 1902, in Wilkes-Barre, Penssylvania, he took piano lessons as a child but the talent never went anywhere. He eventually was hired by the Woolworths department store chain and worked his way up to manager by the time he resigned at the age of 23. During an extensive period of travel, he stopped in New York City and became hooked on acting after catching a Broadway show. He apprenticed and made his stage debut with Eva Le Gallienne's repertory company. To make do, the handsome hopeful worked as an artist's model, including the renowned 'James Montgomery Flagg'. Whalen came to Hollywood in 1933 and started out on the L.A. stage with roles in "When Knighthood Was in Flower" (as the Dauphin) and "Common Flesh." Noticed by Twentieth Century-Fox talent agents, he made his debut with a second-lead role in Professional Soldier (1935) starring Victor McLaglen. On screen he appeared opposite a bevy of Hollywood lovelies, notably Alice Faye, Gloria Stuart, Claire Trevor and June Lang, in standard "B" filmmaking, playing a series of virile, flashy roles including Hollywood producers and sports editor types. He also had the adult male leads in two of little Shirley Temple's popular vehicles -- Poor Little Rich Girl (1936) and Wee Willie Winkie (1937). In 1938 he starred as newsman Barney Callahan in a string of murder mystery tales (Time Out for Murder (1938), While New York Sleeps (1938) and Inside Story (1939)) alongside love interest Jean Rogers. By the early 1940s his leading man career started to falter. He went to Broadway for two years in "Ten Little Indians" (1944), then toured with the show on the road. By the 1950s he was appearing less frequently on film and more and more into character roles. TV became a source of income for him. His last movie was an unbilled bit in Elmer Gantry (1960), and in 1964 he made his final appearance on an episode of My Three Sons (1960). Once engaged to sultry actress Ilona Massey, the couple never made it to the altar. Whalen remained a bachelor and lived with his mother until her death in the 1960s. He collected antiques and enjoyed gardening until his death of bronchial pneumonia in 1974 at age 71.
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Biography from IMDb.
- June 30, 1902
- April 14, 1974 (aged 71)
- Wilkes-Barre, Pennsylvania, USA
- Actor
- 26 on Motif · 72 credits in all
What are Michael Whalen's films like?
Across their 17 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 17
Light 9 · Serious 6 · Dark 2
Grounded 9 · Stylized 8 · Heightened 0
Gentle 6 · Charged 10 · Intense 1
Steady 12 · Shifting 3 · Whiplash 2
Straight-faced 7 · Some laughs 8 · Funny 2
Slow burn 7 · Even-paced 10 · Relentless 0
Casual 14 · Engaged 3 · Full focus 0
Easy watch 12 · Affecting 5 · Heavy 0
Resolved 16 · Open-ended 1 · Ambiguous 0
Roles they play
Usually the Ally: 2 of 7 analyzed roles.
Show the 7 rolesHide the roles
- Allyas Alan Davis in Song and Dance Man (1936)
- Allyas Bob Reynolds in Time Out for Romance (1937)
- Heroas Tracey Browne in Woman-Wise (1937)
- Heroas Robert Norton in The Dawn Express (1942)
- Shadowas Jonathan Treanor in Wild Weed (1949)
- Shadowas Señor Valdez in Sarumba (1950)
- Mentoras Dirk Green in Missile to the Moon (1958)
Moods and endings
- Happy10
- Bittersweet6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael Whalen's films?
As of October 24, 2026, 17 of their 26 Motif titles stream on a subscription or free service, most on Tubi (12).
- Elmer Gantry (1960) · actor · free
- Tombstone Territory (1957) · actor · free
- The Lone Ranger (1949) · actor · free
- Bat Masterson (1958) · actor · free
- The Cisco Kid (1950) · actor · free
- Batman and Robin (1949) · actor · free
- Blonde Ice (1948) · actor · free
- The Silver Star (1955) · actor · free
- Parole, Inc. (1948) · actor · free
- Wild Weed (1949) · actor · free
- Missile to the Moon (1958) · actor · free
- The Dawn Express (1942) · actor · free
- Cineverse, show their 2 titles on Cineverse
- Dove Channel, show their 2 titles on Dove Channel
- FilmBox+, show their 2 titles on FilmBox+
- ScreenPix, show their 2 titles on ScreenPix
- Best TV Ever, show their title on Best TV Ever
- Best Westerns Ever, show their title on Best Westerns Ever
- Howdy, show their title on Howdy
- IndieFlix, show their title on IndieFlix
- Midnight Pulp, show their title on Midnight Pulp
Subscription and free streaming for Michael Whalen's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
72 credits, 26 with a Motif page.

Deep Inside The Titanic (not in the Motif catalog yet)(1999)

My Three Sons (not in the Motif catalog yet)(1960)

The Barbara Stanwyck Show (not in the Motif catalog yet)(1960)

Elmer Gantry(1960)
Midcredits score: 95th percentile of all films
Missile to the Moon(1958)
Midcredits score: 5th percentile of all films
Bat Masterson(1958)
Midcredits score: 60th percentile of all shows
Sea Hunt(1958)
Midcredits score: 74th percentile of all shows
Tombstone Territory(1957)
Midcredits score: 86th percentile of all shows
The Phantom from 10,000 Leagues (not in the Motif catalog yet)(1955)

Highway Patrol(1955)
Midcredits score: 74th percentile of all shows
Outlaw Treasure(1955)
Midcredits score: 88th percentile of all films (provisional, few ratings)
The Silver Star(1955)
Midcredits score: 26th percentile of all films
Lassie(1954)
Midcredits score: 28th percentile of all shows
Waco (not in the Motif catalog yet)(1952)

The Living Bible (not in the Motif catalog yet)(1952)

Schlitz Playhouse of Stars (not in the Motif catalog yet)(1951)

Boston Blackie (not in the Motif catalog yet)(1951)

G.I. Jane (not in the Motif catalog yet)(1951)

According to Mrs. Hoyle(1951)
Midcredits score: 27th percentile of all films
Kentucky Jubilee (not in the Motif catalog yet)(1951)

Mask of the Dragon (not in the Motif catalog yet)(1951)

Fingerprints Don't Lie(1951)
Midcredits score: 5th percentile of all films
The Living Christ (not in the Motif catalog yet)(1951)

King of the Bullwhip (not in the Motif catalog yet)(1950)

The George Burns and Gracie Allen Show (not in the Motif catalog yet)(1950)
Lux Video Theatre (not in the Motif catalog yet)(1950)

The Cisco Kid(1950)
Midcredits score: 49th percentile of all shows
Cody of the Pony Express (not in the Motif catalog yet)(1950)

Everybody's Dancin' (not in the Motif catalog yet)(1950)

Sarumba(1950)
Midcredits score: 1st percentile of all films (provisional, few ratings)
Tough Assignment (not in the Motif catalog yet)(1949)

The Lone Ranger(1949)
Midcredits score: 74th percentile of all shows
Treasure of Monte Cristo (not in the Motif catalog yet)(1949)

Sky Liner (not in the Motif catalog yet)(1949)

Wild Weed(1949)
Midcredits score: 9th percentile of all films
Omoo-Omoo the Shark God(1949)
Midcredits score: 1st percentile of all films
Batman and Robin(1949)
Midcredits score: 37th percentile of all films
Son of a Badman (not in the Motif catalog yet)(1949)

Highway 13 (not in the Motif catalog yet)(1948)

Shep Comes Home (not in the Motif catalog yet)(1948)

Parole, Inc.(1948)
Midcredits score: 26th percentile of all films
Thunder in the Pines (not in the Motif catalog yet)(1948)

Blonde Ice(1948)
Midcredits score: 36th percentile of all films
The Gas House Kids in Hollywood (not in the Motif catalog yet)(1947)

Tahiti Honey (not in the Motif catalog yet)(1943)

The Dawn Express(1942)
Midcredits score: 3rd percentile of all films
I'll Sell My Life (not in the Motif catalog yet)(1941)

Sign of the Wolf (not in the Motif catalog yet)(1941)

Ellery Queen, Master Detective (not in the Motif catalog yet)(1940)
They Asked For It (not in the Motif catalog yet)(1939)

Outside These Walls (not in the Motif catalog yet)(1939)

Inside Story (not in the Motif catalog yet)(1939)

Pardon Our Nerve (not in the Motif catalog yet)(1939)

The Mysterious Miss X (not in the Motif catalog yet)(1939)

While New York Sleeps (not in the Motif catalog yet)(1938)

Time Out for Murder (not in the Motif catalog yet)(1938)

Speed to Burn (not in the Motif catalog yet)(1938)

Island in the Sky (not in the Motif catalog yet)(1938)

Walking Down Broadway (not in the Motif catalog yet)(1938)

Change of Heart (not in the Motif catalog yet)(1938)

Wee Willie Winkie(1937)
Midcredits score: 74th percentile of all films
The Lady Escapes (not in the Motif catalog yet)(1937)

Time Out for Romance(1937)
Midcredits score: 18th percentile of all films (provisional, few ratings)
Woman-Wise(1937)
Midcredits score: 81st percentile of all films (provisional, few ratings)
Career Woman (not in the Motif catalog yet)(1936)
The Man I Marry (not in the Motif catalog yet)(1936)

Sing, Baby, Sing(1936)
Midcredits score: 28th percentile of all films
Poor Little Rich Girl(1936)
Midcredits score: 78th percentile of all films
White Fang (not in the Motif catalog yet)(1936)

The Country Doctor (not in the Motif catalog yet)(1936)

Song and Dance Man(1936)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
Professional Soldier (not in the Motif catalog yet)(1935)
Career shape
Star power in the 74th percentile of 239,109 people with a billed film role, over a full career of 72 titles from 1935 to 1999.
Film career
- 1937Screen debut· Wee Willie Winkie
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Michael Whalen's films land?
Their typical Motif film has a Midcredits score in the 26th percentile, the median of all 19; across their 17 films with reception data, the typical film sits in the 31st percentile for acclaim.
- 75th and up5
- 50th to 74th5
- 25th to 49th8
- Below 25th8
Shape of the crowd
7 of their 26 titles are Crowd Pleasers.
- Universally Loved2
- Universally Panned4
- Loved with Detractors1
- Divisive1
- Crowd Pleaser7
- Broadly Agreed4
- Mixed7
Reviewers score the acting 48/100 in their films, across 14 reviewed titles; fans 64, detractors 29. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Michael Whalen work with?
People who share at least 2 of Michael Whalen's Motif titles, grouped by what they did on them; Lyle Talbot shares the most, 4.
Directors
- Sam NewfieldShared titles: Fingerprints Don't Lie (1951), Wild Weed (1949)See all 2 shared titles with Sam Newfield

- Allan DwanShared titles: Woman-Wise (1937), Song and Dance Man (1936)See all 2 shared titles with Allan Dwan

Writers
- Royal K. ColeShared titles: Batman and Robin (1949), Parole, Inc. (1948)See all 2 shared titles with Royal K. Cole
- Gladys LehmanShared titles: Poor Little Rich Girl (1936), Song and Dance Man (1936)See all 2 shared titles with Gladys Lehman
- Harry TugendShared titles: Poor Little Rich Girl (1936), Sing, Baby, Sing (1936)See all 2 shared titles with Harry Tugend
Actors
- Lyle TalbotShared titles: Fingerprints Don't Lie (1951), Batman and Robin (1949), Wild Weed (1949), Parole, Inc. (1948)See all 4 shared titles with Lyle Talbot

- Richard TravisShared titles: Missile to the Moon (1958), Fingerprints Don't Lie (1951)See all 2 shared titles with Richard Travis

- Dee TatumShared titles: Fingerprints Don't Lie (1951), Sarumba (1950)See all 2 shared titles with Dee Tatum
- Don C. HarveyShared titles: Batman and Robin (1949), Wild Weed (1949)See all 2 shared titles with Don C. Harvey

Composers, cinematographers and editors
- Alfred DeGaetanoShared titles: Time Out for Romance (1937), Woman-Wise (1937), Song and Dance Man (1936)See all 3 shared titles with Alfred DeGaetano
- Jack GreenhalghShared titles: Fingerprints Don't Lie (1951), Wild Weed (1949)See all 2 shared titles with Jack Greenhalgh
- Robert H. PlanckShared titles: Time Out for Romance (1937), Woman-Wise (1937)See all 2 shared titles with Robert H. Planck
- Cyril J. MockridgeShared titles: Poor Little Rich Girl (1936), Sing, Baby, Sing (1936)See all 2 shared titles with Cyril J. Mockridge
Producers
- Darryl F. ZanuckShared titles: Wee Willie Winkie (1937), Poor Little Rich Girl (1936), Sing, Baby, Sing (1936)See all 3 shared titles with Darryl F. Zanuck

- Sol M. WurtzelShared titles: Woman-Wise (1937), Song and Dance Man (1936)See all 2 shared titles with Sol M. Wurtzel

- Buddy G. DeSylvaShared titles: Poor Little Rich Girl (1936), Sing, Baby, Sing (1936)See all 2 shared titles with Buddy G. DeSylva

