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Patricia Whitcher

Patricia Whitcher

Producer · Born February 12, 1961 (65) · Los Angeles, California, USA

Patricia Whitcher is a producer and production manager, known for Godzilla (2014), Spider-Man: Homecoming (2017) and Captain Marvel (2019). Whitcher graduated from Loyola Marymount University.

Biography from TMDB.

Born
February 12, 1961 (65)
From
Los Angeles, California, USA
Works as
Producer
Titles
30 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 2% in 30 days

What are Patricia Whitcher's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy8 titlesTypical Midcredits score: 58th percentile
: browse their Comedy movies
Action5 titlesTypical Midcredits score: 86th percentile, at or above their average across these genres
: browse their Action movies
Drama3 titlesTypical Midcredits score: 65th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
39%
Self
33%
Morality
12%
Society
10%
Survival
4%
Power
1%
Friendship5 titles, browse their movies with this themeSelf-worth5 titles, browse their movies with this themeLoyalty3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 10 · Serious 5 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 11 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 6 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 9 · Shifting 6 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 9 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 10 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 8 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 8 · Affecting 5 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
7
Melancholic
6
Tense
5
Thrilling
5
Joyful
6
Other
20

How their films linger

Feel-good8 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy8
  • Bittersweet8
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Patricia Whitcher's films?

As of October 24, 2026, 20 of their 30 MovieCove titles stream on a subscription or free service, most on Pluto TV (6).

Also on these channels

Subscription and free streaming for Patricia Whitcher's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 30 with a MovieCove page.

  • Narnia: The Magician's Nephew (not in the MovieCove catalog yet)(2027)

    Executive Producer

  • Project Hail Mary(2026)

    Executive Producer · Line Producer · Unit Production Manager

    Midcredits score: 99th percentile of all films

  • Heart of Stone(2023)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Captain Marvel(2019)

    Executive Producer

    Midcredits score: 56th percentile of all films

  • Spider-Man: Homecoming(2017)

    Executive Producer

    Midcredits score: 91st percentile of all films

  • Captain America: Civil War(2016)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Avengers: Age of Ultron(2015)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • Godzilla(2014)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • Thor(2011)

    Executive Producer · Unit Production Manager

    Midcredits score: 74th percentile of all films

  • The Soloist(2009)

    Executive Producer · Unit Production Manager

    Midcredits score: 67th percentile of all films

  • Dreamgirls(2006)

    Executive Producer

    Midcredits score: 73rd percentile of all films

  • Memoirs of a Geisha(2005)

    Executive Producer · Unit Production Manager

    Midcredits score: 89th percentile of all films

  • Surviving Christmas(2004)

    Executive Producer

    Midcredits score: 23rd percentile of all films

  • The Terminal(2004)

    Executive Producer · Unit Production Manager

    Midcredits score: 91st percentile of all films

  • Moonlight Mile(2002)

    Executive Producer

    Midcredits score: 65th percentile of all films

  • Unconditional Love(2002)

    Producer

    Midcredits score: 70th percentile of all films

  • Where the Heart Is(2000)

    Producer

    Midcredits score: 68th percentile of all films

  • My Best Friend's Wedding(1997)

    Executive Producer · Unit Production Manager

    Midcredits score: 58th percentile of all films

  • High School High(1996)

    Producer

    Midcredits score: 26th percentile of all films

  • How to Make an American Quilt(1995)

    Co-Producer · Unit Production Manager

    Midcredits score: 59th percentile of all films

  • True Lies(1994)

    Unit Production Manager

    Midcredits score: 89th percentile of all films

  • A Dangerous Woman(1993)

    Producer

    Midcredits score: 30th percentile of all films

  • The Lawnmower Man(1992)

    Production Manager

    Midcredits score: 23rd percentile of all films

  • Darkman(1990)

    Production Manager

    Midcredits score: 61st percentile of all films

  • Lost Angels(1989)

    Unit Production Manager

    Midcredits score: 42nd percentile of all films

  • Bill & Ted's Excellent Adventure(1989)

    Production Coordinator

    Midcredits score: 80th percentile of all films

  • The in Crowd(1988)

    Producer

    Midcredits score: 57th percentile of all films

  • Amazon Women on the Moon(1987)

    Production Coordinator

    Midcredits score: 49th percentile of all films

  • Odd Jobs(1986)

    Associate Producer

    Midcredits score: 11th percentile of all films

  • Avenging Angel(1985)

    Producer's Assistant

    Midcredits score: 13th percentile of all films

  • Up the Creek(1984)

    as Hot Tub Girl

    Midcredits score: 30th percentile of all films

Career shape

A full career of 27 titles, 26 of them dated from 1984 to 2026.

Biggest box office

Avengers: Age of Ultron (2015)

$1.4B worldwide

Highest rated

Project Hail Mary (2026)

Midcredits 99th

By role

only this rolewith another role
Acting1 of 27: 1 only acting, 0 with another roleProducing20 of 27: 13 only producing, 7 with another role · typical Midcredits score67thOther crew13 of 27: 6 only other crew, 7 with another role · typical Midcredits score67th

27 titles, 7 with more than one role — producing and other crew overlap on 7 of them.

By decade

1980s6 · 1 acting · 5 crew1990s5 · crew2000s7 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Patricia Whitcher's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 30; across their 17 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 17

Approval · how many liked their films

63rdpercentile
Typical film, the median of 17

Reach · how many have seen their films

85thpercentile
Typical film, the median of 17

Midcredits score across 30 titles, by percentile

  • 75th and up8
  • 50th to 74th12
  • 25th to 49th6
  • Below 25th4

Shape of the crowd

16 of their 30 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser16
  • Mixed11

Most divisive · producer

Odd Jobs (1986)

61st percentile spread · 49% rated it 4 or lower

Most loved · producer

Project Hail Mary (2026)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Patricia Whitcher's work okay for kids?

Across up to 11 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles22–60 · median 41 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity11 titles10–45 · median 24 · mildnear the median of all filmsMedian of all films: 32
Profanity10 titles31–52 · median 37 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles18–46 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles6–59 · median 36 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Patricia Whitcher work with?

People who share at least 2 of Patricia Whitcher's MovieCove titles, grouped by what they did on them; Stan Lee shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles