Skip to content
MovieCove

William P. Whitley

Cinematographer · Died February 2, 1976, aged 67 · Missouri, USA

Born
February 25, 1908
Died
February 2, 1976 (aged 67)
From
Missouri, USA
Works as
Cinematographer
Titles
9 on MovieCove · 27 credits in all

What are William P. Whitley's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
37%
Survival
24%
Power
23%
Bonds
16%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 1 · Charged 3 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Thrilling
3
Absurd
3
Tense
1
Joyful
1
Romantic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William P. Whitley's films?

As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for William P. Whitley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 9 with a MovieCove page.

  • The Three Stooges in Orbit(1962)

    Cinematographer

    Midcredits score: 36th percentile of all films
  • The Big Night (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Thunder in the Sun(1959)

    Second Unit Director of Photography

    Midcredits score: 24th percentile of all films
  • Alaska Passage (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • Gunsmoke in Tucson (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Queen of Outer Space(1958)

    Cinematographer

    Midcredits score: 13th percentile of all films
  • Wink of an Eye (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Quantrill's Raiders(1958)

    Cinematographer

    Midcredits score: 19th percentile of all films
  • Blonde Bait (not in the MovieCove catalog yet)(1956)

    Cinematographer

  • Crossroads (not in the MovieCove catalog yet)(1955)

    Show 13 episodes · Cinematographer

  • Killer Ape (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • The Great Adventures of Captain Kidd (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Cat-Women of the Moon(1953)

    Cinematographer

    Midcredits score: 3rd percentile of all films
  • Valley of Head Hunters (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Eyes of the Jungle (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • The Lost Planet (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Tricky Dicks (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Savage Mutiny (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Jungle Manhunt (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • The Big Gusher (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • A Yank in Korea (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • Chinatown at Midnight (not in the MovieCove catalog yet)(1949)

    Camera Operator

  • Barbary Pirate (not in the MovieCove catalog yet)(1949)

    Camera Operator

  • The Kennel Murder Case(1933)

    Assistant Camera

    Midcredits score: 71st percentile of all films
  • Miss Pinkerton(1932)

    Assistant Camera

    Midcredits score: 41st percentile of all films
  • Beauty and the Boss(1932)

    Assistant Camera

    Midcredits score: 75th percentile of all films
  • Night Nurse(1931)

    Camera Operator

    Midcredits score: 81st percentile of all films

Career shape

A full career of 27 titles from 1931 to 1962.

By role

only this rolewith another role
Cinematography21 of 27: 21 only cinematography, 0 with another role · typical Midcredits score19thOther crew6 of 27: 6 only other crew, 0 with another role

By decade

1930s4 · crew1940s2 · crew1950s19 · crew1960s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do William P. Whitley's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 9; across a limited sample of 4 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 4

Approval · how many liked their films

10thpercentile
Typical film, the median of 4

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 4

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th4

Reviewers score the cinematography 50/100 in their films, across 3 reviewed titles; fans 62, detractors 40. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does William P. Whitley work with?

People who share at least 2 of William P. Whitley's MovieCove titles, grouped by what they did on them; Edward Bernds shares the most, 3.

Directors

Composers and editors

Producers