Myles Wilder
- Writer
- 8 on MovieCove
What are Myles Wilder's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 3 · Stylized 0 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Tragic1
- Cyclical2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Myles Wilder's films?
As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Myles Wilder's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a MovieCove page.

Welcome Back, Kotter(1975)
Midcredits score: 54th percentile of all shows
Butch Cassidy(1973)
Midcredits score: 31st percentile of all shows
Inch High, Private Eye(1973)
Midcredits score: 23rd percentile of all shows
The Roman Holidays(1972)
Midcredits score: 28th percentile of all shows
Midcredits score: 65th percentile of all shows
Seven Guns to Mesa(1958)
Midcredits score: 4th percentile of all films (provisional, few ratings)
Killers from Space(1954)
Midcredits score: 2nd percentile of all films
Phantom from Space(1953)
Midcredits score: 4th percentile of all films
Career shape
Across their 8 MovieCove titles from 1953 to 1975.
How do Myles Wilder's films land?
Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 10th percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
- Below 25th4
Shape of the crowd
3 of their 8 titles are Universally Panned.
- Universally Panned3
- Crowd Pleaser2
- Mixed3
Reviewers score the dialogue 23/100 and the plot and story 35/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Myles Wilder work with?
People who share at least 2 of Myles Wilder's MovieCove titles, grouped by what they did on them; William Raynor shares the most, 7.
Directors
- Charles NicholsShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), The Roman Holidays (1972)See all 3 shared titles with Charles Nichols

- Joseph BarberaShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), The Roman Holidays (1972), Wait Till Your Father Gets Home (1972)See all 4 shared titles with Joseph Barbera

- William HannaShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), The Roman Holidays (1972), Wait Till Your Father Gets Home (1972)See all 4 shared titles with William Hanna

- W. Lee WilderShared titles: Killers from Space (1954), Phantom from Space (1953)See all 2 shared titles with W. Lee Wilder

Writers
- William RaynorShared titles: Welcome Back, Kotter (1975), Butch Cassidy (1973), Inch High, Private Eye (1973), The Roman Holidays (1972), Wait Till Your Father Gets Home (1972), Killers from Space (1954), Phantom from Space (1953)See all 7 shared titles with William Raynor
- Fred S. FoxShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), Wait Till Your Father Gets Home (1972)See all 3 shared titles with Fred S. Fox
- Seaman JacobsShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), Wait Till Your Father Gets Home (1972)See all 3 shared titles with Seaman Jacobs
- David KetchumShared titles: The Roman Holidays (1972), Wait Till Your Father Gets Home (1972)See all 2 shared titles with David Ketchum

Actors
- John StephensonShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), The Roman Holidays (1972), Wait Till Your Father Gets Home (1972)See all 4 shared titles with John Stephenson

- Alan OppenheimerShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973)See all 2 shared titles with Alan Oppenheimer

- Janet WaldoShared titles: Inch High, Private Eye (1973), The Roman Holidays (1972)See all 2 shared titles with Janet Waldo

- Lennie WeinribShared titles: Inch High, Private Eye (1973), Wait Till Your Father Gets Home (1972)See all 2 shared titles with Lennie Weinrib

Composers and cinematographers
- Hoyt CurtinShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973), The Roman Holidays (1972)See all 3 shared titles with Hoyt Curtin

- William H. ClothierShared titles: Killers from Space (1954), Phantom from Space (1953)See all 2 shared titles with William H. Clothier

Producers
- Art ScottShared titles: Inch High, Private Eye (1973), The Roman Holidays (1972)See all 2 shared titles with Art Scott
- Iwao TakamotoShared titles: Butch Cassidy (1973), Inch High, Private Eye (1973)See all 2 shared titles with Iwao Takamoto


