Wolfgang Wilhelm

What are Wolfgang Wilhelm's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Wolfgang Wilhelm's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • I See a Dark Stranger (1946) · writer

Subscription and free streaming for Wolfgang Wilhelm's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Zärtliches Geheimnis(1956)

  Writer

  Midcredits score: 40th percentile of all films (provisional, few ratings)~40^th
• 

  The End of the River(1947)

  Writer

  Midcredits score: 23rd percentile of all films23^rd
• 

  I See a Dark Stranger(1946)

  Writer

  Midcredits score: 77th percentile of all films77^th
• 

  Thunder Rock(1942)

  Writer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Mister V(1941)

  Writer

  Midcredits score: 87th percentile of all films87^th
• 

  A Dispatch from Reuters(1940)

  Writer

  Midcredits score: 76th percentile of all films76^th

Career shape

Across their 6 MovieCove titles from 1940 to 1956.

Highest rated

Mister V (1941)

Midcredits 87^th

Most popular right now

A Dispatch from Reuters (1940)

How do Wolfgang Wilhelm's films land?

Their typical MovieCove film has a Midcredits score in the 69^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 66^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Crowd Pleasers.

42

• Crowd Pleaser4
• Mixed2

Most divisive · writer

Zärtliches Geheimnis (1956)

54^th percentile spread · 30% rated it 4 or lower

Most loved · writer

Mister V (1941)

Midcredits 87^th · 76% liked

Reviewers score the dialogue 68/100 and the plot and story 55/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Wolfgang Wilhelm work with?

People who share at least 2 of Wolfgang Wilhelm's MovieCove titles, grouped by what they did on them; Dennis Arundell shares the most, 2.