- Producer
- 20 on MovieCove
What are Austin Wilkin's films like?
Across their 20 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 18
Light 5 · Serious 8 · Dark 5
Grounded 16 · Stylized 2 · Heightened 0
Gentle 5 · Charged 10 · Intense 3
Steady 11 · Shifting 6 · Whiplash 1
Straight-faced 14 · Some laughs 3 · Funny 1
Slow burn 12 · Even-paced 6 · Relentless 0
Casual 7 · Engaged 11 · Full focus 0
Easy watch 4 · Affecting 7 · Heavy 7
Resolved 15 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet13
- Tragic1
- Ambiguous3
- Other2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Austin Wilkin's films?
As of October 24, 2026, 14 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Austin Wilkin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 20 with a MovieCove page.
Midcredits score: 86th percentile of all films
Love+War(2025)
Midcredits score: 82nd percentile of all films
Third Act(2025)
Midcredits score: 77th percentile of all films
Midcredits score: 81st percentile of all films
Breaking the News(2023)
Midcredits score: 68th percentile of all films (provisional, few ratings)
Food and Country(2023)
Midcredits score: 57th percentile of all films
Kiss the Future(2023)
Midcredits score: 89th percentile of all films
Studio One Forever(2023)
Midcredits score: 88th percentile of all films
Midcredits score: 3rd percentile of all shows
Detroit Burning(2022)
Midcredits score: 72nd percentile of all films (provisional, few ratings)
The Exiles(2022)
Midcredits score: 82nd percentile of all films
Ferguson Rises(2021)
Midcredits score: 89th percentile of all films (provisional, few ratings)
Belushi(2020)
Midcredits score: 87th percentile of all films
Midcredits score: 75th percentile of all films
Midcredits score: 85th percentile of all shows
Listen to Me Marlon(2015)
Midcredits score: 98th percentile of all films
Midcredits score: 93rd percentile of all films
Burn(2012)
Midcredits score: 92nd percentile of all films
Bob and the Monster(2011)
Midcredits score: 85th percentile of all films
We Live in Public(2009)
Midcredits score: 85th percentile of all films
Career shape
Across their 20 MovieCove titles from 2009 to 2026.
Awards
Nominated for a Primetime Emmy in 2025, Outstanding Documentary or Nonfiction Special.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Austin Wilkin's films land?
Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 84th percentile for acclaim.
- 75th and up16
- 50th to 74th3
- Below 25th1
Shape of the crowd
7 of their 20 titles are Crowd Pleasers.
- Universally Loved2
- Universally Panned1
- Loved with Detractors1
- Cult Classic2
- Crowd Pleaser7
- Mixed7
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Austin Wilkin work with?
People who share at least 2 of Austin Wilkin's MovieCove titles, grouped by what they did on them; Alexandra Margolin shares the most, 11.
Directors
- Brenna SanchezShared titles: Detroit Burning (2022), Burn (2012)See all 2 shared titles with Brenna Sanchez

- Tom PutnamShared titles: Detroit Burning (2022), Burn (2012)See all 2 shared titles with Tom Putnam

Actors
- Donald AustinShared titles: Detroit Burning (2022), Burn (2012)See all 2 shared titles with Donald Austin

Cinematographers and editors
- Jerry HenryShared titles: Food and Country (2023), Ferguson Rises (2021), American Revolutionary: The Evolution of Grace Lee Boggs (2013)See all 3 shared titles with Jerry Henry
- Matt PappasShared titles: Detroit Burning (2022), Burn (2012)See all 2 shared titles with Matt Pappas
- Joshua AltmanShared titles: Bob and the Monster (2011), We Live in Public (2009)See all 2 shared titles with Joshua Altman

Producers
- Alexandra MargolinShared titles: Paralyzed by Hope: The Maria Bamford Story (2026), Love+War (2025), Third Act (2025), Bogart: Life Comes in Flashes (2024), Breaking the News (2023), Food and Country (2023), Kiss the Future (2023), Studio One Forever (2023), D.B. Cooper: Where Are You?! (2022), The Exiles (2022), Ferguson Rises (2021)See all 11 shared titles with Alexandra Margolin
- Mariah YamamotoShared titles: Third Act (2025), Breaking the News (2023), Food and Country (2023), D.B. Cooper: Where Are You?! (2022)See all 4 shared titles with Mariah Yamamoto
- John BattsekShared titles: Belushi (2020), Listen to Me Marlon (2015), Bob and the Monster (2011), We Live in Public (2009)See all 4 shared titles with John Battsek

- Andrew RuhemannShared titles: Belushi (2020), Listen to Me Marlon (2015), Bob and the Monster (2011)See all 3 shared titles with Andrew Ruhemann



