
Grant Williams
Actor · Died July 28, 1985, aged 53 · New York City, New York
Grant Williams (born John Joseph Williams; August 18, 1931 – July 28, 1985) was an American film actor and operatic tenor. He is best remembered for his portrayal of Scott Carey in the seminal science fiction film The Incredible Shrinking Man (1957). The film has become a cult classic.
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Biography from TMDB.
- August 18, 1931
- July 28, 1985 (aged 53)
- New York City, New York
- Actor
- 13 on MovieCove · 30 credits in all
What are Grant Williams' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 1 · Serious 3 · Dark 3
A split, not a type: Grounded 6 · Stylized 0 · Heightened 1
Gentle 0 · Charged 4 · Intense 3
Steady 3 · Shifting 4 · Whiplash 0
Straight-faced 7 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 4 · Heavy 2
Resolved 5 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Hero: 3 of 5 analyzed roles.
- Shadowas Don Kastner in Outside the Law (1956)
- Tricksteras Spencer Farrington Jr. in Four Girls in Town (1957)
- Heroas Scott Carey in The Incredible Shrinking Man (1957)
- Heroas Dave Miller in The Monolith Monsters (1957)
- Heroas Maj. Kurt Mason in Doomsday Machine (1976)
Moods and endings
- Happy3
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Grant Williams' films?
As of October 24, 2026, 5 of their 13 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Grant Williams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Doomsday Machine(1976)
Midcredits score: 1st percentile of all films
How's Your Love Life? (not in the MovieCove catalog yet)(1971)

Brain of Blood (not in the MovieCove catalog yet)(1971)

Dragnet 1967(1967)
Midcredits score: 78th percentile of all shows
The Munsters(1964)
Midcredits score: 84th percentile of all shows
The Outer Limits(1963)
Midcredits score: 92nd percentile of all shows
PT 109(1963)
Midcredits score: 68th percentile of all films
Stampede at Bitter Creek (not in the MovieCove catalog yet)(1962)

The Couch (not in the MovieCove catalog yet)(1962)

Susan Slade (not in the MovieCove catalog yet)(1961)

Surfside 6 (not in the MovieCove catalog yet)(1960)

The Leech Woman (not in the MovieCove catalog yet)(1960)

13 Fighting Men (not in the MovieCove catalog yet)(1960)

Hawaiian Eye (not in the MovieCove catalog yet)(1959)

Lone Texan (not in the MovieCove catalog yet)(1959)

The Peter Tchaikovsky Story (not in the MovieCove catalog yet)(1959)
Midcredits score: 59th percentile of all shows
The Monolith Monsters(1957)
Midcredits score: 57th percentile of all films
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Midcredits score: 94th percentile of all films
Four Girls in Town(1957)
Midcredits score: 24th percentile of all films
Written on the Wind(1956)
Midcredits score: 91st percentile of all films
Showdown at Abilene (not in the MovieCove catalog yet)(1956)

Walk the Proud Land(1956)
Midcredits score: 64th percentile of all films
Outside the Law(1956)
Midcredits score: 55th percentile of all films
Red Sundown (not in the MovieCove catalog yet)(1956)

Gunsmoke (not in the MovieCove catalog yet)(1955)

The Wonderful World of Disney (not in the MovieCove catalog yet)(1954)
Follow Your Heart (not in the MovieCove catalog yet)(1953)

Kraft Television Theatre (not in the MovieCove catalog yet)(1947)
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 30 titles from 1947 to 1972; peak year 1972.

Biggest box office
The Incredible Shrinking Man (1957)

Highest rated
The Incredible Shrinking Man (1957)

Most popular right now
Written on the Wind (1956)
Film career
Peak 1972 · steadily prominent in film for years. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1956Screen debut· Red Sundown
- 1957First top-billed film· The Incredible Shrinking Man
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Grant Williams' films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- Below 25th2
Shape of the crowd
7 of their 13 titles are Crowd Pleasers.
- Universally Loved3
- Universally Panned1
- Crowd Pleaser7
- Mixed2
Reviewers score the acting 59/100 in their films, across 7 reviewed titles; fans 67, detractors 34. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Grant Williams' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Grant Williams work with?
People who share at least 2 of Grant Williams' MovieCove titles, grouped by what they did on them; Jack Arnold shares the most, 3.
Directors
- Jack ArnoldShared titles: The Incredible Shrinking Man (1957), The Monolith Monsters (1957), Outside the Law (1956)See all 3 shared titles with Jack Arnold

Actors
- Raymond BaileyShared titles: The Incredible Shrinking Man (1957), Outside the Law (1956)See all 2 shared titles with Raymond Bailey

- William SchallertShared titles: The Incredible Shrinking Man (1957), The Monolith Monsters (1957)See all 2 shared titles with William Schallert

Composers and cinematographers
- Herman SteinShared titles: Four Girls in Town (1957), The Incredible Shrinking Man (1957), The Monolith Monsters (1957)See all 3 shared titles with Herman Stein
- Irving GertzShared titles: Four Girls in Town (1957), The Incredible Shrinking Man (1957), The Monolith Monsters (1957)See all 3 shared titles with Irving Gertz
- Ellis W. CarterShared titles: The Incredible Shrinking Man (1957), The Monolith Monsters (1957)See all 2 shared titles with Ellis W. Carter
- Irving GlassbergShared titles: Four Girls in Town (1957), Outside the Law (1956)See all 2 shared titles with Irving Glassberg

Producers
- Albert ZugsmithShared titles: The Incredible Shrinking Man (1957), Written on the Wind (1956)See all 2 shared titles with Albert Zugsmith


