Lambert Williamson
Composer · Died November 13, 1975, aged 68 · Cleethorpes, Lincolnshire, England, UK
- April 28, 1907
- November 13, 1975 (aged 68)
- Cleethorpes, Lincolnshire, England, UK
- Composer
- 9 on MovieCove · 29 credits in all
What are Lambert Williamson's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 3 · Shifting 0 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lambert Williamson's films?
As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Lambert Williamson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 9 with a MovieCove page.
The Adding Machine (not in the MovieCove catalog yet)(1969)
Term of Trial (not in the MovieCove catalog yet)(1962)
This Other Eden (not in the MovieCove catalog yet)(1959)
The Whole Truth (not in the MovieCove catalog yet)(1958)
Bonjour Tristesse(1958)
Midcredits score: 76th percentile of all films
Midcredits score: 90th percentile of all films
Tons of Trouble (not in the MovieCove catalog yet)(1956)
Secret Venture (not in the MovieCove catalog yet)(1955)
Cross Channel (not in the MovieCove catalog yet)(1955)
Track the Man Down (not in the MovieCove catalog yet)(1955)
The Green Buddha (not in the MovieCove catalog yet)(1954)
The Good Die Young(1954)
Midcredits score: 69th percentile of all films
Beat the Devil(1953)
Midcredits score: 57th percentile of all films
The Dog and the Diamonds (not in the MovieCove catalog yet)(1953)
Cosh Boy (not in the MovieCove catalog yet)(1953)
Moulin Rouge(1952)
Midcredits score: 78th percentile of all films
Green Grow the Rushes (not in the MovieCove catalog yet)(1951)
Bristol, British City (not in the MovieCove catalog yet)(1951)
In Black and White (not in the MovieCove catalog yet)(1951)
The Undefeated (not in the MovieCove catalog yet)(1950)
They Were Not Divided (not in the MovieCove catalog yet)(1950)
Don't Ever Leave Me (not in the MovieCove catalog yet)(1949)
Cardboard Cavalier (not in the MovieCove catalog yet)(1949)
Woman Hater(1948)
Midcredits score: 37th percentile of all films
Good-Time Girl (not in the MovieCove catalog yet)(1948)
One Night with You (not in the MovieCove catalog yet)(1948)
The End of the River(1947)
Midcredits score: 23rd percentile of all films
The Edge of the World(1937)
Midcredits score: 89th percentile of all films
The Circus(1928)
Midcredits score: 98th percentile of all films
Career shape
A full career of 29 titles from 1928 to 1969.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Lambert Williamson's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 9; across a limited sample of 3 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 9 titles divides audiences: 6 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lambert Williamson work with?
People who share at least 2 of Lambert Williamson's MovieCove titles, grouped by what they did on them; Robert Westerby shares the most, 2.
Writers
- Robert WesterbyShared titles: Woman Hater (1948), The End of the River (1947)See all 2 shared titles with Robert Westerby
- Michael PowellShared titles: The End of the River (1947), The Edge of the World (1937)See all 2 shared titles with Michael Powell
Mixed roles
- Derek N. TwistShared titles: The End of the River (1947), The Edge of the World (1937)See all 2 shared titles with Derek N. Twist