Wolf Wirth
- Cinematographer
- 6 on MovieCove
What are Wolf Wirth's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 3
A split, not a type: Light 3 · Serious 2 · Dark 1
Grounded 2 · Stylized 4 · Heightened 0
Gentle 2 · Charged 4 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 2
Slow burn 2 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Wolf Wirth's films?
As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for Wolf Wirth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.
The Love Keys(1971)
Midcredits score: 2nd percentile of all films (provisional, few ratings)
Midcredits score: 69th percentile of all films (provisional, few ratings)
Midcredits score: 16th percentile of all films
Moral 63(1963)
Midcredits score: 36th percentile of all films (provisional, few ratings)
Love at Twenty(1962)
Midcredits score: 82nd percentile of all films
Midcredits score: 50th percentile of all films
Career shape
Across their 6 MovieCove titles from 1962 to 1971.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Wolf Wirth's films land?
Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
- Below 25th2
Shape of the crowd
3 of their 6 titles are Mixed.
- Cult Classic1
- Crowd Pleaser2
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Wolf Wirth work with?
People who share at least 2 of Wolf Wirth's MovieCove titles, grouped by what they did on them; Rolf Thiele shares the most, 3.
Directors
- Rolf ThieleShared titles: The Love Keys (1971), Der Tod eines Doppelgängers (1967), Moral 63 (1963)See all 3 shared titles with Rolf Thiele
Actors
- Tilo von BerlepschShared titles: Moral 63 (1963), The Bread of Those Early Years (1962)See all 2 shared titles with Tilo von Berlepsch
- Vera TschechowaShared titles: Love at Twenty (1962), The Bread of Those Early Years (1962)See all 2 shared titles with Vera Tschechowa
Producers
- Franz SeitzShared titles: Wenn Ludwig ins Manöver zieht (1967), Moral 63 (1963)See all 2 shared titles with Franz Seitz