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Aubrey Wisberg

Writer and producer · Died March 14, 1990, aged 80

From Wikipedia, the free encyclopedia Aubrey Lionel Wisberg (October 20, 1909 – March 14, 1990) was a screenwriter, director, and producer. He immigrated to the United States in 1921, attended New York University and Columbia University, and married Barbara Duberstein. Wisberg made his career as a screenwriter, director, and producer with credits in more than 40 films including The Big Fix, The Man from Planet X, Hercules in New York, The Neanderthal Man, Captive Women, Port Sinister and Captain Kidd and the Slave Girl. Three of his early screenplays were World War II movies: Counter-Espionage and Submarine Raider in 1942 and They Came to Blow Up America in 1943. Wisberg's 1945 film The Horn Blows at Midnight starred the comedian Jack Benny. Wisberg was associate producer for Edward Small Productions; founder and executive producer for Wisberg Productions; and co-founder of American Pictures Corporation and Mid-Century Films. Production credits for Mid-Century Film include, The Man From Planet X (1951), Return to Treasure Island (1954) and Murder Is My Beat (1955). Wisberg was the author of several books, including Patrol Boat 999, Savage Soldiers, This Is the Life and Bushman at Large. Wisberg was also a radio and television dramatist in the United States, Australia, and England; a radio diffusionist in Paris; and a journalist. He won the International Unity Award, from the Inter-Racial Society, for The Burning Cross. Aubrey Wisberg died of cancer in 1990 in New York City. He was 80 years old.

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Biography from TMDB.

Born
October 20, 1909
Died
March 14, 1990 (aged 80)
Works as
Writer and producer
Titles
17 on MovieCove · 43 credits in all
TMDB popularity, last 37 days to Oct 26Up 7% in 30 days

What are Aubrey Wisberg's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category

Light 11 · Serious 5 · Dark 1

Grounded 6 · Stylized 7 · Heightened 4

Gentle 8 · Charged 8 · Intense 1

Steady 12 · Shifting 4 · Whiplash 1

A split, not a type: Straight-faced 9 · Some laughs 5 · Funny 3

Slow burn 4 · Even-paced 13 · Relentless 0

Casual 12 · Engaged 4 · Full focus 1

Resolved 14 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Thrilling
5
Romantic
6
Joyful
4
Absurd
6
Other
12

How their films end · 2 with a twist

  • Happy11
  • Bittersweet2
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aubrey Wisberg's films?

As of October 24, 2026, 7 of their 17 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Aubrey Wisberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

43 credits, 17 with a MovieCove page.

  • Hercules in New York(1970)

    Producer · Screenplay

    Midcredits score: 3rd percentile of all films
  • Mission Mars(1968)

    Story

    Midcredits score: 5th percentile of all films
  • Snow Devils (not in the MovieCove catalog yet)(1967)

    Story

  • The Women of Pitcairn Island (not in the MovieCove catalog yet)(1956)

    Novel · Producer · Screenplay

  • Son of Sinbad (not in the MovieCove catalog yet)(1955)

    Screenplay

  • Murder Is My Beat(1955)

    Composer · Original Story · Producer · Screenplay

    Midcredits score: 41st percentile of all films
  • Return to Treasure Island(1954)

    Producer · Screenplay

    Midcredits score: 6th percentile of all films
  • Captain Kidd and the Slave Girl(1954)

    Producer · Writer

    Midcredits score: 12th percentile of all films
  • Midcredits score: 66th percentile of all films
  • Dragon's Gold (not in the MovieCove catalog yet)(1954)

    Director · Producer · Screenplay

  • Captain John Smith and Pocahontas(1953)

    Producer · Screenplay

    Midcredits score: 7th percentile of all films
  • The Steel Lady (not in the MovieCove catalog yet)(1953)

    Story

  • The Neanderthal Man(1953)

    Producer · Writer

    Midcredits score: 6th percentile of all films
  • Port Sinister (not in the MovieCove catalog yet)(1953)

    Producer · Writer

  • Problem Girls (not in the MovieCove catalog yet)(1953)

    Producer · Writer

  • Sword of Venus (not in the MovieCove catalog yet)(1953)

    Producer · Writer

  • Captive Women (not in the MovieCove catalog yet)(1952)

    Producer · Writer

  • Lady in the Iron Mask (not in the MovieCove catalog yet)(1952)

    Screenplay

  • At Sword's Point(1952)

    Story

    Midcredits score: 39th percentile of all films
  • The Man from Planet X(1951)

    Producer · Writer

    Midcredits score: 31st percentile of all films
  • Hit Parade of 1951 (not in the MovieCove catalog yet)(1950)

    Screenplay · Story

  • The Desert Hawk(1950)

    Screenplay

    Midcredits score: 19th percentile of all films
  • Treasure of Monte Cristo (not in the MovieCove catalog yet)(1949)

    Screenplay · Story

  • The Wreck of the Hesperus (not in the MovieCove catalog yet)(1948)

    Screenplay

  • Road to the Big House (not in the MovieCove catalog yet)(1947)

    Screenplay · Story

  • Heaven Only Knows (not in the MovieCove catalog yet)(1947)

    Story

  • The Burning Cross (not in the MovieCove catalog yet)(1947)

    Screenplay

  • The Falcon's Adventure(1946)

    Screenplay

    Midcredits score: 54th percentile of all films
  • So Dark the Night(1946)

    Writer

    Midcredits score: 49th percentile of all films
  • Rendezvous 24 (not in the MovieCove catalog yet)(1946)

    Writer

  • Just Before Dawn (not in the MovieCove catalog yet)(1946)

    Screenplay

  • Out of the Depths (not in the MovieCove catalog yet)(1945)

    Story

  • Adventures of Rusty (not in the MovieCove catalog yet)(1945)

    Writer

  • Midcredits score: 61st percentile of all films
  • Betrayal from the East(1945)

    Adaptation · Screenplay

    Midcredits score: 30th percentile of all films
  • The Power of the Whistler (not in the MovieCove catalog yet)(1945)

    Writer

  • Escape in the Fog(1945)

    Screenplay

    Midcredits score: 27th percentile of all films
  • U-Boat Prisoner (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Bomber's Moon (not in the MovieCove catalog yet)(1943)

    Writer

  • They Came to Blow Up America (not in the MovieCove catalog yet)(1943)

    Writer

  • After Midnight with Boston Blackie (not in the MovieCove catalog yet)(1943)

    Story

  • Counter-Espionage(1942)

    Screenplay

    Midcredits score: 66th percentile of all films
  • Submarine Raider (not in the MovieCove catalog yet)(1942)

    Writer

Career shape

A full career of 43 titles from 1942 to 1970.

By role

only this rolewith another role
Directing1 of 43: 0 only directing, 1 with another roleWriting43 of 43: 30 only writing, 13 with another role · typical Midcredits score30thProducing13 of 43: 0 only producing, 13 with another role · typical Midcredits score7thMusic1 of 43: 0 only music, 1 with another role

43 titles, 13 with more than one role — writing and producing overlap on 13 of them.

By decade

1940s21 · crew1950s19 · crew1960s2 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aubrey Wisberg's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 17

Approval · how many liked their films

24thpercentile
Typical film, the median of 17

Reach · how many have seen their films

39thpercentile
Typical film, the median of 17

Midcredits score across 17 titles, by percentile

  • 50th to 74th4
  • 25th to 49th6
  • Below 25th7

Reviewers score the dialogue 42/100 and the plot and story 38/100 in their films, across 17 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aubrey Wisberg work with?

People who share at least 2 of Aubrey Wisberg's MovieCove titles, grouped by what they did on them; Jack Pollexfen shares the most, 7.

Directors

Writers

Actors

Composers and editors

Producers