Max Morgan Witts
- Writer
- 4 on Motif
What are Max Morgan Witts' films like?
Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Survival and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 1 · Intense 3
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 3
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Max Morgan Witts' films?
As of October 24, 2026, 1 of their 4 Motif titles stream on a subscription or free service.
Subscription and free streaming for Max Morgan Witts' titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a Motif page.
The Day the Bubble Burst(1982)
Motif score: 50th percentile of all films (provisional, few ratings)
Motif score: 53rd percentile of all films
When Time Ran Out...(1980)
Motif score: 9th percentile of all films
Voyage of the Damned(1976)
Motif score: 51st percentile of all films
Career shape
Across a limited sample of 4 Motif titles from 1976 to 1982.
How do Max Morgan Witts' films land?
Their typical Motif film has a Motif score in the 51st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 50th to 74th3
- Below 25th1
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser2
- Mixed1
Reviewers score the dialogue 37/100 and the plot and story 48/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Max Morgan Witts work with?
People who share at least 2 of Max Morgan Witts' Motif titles, grouped by what they did on them; Gordon Thomas shares the most, 4.
Writers
- Gordon ThomasShared titles: The Day the Bubble Burst (1982), Enola Gay: The Men, the Mission, the Atomic Bomb (1980), When Time Ran Out... (1980), Voyage of the Damned (1976)See all 4 shared titles with Gordon Thomas
Cinematographers
- Robert L. MorrisonShared titles: The Day the Bubble Burst (1982), Enola Gay: The Men, the Mission, the Atomic Bomb (1980)See all 2 shared titles with Robert L. Morrison
Producers
- Franklin R. LevyShared titles: The Day the Bubble Burst (1982), Enola Gay: The Men, the Mission, the Atomic Bomb (1980)See all 2 shared titles with Franklin R. Levy
- Mike WiseShared titles: The Day the Bubble Burst (1982), Enola Gay: The Men, the Mission, the Atomic Bomb (1980)See all 2 shared titles with Mike Wise