Harry L. Wolf
- Cinematographer
- 10 on MovieCove · 19 credits in all
What are Harry L. Wolf's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 7
A split, not a type: Light 5 · Serious 3 · Dark 1
Grounded 4 · Stylized 4 · Heightened 1
Gentle 3 · Charged 4 · Intense 2
Steady 6 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 3
Slow burn 5 · Even-paced 4 · Relentless 0
A split, not a type: Casual 4 · Engaged 5 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 2
Resolved 8 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet1
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Harry L. Wolf's films?
As of October 24, 2026, 1 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Harry L. Wolf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Little House on the Prairie: A Merry Ingalls Christmas (not in the MovieCove catalog yet)(2014)
Darkroom (not in the MovieCove catalog yet)(1981)
The Munsters' Revenge (not in the MovieCove catalog yet)(1981)
The Nude Bomb(1980)
Midcredits score: 15th percentile of all films
The Murder That Wouldn't Die (not in the MovieCove catalog yet)(1980)
Brave New World(1980)
Midcredits score: 61st percentile of all films
Little Mo(1978)
Midcredits score: 69th percentile of all films
Loose Change (not in the MovieCove catalog yet)(1978)
Funny Business(1978)
Midcredits score: 79th percentile of all films (provisional, few ratings)
A Little Game (not in the MovieCove catalog yet)(1977)
Lucas Tanner (not in the MovieCove catalog yet)(1974)
A Cry in the Wilderness(1974)
Midcredits score: 51st percentile of all films
The Snoop Sisters (not in the MovieCove catalog yet)(1973)
The Female Instinct (not in the MovieCove catalog yet)(1972)
Midcredits score: 29th percentile of all films
Midcredits score: 53rd percentile of all films
The Devil and Miss Sarah(1971)
Midcredits score: 30th percentile of all films
Two on a Bench(1971)
Midcredits score: 29th percentile of all films (provisional, few ratings)
Petticoat Junction(1963)
Midcredits score: 44th percentile of all shows
Career shape
A full career of 18 titles from 1963 to 2014.
Biggest box office
The Nude Bomb (1980)
Highest rated
Brave New World (1980)
Most popular right now
The Nude Bomb (1980)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Harry L. Wolf's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 10 titles are Crowd Pleasers.
- Cult Classic2
- Crowd Pleaser4
- Mixed4
Reviewers score the cinematography 48/100 in their films, across 6 reviewed titles; fans 52, detractors 36. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Harry L. Wolf work with?
People who share at least 2 of Harry L. Wolf's MovieCove titles, grouped by what they did on them; Jerry Paris shares the most, 2.
Directors
- Jerry ParisShared titles: Two on a Bench (1971), What's a Nice Girl Like You...? (1971)See all 2 shared titles with Jerry Paris
Writers
- Robert E. ThompsonShared titles: Brave New World (1980), The Hound of the Baskervilles (1972)See all 2 shared titles with Robert E. Thompson
Actors
- Liam DunnShared titles: A Cry in the Wilderness (1974), The Hound of the Baskervilles (1972)See all 2 shared titles with Liam Dunn
Composers
- Robert PrinceShared titles: A Cry in the Wilderness (1974), What's a Nice Girl Like You...? (1971)See all 2 shared titles with Robert Prince
Producers
- Robert F. O'NeillShared titles: The Devil and Miss Sarah (1971), What's a Nice Girl Like You...? (1971)See all 2 shared titles with Robert F. O'Neill
Mixed roles
- Leonard SternShared titles: The Nude Bomb (1980), Funny Business (1978)See all 2 shared titles with Leonard Stern
- Norman LloydShared titles: The Nude Bomb (1980), What's a Nice Girl Like You...? (1971)See all 2 shared titles with Norman Lloyd
