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Lisa Wolofsky

Lisa Wolofsky

Producer

Lisa has over twenty-five years of experience in the media industries in business, finance, and production. While representing and consulting various financiers and producers in the area of independent film finance, Lisa is also developing and producing her own film and television projects as well as acting as co-producer and consultant on numerous live theatre shows. Lisa initially worked for Premium Sound, a post-production sound company and then at various production companies including Kingsborough Greenlight Pictures, Allegro Entertainment and MUSE Entertainment as well as Head of Business Affairs for Film Finances Canada in Montreal, Quebec where she resides. In 2000, Lisa accepted a position as Manager of the gap financing portfolio for film and television at FIDEC (dissolved in 2012), partners of the fund included the cultural arm of the Government of Quebec, The National Bank of Canada and the FTQ. In 2011, Lisa joined the National Bank of Canada as Account Manager and Gap Financing specialist. In 2014, Lisa was promoted to Associate Vice President and launched the bank's International Group within the Creative Industries sector which offered an innovative array of specialized products, providing bridge, gap, mezzanine and revenue participation loans to clients worldwide with a focus on US Productions. During her tenure at the bank, the creative industries group financed hundreds of millions of dollars in production loans. In addition to acting as an AVP at NBoC, Lisa acted as Producer on the film Carrie Pilby (Netflix) She also acted as Executive Producer on various films including Submergence, directed by Wim Wenders and starring Alicia Vikander and James McAvoy, Woman Walks Ahead starring Jessica Chastain, Crooked House, starring Glenn Close, Indignation starring Sarah Gadon and Logan Lerman, Brain on Fire starring Chloë Grace Moretz, Bel Canto starring Julianne Moore and Last Full Measure starring Samuel L. Jackson and Sebastian Stan. Lisa is involved in Co-Producing live theatre performances through her company Leonoff/Federman/Wolofsky and has co-produced the musical Get Up! Stand Up! The Bob Marley musical which opened in Londons West End in October 2021, Thoughts of a Colored Man which opened on Broadway October 2021, the Broadway revival of Funny Girl starring Lea Michelle which opened in April 2022 and Tommy the Musical opened on Broadway on March 4th, 2024. Lisa is also a Co-Producer of Devil Wears Prada now playing (and breaking box office records) in the West End's Dominion Theatre. Upcoming productions coming to Broadway in 2026 include Sinatra The Musical and Prince's Purple Rain. A selection of upcoming projects include Late Fame, staring Willem Dafoe and Greta Lee, directed by Kent Jones. The Housewife, staring Naomi Watts, Ty Sheridan, Michael Imperioli and Luke Evans, directed by Ben Shirinian. Tow, staring Rose Byrne, Octavia Spencer, Dominic Sessa, directed by Stephanie Laing which premiered at Tribeca Film Festival 2025, and Adulthood, staring Josh Gad and Kaya Scodelario, directed by Alex Winter, all projects are presently in post-production. Up next: a feature film titled Florentine, a remake of the hit 1989 film Dead Calm which starred Nicole Kidman, and a feature film based on the life of spiritualist Alan Watts. Lisa is developing a limited series entitled HOUSE ON FIRE with Sphere Media. Additionally, Lisa sits on the Advisory Board of the Vespucci Group.

Read more

Biography from IMDb.

Works as
Producer
Titles
22 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27

What are Lisa Wolofsky's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy6 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Comedy movies
Biography5 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Biography movies
Drama4 titlesTypical Midcredits score: 32nd percentile
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 41st percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
27%
Bonds
19%
Society
16%
Survival
12%
Morality
9%
Ideas
9%
Power
8%
Identity6 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themePurpose3 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 14 · Stylized 6 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 11 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 11 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 5 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 11 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 14 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 10 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Melancholic
6
Hopeful
6
Contemplative
6
Bittersweet
5
Other
16

How their films linger

Hopeful9 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet14
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lisa Wolofsky's films?

As of October 24, 2026, 16 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Lisa Wolofsky's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 22 with a MovieCove page.

  • The Stunt Driver(2026)

    Executive Producer

    Midcredits score: 61st percentile of all films

  • Late Fame(2025)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • Tow(2025)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Adulthood(2025)

    Producer

    Midcredits score: 20th percentile of all films

  • The World According to Allee Willis(2024)

    Executive Producer

    Midcredits score: 91st percentile of all films

  • Murder at Yellowstone City(2022)

    Producer

    Midcredits score: 26th percentile of all films

  • Love, Weddings & Other Disasters(2020)

    Executive Producer

    Midcredits score: 15th percentile of all films

  • Fatman(2020)

    Producer

    Midcredits score: 35th percentile of all films

  • The Last Full Measure(2019)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • Random Acts of Violence(2019)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • At First Light(2018)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • Bel Canto(2018)

    Executive Producer

    Midcredits score: 28th percentile of all films

  • The White Crow(2018)

    Executive Producer

    Midcredits score: 65th percentile of all films

  • Woman Walks Ahead(2017)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • Ideal Home(2018)

    Executive Producer

    Midcredits score: 66th percentile of all films

  • Submergence(2017)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • Crooked House(2017)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Carrie Pilby(2016)

    Producer

    Midcredits score: 69th percentile of all films

  • Brain on Fire(2016)

    Executive Producer

    Midcredits score: 66th percentile of all films

  • Indignation(2016)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • Elvis & Nixon(2016)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • And So It Goes(2014)

    Thanks

    Midcredits score: 33rd percentile of all films

  • Claire (not in the MovieCove catalog yet)

    Executive Producer

  • The Very Best People (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 24 titles, 22 of them dated from 2014 to 2026.

Biggest box office

The White Crow (2018)

$7.6M worldwide

Highest rated

Indignation (2016)

Midcredits 72nd

Most popular right now

Late Fame (2025)

By role

only this rolewith another role
Producing23 of 24: 23 only producing, 0 with another role · typical Midcredits score55thOther crew1 of 24: 1 only other crew, 0 with another role

By decade

2010s13 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lisa Wolofsky's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 22; across their 20 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 20

Approval · how many liked their films

52ndpercentile
Typical film, the median of 20

Reach · how many have seen their films

86thpercentile
Typical film, the median of 20

Midcredits score across 22 titles, by percentile

  • 75th and up1
  • 50th to 74th12
  • 25th to 49th5
  • Below 25th4

Shape of the crowd

10 of their 22 titles are Crowd Pleasers.

  • Crowd Pleaser10
  • Broadly Agreed2
  • Mixed10

Most divisive · producer

The World According to Allee Willis (2024)

78th percentile spread · 16% rated it 4 or lower

Most loved · producer

The World According to Allee Willis (2024)

Midcredits 91st · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lisa Wolofsky's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles5–77 · median 28 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity14 titles16–47 · median 32 · mildnear the median of all filmsMedian of all films: 32
Profanity10 titles36–72 · median 44 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs8 titles32–51 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles9–71 · median 41 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lisa Wolofsky work with?

People who share at least 2 of Lisa Wolofsky's MovieCove titles, grouped by what they did on them; Jay Baruchel shares the most, 2.

Actors

Cinematographers

Producers

Mixed roles