
Frederick Worlock
Actor · Died August 1, 1973, aged 86 · London, England, UK
Frederick Worlock was a British-American actor. He is known for his work in various films during the 1940s and 1950s, and as the voice of Horace in One Hundred and One Dalmatians. On stage, he made his début in 1906 in Henry V in Bristol and acted in four productions in London before moving to the United States in the 1920s, where he appeared in Broadway productions between 1923 and 1954. From 1938 to 1966, Worlock appeared as a supporting actor in films including Man Hunt, Dr. Jekyll and Mr. Hyde, How Green Was My Valley, The Imperfect Lady, Singapore, The Lone Wolf in London, Love from a Stranger, Ruthless, Joan of Arc, Spartacus, One Hundred and One Dalmatians (voice-over), and Spinout. He appeared in a number of the Sherlock Holmes films starring Basil Rathbone in the 1940s. The diginfied-looking British actor often portrayed "professorial roles, some benign, some villainous". Worlock died from cerebral ischemia in 1973, at the age of 86.
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Biography from TMDB.
- December 14, 1886
- August 1, 1973 (aged 86)
- London, England, UK
- Actor
- 43 on MovieCove · 73 credits in all
What are Frederick Worlock's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 3 · Serious 6 · Dark 4
A split, not a type: Grounded 7 · Stylized 6 · Heightened 0
Gentle 3 · Charged 6 · Intense 4
A split, not a type: Steady 8 · Shifting 4 · Whiplash 1
Straight-faced 10 · Some laughs 3 · Funny 0
Slow burn 4 · Even-paced 8 · Relentless 1
Casual 3 · Engaged 10 · Full focus 0
A split, not a type: Easy watch 6 · Affecting 4 · Heavy 3
Resolved 7 · Open-ended 4 · Ambiguous 2
Roles they play
- Heraldas Lord Gerald Risborough in Man Hunt (1941)
- Allyas Colonel in One Hundred and One Dalmatians (1961)
Moods and endings
- Happy6
- Bittersweet2
- Tragic3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Frederick Worlock's films?
As of October 24, 2026, 13 of their 43 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Frederick Worlock's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
73 credits, 43 with a MovieCove page.

Disney's Halloween Treat(1984)
Midcredits score: 94th percentile of all films
Elizabeth the Queen (not in the MovieCove catalog yet)(1968)

Spinout(1966)
Midcredits score: 33rd percentile of all films
Strange Bedfellows(1965)
Midcredits score: 46th percentile of all films
The Invincible Mr. Disraeli (not in the MovieCove catalog yet)(1963)

The Notorious Landlady(1962)
Midcredits score: 72nd percentile of all films
Midcredits score: 90th percentile of all films
Spartacus(1960)
Midcredits score: 97th percentile of all films
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Midcredits score: 96th percentile of all shows
MGM Parade (not in the MovieCove catalog yet)(1955)
King Richard II (not in the MovieCove catalog yet)(1954)

King Lear (not in the MovieCove catalog yet)(1953)

Robert Montgomery Presents (not in the MovieCove catalog yet)(1950)
Midcredits score: 61st percentile of all films
Joan of Arc(1948)
Midcredits score: 55th percentile of all films
Studio One (not in the MovieCove catalog yet)(1948)

Johnny Belinda(1948)
Midcredits score: 94th percentile of all films
Ruthless (not in the MovieCove catalog yet)(1948)

A Woman's Vengeance(1948)
Midcredits score: 75th percentile of all films
A Double Life(1947)
Midcredits score: 76th percentile of all films
Love from a Stranger (not in the MovieCove catalog yet)(1947)

Forever Amber(1947)
Midcredits score: 60th percentile of all films
Singapore (not in the MovieCove catalog yet)(1947)

Last of the Redmen(1947)
Midcredits score: 13th percentile of all films
The Macomber Affair(1947)
Midcredits score: 65th percentile of all films
The Locket(1946)
Midcredits score: 83rd percentile of all films
The Imperfect Lady (not in the MovieCove catalog yet)(1946)

Dressed to Kill(1946)
Midcredits score: 74th percentile of all films
She-Wolf of London(1946)
Midcredits score: 14th percentile of all films
Terror by Night(1946)
Midcredits score: 73rd percentile of all films
Captain Kidd(1945)
Midcredits score: 51st percentile of all films
Pursuit to Algiers(1945)
Midcredits score: 76th percentile of all films
Scotland Yard Investigator (not in the MovieCove catalog yet)(1945)

The Fatal Witness(1945)
Midcredits score: 35th percentile of all films
The Woman in Green(1945)
Midcredits score: 68th percentile of all films
Hangover Square (not in the MovieCove catalog yet)(1945)

The Lodger(1944)
Midcredits score: 79th percentile of all films
Jane Eyre(1943)
Midcredits score: 88th percentile of all films
Madame Curie(1943)
Midcredits score: 86th percentile of all films
Sahara(1943)
Midcredits score: 93rd percentile of all films
Midcredits score: 80th percentile of all films
Passport to Suez (not in the MovieCove catalog yet)(1943)

Secret Service In Darkest Africa (not in the MovieCove catalog yet)(1943)

Appointment in Berlin (not in the MovieCove catalog yet)(1943)

The Mantrap (not in the MovieCove catalog yet)(1943)

Air Raid Wardens (not in the MovieCove catalog yet)(1943)

London Blackout Murders (not in the MovieCove catalog yet)(1943)

The Black Swan(1942)
Midcredits score: 69th percentile of all films
Keep 'Em Sailing (not in the MovieCove catalog yet)(1942)

Madero of Mexico (not in the MovieCove catalog yet)(1942)

Eagle Squadron (not in the MovieCove catalog yet)(1942)

Pacific Rendezvous (not in the MovieCove catalog yet)(1942)

Captains of the Clouds(1942)
Midcredits score: 58th percentile of all films
How Green Was My Valley(1941)
Midcredits score: 95th percentile of all films
International Lady(1941)
Midcredits score: 66th percentile of all films
A Yank in the RAF(1941)
Midcredits score: 54th percentile of all films
Dr. Jekyll and Mr. Hyde(1941)
Midcredits score: 71st percentile of all films
Man Hunt(1941)
Midcredits score: 85th percentile of all films
Rage in Heaven(1941)
Midcredits score: 56th percentile of all films
Hudson's Bay (not in the MovieCove catalog yet)(1940)

Murder Over New York (not in the MovieCove catalog yet)(1940)

South of Suez (not in the MovieCove catalog yet)(1940)

He Stayed for Breakfast (not in the MovieCove catalog yet)(1940)

The Sea Hawk(1940)
Midcredits score: 94th percentile of all films
Moon Over Burma (not in the MovieCove catalog yet)(1940)

Strange Cargo(1940)
Midcredits score: 76th percentile of all films
Northwest Passage(1940)
Midcredits score: 79th percentile of all films
The Earl of Chicago(1940)
Midcredits score: 48th percentile of all films
Balalaika(1939)
Midcredits score: 44th percentile of all films
Lady of the Tropics(1939)
Midcredits score: 49th percentile of all films
Miracles for Sale (not in the MovieCove catalog yet)(1939)
Two Masters (not in the MovieCove catalog yet)(1928)
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 73 titles from 1928 to 1982; peak year 1960.

Biggest box office
One Hundred and One Dalmatians (1961)

Highest rated
One Hundred and One Dalmatians (1961)
Film career
Peak 1960 · fewer prominent film roles lately. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1940Screen debut· Strange Cargo
- 1961Career best· One Hundred and One Dalmatians
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Frederick Worlock's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 41; across their 13 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up20
- 50th to 74th15
- 25th to 49th6
- Below 25th2
Shape of the crowd
None of their 43 titles divides audiences: 27 are Crowd Pleasers.
- Universally Loved9
- Crowd Pleaser27
- Broadly Agreed5
- Mixed2
Reviewers score the acting 68/100 in their films, across 13 reviewed titles; fans 76, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Frederick Worlock work with?
People who share at least 2 of Frederick Worlock's MovieCove titles, grouped by what they did on them; Roy William Neill shares the most, 3.
Directors
- Roy William NeillShared titles: Dressed to Kill (1946), Terror by Night (1946), The Woman in Green (1945)See all 3 shared titles with Roy William Neill

Writers
- Arthur Conan DoyleShared titles: Dressed to Kill (1946), Terror by Night (1946), The Woman in Green (1945)See all 3 shared titles with Arthur Conan Doyle

- Frank GruberShared titles: Dressed to Kill (1946), Terror by Night (1946)See all 2 shared titles with Frank Gruber
- George OppenheimerShared titles: Strange Cargo (1940), Lady of the Tropics (1939)See all 2 shared titles with George Oppenheimer
Actors
- Basil RathboneShared titles: Dressed to Kill (1946), Terror by Night (1946), The Woman in Green (1945)See all 3 shared titles with Basil Rathbone

- Nigel BruceShared titles: Dressed to Kill (1946), Terror by Night (1946), The Woman in Green (1945)See all 3 shared titles with Nigel Bruce

- Carl HarbordShared titles: The Macomber Affair (1947), Dressed to Kill (1946)See all 2 shared titles with Carl Harbord

- Evelyn AnkersShared titles: Last of the Redmen (1947), The Fatal Witness (1945)See all 2 shared titles with Evelyn Ankers

Composers, cinematographers and editors
- Maury GertsmanShared titles: Dressed to Kill (1946), She-Wolf of London (1946), Terror by Night (1946)See all 3 shared titles with Maury Gertsman
- Franz WaxmanShared titles: Dr. Jekyll and Mr. Hyde (1941), Strange Cargo (1940), Lady of the Tropics (1939)See all 3 shared titles with Franz Waxman

- Saul A. GoodkindShared titles: Dressed to Kill (1946), Terror by Night (1946)See all 2 shared titles with Saul A. Goodkind
- George J. FolseyShared titles: Rage in Heaven (1941), Lady of the Tropics (1939)See all 2 shared titles with George J. Folsey

Producers
- Howard BenedictShared titles: Dressed to Kill (1946), Terror by Night (1946), The Woman in Green (1945)See all 3 shared titles with Howard Benedict




