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Richard G. Wray

Editor · Died March 12, 1981, aged 68 · Arizona, USA

Born
March 28, 1912
Died
March 12, 1981 (aged 68)
From
Arizona, USA
Works as
Editor
Titles
25 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 20% in 30 days

What are Richard G. Wray's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama9 titlesTypical Midcredits score: 26th percentile
: browse their Drama movies
Comedy4 titlesTypical Midcredits score: 51st percentile, at or above their average across these genres
: browse their Comedy movies
Crime3 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Crime movies
Action2 titlesTypical Midcredits score: 20th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
57%
Bonds
17%
Society
8%
Power
7%
Self
5%
Survival
3%
Ideas
3%
Justice14 titles, browse their movies with this themeDeception8 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 13 · Serious 5 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 16 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 8 · Charged 9 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 7 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 6 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 11 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 14 · Engaged 5 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 19 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Warm
9
Thrilling
6
Hopeful
5
Contemplative
4
Other
9

How their films linger

Feel-good14 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy16
  • Bittersweet3
  • Tragic1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard G. Wray's films?

As of October 24, 2026, 15 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Richard G. Wray's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 25 with a MovieCove page.

  • Kingston (not in the MovieCove catalog yet)(1976)

    Editor

  • The Chadwick Family (not in the MovieCove catalog yet)(1974)

    Editor

  • You'll Never See Me Again(1973)

    Editor

    Midcredits score: 64th percentile of all films

  • All My Darling Daughters(1972)

    Editor

    Midcredits score: 49th percentile of all films

  • Magic Carpet (not in the MovieCove catalog yet)(1972)

    Editor

  • The Woman I Love(1972)

    Editor

    Midcredits score: 69th percentile of all films (provisional, few ratings)

  • River of Mystery (not in the MovieCove catalog yet)(1971)

    Editor

  • The Cockeyed Cowboys of Calico County(1970)

    Editor

    Midcredits score: 53rd percentile of all films

  • Istanbul Express(1968)

    Editor

    Midcredits score: 37th percentile of all films

  • Marcus Welby, M.D.(1969)

    Show Editor

    Midcredits score: 47th percentile of all shows

  • Escape to Mindanao (not in the MovieCove catalog yet)(1968)

    Editor

  • Adam-12(1968)

    Show 1 episode · Editor

    Midcredits score: 78th percentile of all shows

  • Prescription: Murder(1968)

    Editor

    Midcredits score: 97th percentile of all films

  • Stranger on the Run(1967)

    Editor

    Midcredits score: 54th percentile of all films

  • Winchester '73(1967)

    Editor

    Midcredits score: 23rd percentile of all films

  • The Longest Hundred Miles (not in the MovieCove catalog yet)(1967)

    Editor

  • Escape to Sonoita (not in the MovieCove catalog yet)(1960)

    Editorial Manager

  • Startime (not in the MovieCove catalog yet)(1959)

    Show 1 episode · Editorial Services

  • Strange Witness (not in the MovieCove catalog yet)(1958)

    Editorial Manager

  • Leave It to Beaver(1957)

    Show 22 episodes · Editorial Coordinator · Editorial Manager

    Midcredits score: 72nd percentile of all shows

  • Suspicion (not in the MovieCove catalog yet)(1957)

    Show 1 episode · Editorial Manager

  • Tales of Wells Fargo(1957)

    Show 1 episode · Editorial Coordinator · Editorial Manager

    Midcredits score: 86th percentile of all shows

  • Santa Claus and the Tenth Avenue Kid (not in the MovieCove catalog yet)(1955)

    Editorial Manager

  • General Electric Theater (not in the MovieCove catalog yet)(1953)

    Show 2 episodes · Supervising Editor

  • The Lone Ranger(1949)

    Show 3 episodes · Editor

    Midcredits score: 74th percentile of all shows

  • Magic Town(1947)

    Editor

    Midcredits score: 62nd percentile of all films

  • The Strange Woman(1946)

    Editor

    Midcredits score: 62nd percentile of all films

  • The Terror of Tiny Town(1938)

    Editor

    Midcredits score: 5th percentile of all films

  • Frontier Scout(1938)

    Editor

    Midcredits score: 19th percentile of all films

  • Phantom Ranger(1938)

    Editor

    Midcredits score: 26th percentile of all films

  • Roaring Six Guns(1937)

    Editor

    Midcredits score: 42nd percentile of all films (provisional, few ratings)

  • The Fighting Texan (not in the MovieCove catalog yet)(1937)

    Editor

  • Whistling Bullets(1937)

    Editor

    Midcredits score: 29th percentile of all films (provisional, few ratings)

  • The Devil Diamond (not in the MovieCove catalog yet)(1937)

    Editor

  • Young Dynamite(1937)

    Editor

    Midcredits score: 12th percentile of all films (provisional, few ratings)

  • Born to Fight(1936)

    Editor

    Midcredits score: 32nd percentile of all films

  • Black Gold(1936)

    Editor

    Midcredits score: 10th percentile of all films

  • Timber War(1935)

    Editor

    Midcredits score: 17th percentile of all films (provisional, few ratings)

  • The Red Blood of Courage(1935)

    Editor

    Midcredits score: 15th percentile of all films

Career shape

A full career of 36 titles from 1935 to 1976.

Biggest box office

Stranger on the Run (1967)

$1M worldwide

Highest rated

Prescription: Murder (1968)

Midcredits 97th

Most popular right now

Marcus Welby, M.D. (1969)

By role

only this rolewith another role
Editing29 of 36: 29 only editing, 0 with another role · typical Midcredits score46thOther crew7 of 36: 7 only other crew, 0 with another role

By decade

1930s10 · crew1940s3 · crew1950s7 · crew1960s8 · crew1970s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard G. Wray's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 20; across their 20 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 20

Approval · how many liked their films

27thpercentile
Typical film, the median of 20

Reach · how many have seen their films

18thpercentile
Typical film, the median of 20

Midcredits score across 25 titles, by percentile

  • 75th and up3
  • 50th to 74th8
  • 25th to 49th7
  • Below 25th7

Shape of the crowd

12 of their 25 titles are Mixed.

  • Universally Loved1
  • Crowd Pleaser10
  • Broadly Agreed2
  • Mixed12

Most divisive · editor

The Terror of Tiny Town (1938)

75th percentile spread · 64% rated it 4 or lower

Most loved · editor

Prescription: Murder (1968)

Midcredits 97th · 90% liked

Reviewers score the pacing 50/100 in their films, across 16 reviewed titles; fans 59, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Richard G. Wray work with?

People who share at least 2 of Richard G. Wray's MovieCove titles, grouped by what they did on them; Maurice Conn shares the most, 8.

Directors

Writers

Actors

Cinematographers and editors

Producers