I.A.R. Wylie
Writer · Died November 4, 1959, aged 74 · Melbourne, Australia
- March 16, 1885
- November 4, 1959 (aged 74)
- Melbourne, Australia
- Writer
- 8 on MovieCove · 26 credits in all
What are I.A.R. Wylie's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 4 · Serious 3 · Dark 1
Grounded 4 · Stylized 4 · Heightened 0
Gentle 2 · Charged 6 · Intense 0
Steady 5 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 2
Slow burn 3 · Even-paced 5 · Relentless 0
Casual 5 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 4 · Heavy 1
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch I.A.R. Wylie's films?
As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for I.A.R. Wylie's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 8 with a MovieCove page.
Torch Song(1953)
Midcredits score: 32nd percentile of all films
Midcredits score: 76th percentile of all films
Keeper of the Flame(1942)
Midcredits score: 68th percentile of all films
Four Sons (not in the MovieCove catalog yet)(1940)
The Under-Pup (not in the MovieCove catalog yet)(1939)
The Young in Heart(1938)
Midcredits score: 85th percentile of all films
Vivacious Lady(1938)
Midcredits score: 87th percentile of all films
That Man's Here Again(1937)
Midcredits score: 20th percentile of all filmsSomeday (not in the MovieCove catalog yet)(1935)
A Feather in Her Hat(1935)
Midcredits score: 53rd percentile of all films
Pilgrimage (not in the MovieCove catalog yet)(1933)
Evenings for Sale (not in the MovieCove catalog yet)(1932)
The Wonderful Story (not in the MovieCove catalog yet)(1932)
Young Nowheres (not in the MovieCove catalog yet)(1929)
The Foreign Legion (not in the MovieCove catalog yet)(1928)
Four Sons(1928)
Midcredits score: 85th percentile of all films
A Man Must Live (not in the MovieCove catalog yet)(1925)
The Gaiety Girl (not in the MovieCove catalog yet)(1924)
The Grass Orphan (not in the MovieCove catalog yet)(1922)
The Wonderful Story (not in the MovieCove catalog yet)(1922)
Shattered Idols (not in the MovieCove catalog yet)(1922)
The Price of Redemption (not in the MovieCove catalog yet)(1920)
Stronger Than Death (not in the MovieCove catalog yet)(1920)
For Valour (not in the MovieCove catalog yet)(1917)
The Birth of Patriotism (not in the MovieCove catalog yet)(1917)
The Unknown (not in the MovieCove catalog yet)(1915)
Career shape
A full career of 25 titles from 1915 to 1953.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do I.A.R. Wylie's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up4
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
6 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser6
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 52/100 and the plot and story 46/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does I.A.R. Wylie work with?
People who share at least 2 of I.A.R. Wylie's MovieCove titles, grouped by what they did on them; Billie Burke shares the most, 2.
Actors
- Billie BurkeShared titles: The Young in Heart (1938), A Feather in Her Hat (1935)See all 2 shared titles with Billie Burke
- Lawrence GrantShared titles: The Young in Heart (1938), A Feather in Her Hat (1935)See all 2 shared titles with Lawrence Grant
Composers and cinematographers
- Franz WaxmanShared titles: Phone Call from a Stranger (1952), The Young in Heart (1938)See all 2 shared titles with Franz Waxman
- William H. DanielsShared titles: Keeper of the Flame (1942), The Young in Heart (1938)See all 2 shared titles with William H. Daniels
Mixed roles
- Henry BermanShared titles: Torch Song (1953), Vivacious Lady (1938)See all 2 shared titles with Henry Berman