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MovieCove

Hiroshi Yamada

Editor

Works as
Editor
Titles
6 on MovieCove · 37 credits in all
TMDB popularity, last 38 days to Oct 27Up 38% in 30 days

What are Hiroshi Yamada's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 4

Grounded 2 · Stylized 3 · Heightened 0

Gentle 0 · Charged 3 · Intense 2

Steady 1 · Shifting 4 · Whiplash 0

Straight-faced 5 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 0 · Affecting 2 · Heavy 3

Resolved 3 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
4
Dread
2
Triumphant
1
Hopeful
1
Other
1

How their films end

  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hiroshi Yamada's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).

Subscription and free streaming for Hiroshi Yamada's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 6 with a MovieCove page.

  • The Fox Dancing in the Dusk (not in the MovieCove catalog yet)(1984)

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  • Shadow Hunters (not in the MovieCove catalog yet)(1983)

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  • The Kōsuke Kindaichi Series 2: The Mummy Bride (not in the MovieCove catalog yet)(1983)

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  • The Bored Samurai (not in the MovieCove catalog yet)(1983)

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  • The Law of Hell (not in the MovieCove catalog yet)(1982)

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  • Murderer! (not in the MovieCove catalog yet)(1976)

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  • Island of Horrors (not in the MovieCove catalog yet)(1970)

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  • Haunted Castle (not in the MovieCove catalog yet)(1969)

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  • Blood End (not in the MovieCove catalog yet)(1969)

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  • Lefty Fencer (not in the MovieCove catalog yet)(1969)

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  • 手錠無用 (not in the MovieCove catalog yet)(1969)

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  • Crimes of Sex (not in the MovieCove catalog yet)(1969)

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  • The Two Bodyguards (not in the MovieCove catalog yet)(1968)

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  • The Snow Woman(1968)

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    Midcredits score: 90th percentile of all films
  • Sleepy Eyes of Death 10: Hell Is a Woman (not in the MovieCove catalog yet)(1968)

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  • The Hoodlum Priest (not in the MovieCove catalog yet)(1967)

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  • Hoodlum Soldier on the Attack (not in the MovieCove catalog yet)(1967)

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  • Sleepy Eyes of Death 9: Trail of Traps (not in the MovieCove catalog yet)(1967)

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  • Drunken Harbor (not in the MovieCove catalog yet)(1966)

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  • Hoodlum Soldier's Flight to Freedom (not in the MovieCove catalog yet)(1966)

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  • Daimajin(1966)

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    Midcredits score: 72nd percentile of all films
  • The Thieves' Who's Who (not in the MovieCove catalog yet)(1966)

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  • Hoodlum Soldier and the C.O. (not in the MovieCove catalog yet)(1965)

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  • Zatoichi's Revenge(1965)

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    Midcredits score: 88th percentile of all films
  • Bloody Shuriken (not in the MovieCove catalog yet)(1965)

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  • Midcredits score: 82nd percentile of all films
  • The Life of a Chivalrous Man in Suruga: Broken Swords (not in the MovieCove catalog yet)(1964)

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  • Shinobi no Mono 4: Siege (not in the MovieCove catalog yet)(1964)

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  • Homeless Dog (not in the MovieCove catalog yet)(1964)

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  • Sleepy Eyes of Death 1: The Chinese Jade (not in the MovieCove catalog yet)(1963)

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  • Midcredits score: 87th percentile of all films
  • A Samurai Never Tells a Lie (not in the MovieCove catalog yet)(1963)

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  • Midcredits score: 90th percentile of all films
  • The Fencing Master (not in the MovieCove catalog yet)(1962)

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  • Oniisan to oneesan (not in the MovieCove catalog yet)(1961)

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  • Koina no Ginpei (not in the MovieCove catalog yet)(1961)

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  • A Maiko's Holiday (not in the MovieCove catalog yet)(1961)

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Career shape

A full career of 37 titles from 1961 to 1984.

By role

only this rolewith another role
Editing37 of 37: 37 only editing, 0 with another role · typical Midcredits score88th

By decade

1960s30 · crew1970s2 · crew1980s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hiroshi Yamada's films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 5

Approval · how many liked their films

89thpercentile
Typical film, the median of 5

Reach · how many have seen their films

58thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up5
  • 50th to 74th1

Shape of the crowd

None of their 6 titles divides audiences: 6 are Crowd Pleasers.

  • Crowd Pleaser6

Reviewers score the pacing 47/100 in their films, across 5 reviewed titles; fans 54, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hiroshi Yamada work with?

People who share at least 2 of Hiroshi Yamada's MovieCove titles, grouped by what they did on them; Akira Ifukube shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers