Sachiko Yamaji
- Editor
- 3 on MovieCove
What are Sachiko Yamaji's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 0 · Stylized 1 · Heightened 2
Gentle 0 · Charged 0 · Intense 3
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 1 · Open-ended 0 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sachiko Yamaji's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on The Criterion Channel (2).
Subscription and free streaming for Sachiko Yamaji's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.

Farewell to the Ark(1984)
Midcredits score: 83rd percentile of all films
Ballad of Orin(1977)
Midcredits score: 90th percentile of all films
Midcredits score: 89th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1975 to 1984.
How do Sachiko Yamaji's films land?
Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up3
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sachiko Yamaji work with?
People who share at least 2 of Sachiko Yamaji's MovieCove titles, grouped by what they did on them; Masahiro Shinoda shares the most, 2.
Directors
- Masahiro ShinodaShared titles: Ballad of Orin (1977), Under the Blossoming Cherry Trees (1975)See all 2 shared titles with Masahiro Shinoda

Actors
- Yoshio HaradaShared titles: Farewell to the Ark (1984), Ballad of Orin (1977)See all 2 shared titles with Yoshio Harada

- Jun HamamuraShared titles: Ballad of Orin (1977), Under the Blossoming Cherry Trees (1975)See all 2 shared titles with Jun Hamamura

- Shima IwashitaShared titles: Ballad of Orin (1977), Under the Blossoming Cherry Trees (1975)See all 2 shared titles with Shima Iwashita

Composers and cinematographers
- Tatsuo SuzukiShared titles: Farewell to the Ark (1984), Under the Blossoming Cherry Trees (1975)See all 2 shared titles with Tatsuo Suzuki

- Tôru TakemitsuShared titles: Ballad of Orin (1977), Under the Blossoming Cherry Trees (1975)See all 2 shared titles with Tôru Takemitsu
